Building resilient and sustainable urban centers. That’s going to be the main issue that over 30 speakers will be addressing at the Cities for Tomorrow Conference next Tuesday, April 22 at TheTimesCenter, NY. The event, hosted by NY Times architecture critic Michael Kimmelman, will feature Shigeru Ban‘s first public appearance since winning the Pritzker Architecture Prize. His presentation will be on the eve of the conference, on Monday, April 21. Although the reception is invitation-only, we will be live-tweeting the presentation.
Title: Conference: Cities for Tomorrow
Organizers: The New York Times
From: Mon, 21 Apr 2014
Until: Tue, 22 Apr 2014
Address: 242 West 41st Street, New York, NY 10036, USA
Preparations have commenced to demolish Tod Williams Billie Tsien Architects’ American Folk Art Museum in New York. Despite international backlash from preservationists, architects and critics, the neighboring Museum of Modern Art will raze the 12-year-old structure in an effort to make way for an expansion designed by Diller Scofidio & Renfro. According to recent reports, scaffolding has arrived at the site and will soon be erected in front of the museum’s distinct, copper-bronze facade. More on the controversy, here.
Architects: Skidmore, Owings & Merrill
Location: 65 5th Avenue, New York, NY 10003, USA
Design Partner: Roger Duffy, FAIA
Managing Director: Mark Regulinski, AIA
Project Manager: Chris McCready, AIA
Senior Design Architects: Jon Cicconi, AIA; Colin Koop, AIA
Senior Technical Coordinator: Angelo Arzano, AIA
Technical Coordinator: Kimberly Garcia, AIA
Area: 375000.0 ft2
Photographs: James Ewing
Developers Forest City Ratner Companies (FCRC) and Greenland Group have decided to realize SHoP Architects’ original plan to top Brooklyn’s Barclays Center with a 130,000 square foot green roof. Though the design was first disregarded due to budget cuts, the developers have deemed it necessary to enhance the marketability the Atlantic Yards’ three residential towers – the first is currently underway – and dampen the noise from loud concerts. Little details have been released about the green roof’s design, however rumor has it that it might not be open to the public as it was originally intended.
The editors of PROJECT invite you to celebrate the release of Issue Three at common room, 465 Grand St., New York, NY, this Wednesday, April 9 from 7pm to 9pm. PROJECT investigates the possibilities for developing a a critical position in contemporary architecture. Publishing both visual and written work, the goal of PROJECT is to provide a platform for disseminating ideas.
Issue Three of PROJECT features contributions from common room & Kim Förster, Reinier de Graaf (OMA/AMO), Neil Denari, Edward Eigen, Formless Finder, Adam Fure, John May, Magnus Nilsson, Valerio Olgiati Architect, Pezo von Ellrichshausen, Lola Sheppard (Lateral Office), Jill Stoner, Tom Wiscombe and more. Refreshments will be served, and issues of PROJECT will be available for sale.
Title: Launch: PROJECT’s Latest Issue
From: Wed, 09 Apr 2014 19:00
Until: Wed, 09 Apr 2014 21:00
Address: 465 Grand Street, New York, NY 10002, USA
Skidmore, Owings & Merrill LLP (SOM) has been chosen to design a new teaching and learning facility for Barnard College – Columbia University’s world-renowned liberal arts college for women. The selection committee chose SOM after deeming them the best candidate in three categories: “a history of creative and innovative architecture,” a proven recorded on similar academic projects, and “an internal commitment to woman’s leadership reflected by women holding key roles in the firm.”
With an emphasis on collaborative environments, relaxing atmospheres, and quirky branding, it’s always interesting to take a peek into the offices of tech companies, often found in the sprawling, multi-colored campuses of Silicon Valley. But how does this particular brand of interior design transfer to the more cramped spaces of a Manhattan office block? This video by Internet Week NY takes us behind the scenes at Tumblr, About.com and Fueled Collective to find out.
The event will take place at the Storefront for Art and Architecture April 8, at 7pm. This event is open to all. If you are a Storefront member and would like to reserve a seat, please email firstname.lastname@example.org. If you would like to reserve a seat by becoming a Storefront member, click here.
This event will be streamed live at http://www.ustream.tv/channel/storefront-tv.
Title: Definitions Series: Risk, at the Storefront for Art and Architecture
From: Tue, 08 Apr 2014 19:00
Until: Tue, 08 Apr 2014 21:00
Venue: Storefront for Art and Architecture
Address: 97 Kenmare Street, New York, NY 10012, USA
Critical Shifts is a one-day, student-organized symposium dedicated to exploring the ongoing transformations of critical practice in architecture. The event brings together a diverse group of practitioners in order to investigate how their work (which often combines the activities and approaches of curation, editing, writing, design, teaching, and research) can begin to trace a nuanced map of the fieldʼs current critical terrain.
Critical Shifts will be held at Studio-X NYC in downtown Manhattan on Saturday, April 5th, 2014 from 1-6pm and confirmed guests include Aaron Levy, Adam Bandler, Cynthia Davidson, Felicity D. Scott, Justin McGuirk, Ligia Nobre, Marina Otero Verzier, Mark Wasiuta, Mark Wigley, Matteo Ghidoni, and Tina Di Carlo.
More information can be found here.
Title: Symposium: Interpretations / Critical Shifts
Organizers: Columbia University GSAPP
From: Sat, 05 Apr 2014
Until: Sat, 05 Apr 2014
Venue: Studio-X New York
Address: 180 Varick Street, New York, NY 10014, USA
Robert A.M. Stern’s luxury 520 Park Avenue condominium tower, which is set to take its place on Manhattan skyline by 2017, will be topped with a 12,400 square foot triplex priced at $100 million – the city’s priciest unit. The penthouse will be one of 31 expansive residences offered in the limestone-clad building which, according to the a recent press release, will be “evocative of the great New York apartment buildings of the 1920′s and 1930′s.” Developers William and Arthur Zeckendorf gained approval for the 51-story skyscraper by purchasing $30.4 million in air rights from the neighboring Christ Church.
The construction of Hudson Yards, the biggest private real estate development in the history of the United States and currently the largest development in New York City since the Rockefeller Center, is gaining momentum. The vast infrastructural project in the heart of the city is set to enclose an active rail yard with an expansive platform, paving the way for 28 acres (and 17 million square feet) of commercial and residential space. Housing over 100 commercial units, 5000 residences, 14 acres of open public space, an enormous school and luxury hotel all on top of a working train depot, the project will directly connect to a new subway station and meet with the High Line.
In a symposium at the AIA New York Chapter, seismologists, earthquake engineers, seismic code experts, emergency response managers, and architects conversant in seismic design will assemble for a conversation on available technologies and testing capabilities that, surprisingly, are located in New York State. They will “clarify the evolving role of design professionals, the building industry, and municipal and federal agencies in safeguarding our local communities”, as well as “educate the audience about the earthquakes, subsurface conditions, and construction approaches.”
With completion in sight (May 2014), Davis Brody Bond has released detailed information on the design of the subterranean 9/11 Memorial Museum in Manhattan. Located beneath the sculptural voids that form the 9/11 Memorial, the new museum has transformed a fixed set of geometric constraints into an emotional journey that gently descends visitors 70 feet below the ground level to the original foundations of the World Trade Center towers.
A vision by Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under), Collective–LOK’s compelling proposal to reimagine MoMA PS1’s triangular courtyard with a billowing “urban mirror” was one of five finalists shortlisted for the annual competition’s 15th edition. Though the Living’s compostable brick tower was ultimately crowned winner, the Collective-LOK’s Mirror Mirror was an intriguing proposal that transcended the boundaries of the site.
Maggie’s Cancer Caring Centres are for anyone affected by cancer. Built on the grounds of cancer hospitals, they are designed to be warm, welcoming places that provide practical, emotional, and social support. Conceived by the late Maggie Keswick Jencks, along with her husband Charles Jencks, as a direct response to her own experience with cancer, the first Maggie’s Centre in Edinburgh opened its doors to the public in 1996. Since then, Maggie’s has grown to 17 centers across the United Kingdom and beyond, with many more to follow.
This exhibition will focus in depth on five centers: Maggie’s Dundee, designed by Frank Gehry; Maggie’s Gartnavel, designed by Rem Koolhaas; Maggie’s Nottingham, designed by Piers Gough with interiors designed by Paul Smith; Maggie’s West London, designed by Richard Rogers; and Maggie’s Barts, designed by Steven Holl (not yet realized). In exploring the unique architectural elements of each center, from the undulating roofs of Gehry’s Dundee to Holl’s musically inspired space at the future Maggie’s Barts, the exhibition illustrates the importance of user-focused design in creating an environment of help and healing. By design, Maggie’s combines aspects of healthcare and treatment that are often separate in to a single hybrid building type; a space that is part-hospital, part-church, part-museum, and part-home.
Title: Exhibition / Maggie’s Centres: A Blueprint for Cancer Care
From: Fri, 07 Mar 2014
Until: Fri, 25 Apr 2014
Venue: NYSID Gallery
Address: 161 East 69th Street, New York, NY 10021, USA