Norway

White Arkitekter has proposed a timber-framed "lantern" design for in a new addition to the local art center in Akershus, Norway as part of a limited architecture competition. The design by White Arkitekter was selected as a runner-up, with Haugen/Zohar Arkitekter named the winner. White’s design aims to connect the art facilities to adjacent historical institutions and create additional public space.

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Büro Ziyu Zhuang and RSAA have released images of Kunstsilo, their proposal for the Tangen Collection and Sørlandets Kunstmuseum in Kristiansand, Norway. The design is centered around a historical grain silo, simultaneously preserving, modifying, and adding to the existing site.

The design carves a curved void into the concrete silo, producing a shelter for visitors and revealing the form within. The circulation then follows the former path of the grain through a new structure on the eastern side envisioned as an open box with an industrial glass envelope. The extension of the silo, new volumes, and adjacent canal produce a new plaza that spans the length of the silo.

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Schmidt Hammer Lassen Architects has won an international competition for the design of an urban redevelopment plan and high-rise in Stavanger, Norway. Beating out entries from Snøhetta, UNStudio, Dark Arkitekter and Eder Biesel Arkitekter, the winning proposal, “Breiavatnet Lanterna,” features a dynamic scheme to support the proliferation of sustainable and creative work environments throughout the city.

The project encompasses a new public center, the transformation of an existing park and a new 101 meter (331 foot) tall tower that will contain 18,170 square meters (195,580 square feet) of highly-flexible space for offices, restaurants, conferences and exhibitions. Both the ground and top floors of the high-rise will be publicly accessible, ensuring the building will remain an asset for the entire community.

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PANDA, an exhibition by OMA & Bengler, opens today at the 2016 Oslo Architecture Triennale – After Belonging.

From the architect. PANDA investigates the accelerating influence of digital sharing platforms, their social and political implications, and pervasive impact on the built environment. In the early 2000s, the democratic spaces of the web were greeted as an alternative to centralized commercial and social structure; in 2007, after the financial landslide, the sharing gospel gave hope to those struggling to make a living.

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