Diller Scofidio + Renfro in collaboration with Rockwell Group has released a new animation of “The Shed” (previously known as “The Culture Shed”), a convertible cultural center designed for New York City’s Hudson Yards development overlooking The High Line. When complete, the building will contain 170,000 square feet of exhibition space for temporary installations, concerts, performances and other cultural productions. Watch in the video as The Shed grows out of its partnering residential skyscraper, also designed by Diller Scofidio + Renfro and Rockwell Group, and transforms to serve various program types.
A part of Phase 1 of the Hudson Yards project, construction on The Shed began in mid-2015 and is scheduled to be completed in 2019. The venue will serve as the new home of several high profile events, including New York Fashion Week.
Through Raise/Raze, the firm reused plastic balls from Snarkitecture’s “The Beach” at the National Building Museum to create an installation in DC’s Dupont Underground, a contemporary arts and culture space repurposed from an abandoned trolley station. Raise/Raze opened on April 30, and closed on June 1.
Located at the Socrates Sculpture Park in Queens, New York, Sticks is a multi-purpose pavilion space made of standard dimension lumber and accented with scrap wood found on-site. The pavilion opened on July 9, and will close December 31.
CetraRuddy has been selected to design a new 18-story office building in Manhattan’s trendy Meatpacking District. With plans filed before zoning ordinances in the area changed the height limit to 130 feet, the project will feature an extra 140 feet, with a total height of 270 feet.
Located on West 15th Street near Ninth Avenue, the office building—which was previously designed as a hotel—will connect to a landmark district building on West 14th Street, which will be renovated as a part of the project. Together, the two buildings will feature 250,000 square feet of office space with a landscaped rooftop and an additional five terraces for communal work and relaxation areas.
A new landmark on the Brooklyn skyline, TEN Arquitectos’ DBCD (Downtown Brooklyn Cultural District) South building at 300 Ashland, is nearing completion, with tenants expected to move in by the end of the summer. The mixed-use building will feature 379 apartment units and will also become the new home of a number of cultural tenants, including the performing arts organization 651 Arts, MoCADA, Brooklyn Academy of Music cinemas, and a new branch of the Brooklyn Public Library.
This article was originally published on Autodesk's Redshift publication as "Energy Efficiency in Historic Buildings: Why a Theater Company Chose Resurrection (Not Demolition)."
For a ruined Civil War-era warehouse in Brooklyn, there may have been no better organization than an avant-garde theater group to think creatively about its future.
Situated in the shadow of the Brooklyn Bridge in the popular Dumbo neighborhood, the 1860 tobacco warehouse was crumbling and forgotten when St. Ann’s, a 36-year-old theater company that began life in another Brooklyn church, sought to renovate it for its first permanent home. Attaining energy efficiency in historic buildings is not just possible—it can be the most sustainable and aesthetic choice.
St. Ann’s, led by artistic director Susan Feldman, hired a building team that included Marvel Architects; BuroHappold Engineering; and Charcoalblue, a theater, lighting, and acoustics consultancy. The resulting 25,000-square-foot complex, St. Ann’s Warehouse, includes two versatile and changeable performance spaces, lobby and event areas, and a triangular garden (designed by landscape architects Michael Van Valkenburgh Associates).
The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.
Deputy Mayor for Housing and Economic Development Alicia Glen and NYCEDC President Maria Torres-Springer have announced New York City’s first official approval of the Lowline project in Manhattan’s Lower East Side. As the first major step in making the project a reality, the approval will help to create the world’s first underground park, a community-oriented public and cultural space that will become both a local resource and an attraction for worldwide visitors.
Although the Metropolitan Transit Authority (MTA) did express interest in the space last fall, the Lowline team was awarded conditional use due its high community potential.
The latest stage of the Governors Island Park project, “The Hills,” is set to officially open to the public on this Tuesday July 19th – nearly a year ahead of schedule. Designed by internationally acclaimed urban design and landscape firm West 8, the park will feature ten acres of sloping landscapes that will provide residents and visitors with slides, art and unparalleled views of the New York Harbor.
Located on the former site of the Rheingold Brewery, the project will act as a “city within the city,” and is modeled after “the quintessential European village,” featuring a meandering system of interconnected courtyards.
Located at 15 East and 75th Street, the project entails combining three separate townhomes -- two Queen Anne-style, and one Neo-Federal -- into one large home for Russian billionaire Roman Abramovich.
Open House New York and the Museum of the City of New York invite you to celebrate the centennial anniversary of New York City's 1916 Zoning Resolution with a citywide scavenger hunt to uncover how the invisible forces of zoning have shaped the city around us, from the dramatic setbacks of Jazz Age skyscrapers to the vast open plazas of mid-century Modernism.
Join Open House New York for a presentation by Jonathan Cohn, AIA, LEED AP, Principal, Perkins Eastman; Navid Maqami,AIA, LEED AP, Principal, S9 Architecture; and Richard Marin, President and CEO, New York Wheel, on the design and execution of the New York Wheel. Currently under construction in St. George on the northern shore of Staten Island, the 630-foot tall wheel will be one of the tallest observation wheels in the world, offering visitors unparalleled views of the New York Harbor.
Following the shortlisting of three finalists in January, Syracuse University announced today that SHoP Architects has been selected to design the new National Veterans Resource Complex (NVRC). The winning proposal was selected by a jury led by Martha Thorne, Executive Director of the Pritzker Architecture Prize and Dean of the IE School of Architecture and Design in Madrid, beating out entries by Snøhetta and Adjaye Associates. The NVRC will serve as the headquarters of the University’s Institute for Veterans and Military Families (IVMF), which has helped more than 48,000 veterans and military families.
LocationUnited States, Brooklyn, NY, USA
Architect in ChargeRichard W. Off
The Moinian Group announced that they had been collaborating with the late Zaha Hadid to develop a “visionary” new project for New York City. The project, at 220 Eleventh Avenue in West Chelsea, is a multi-residential apartment building with a cultural institution at street level.
This announcement comes after Zaha Hadid Architects pledged to complete all 36 projects that were in construction or design development at the time of her death, as her office continues her powerful legacy.
Built in the early days of airline travel, the TWA Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. Eero Saarinen sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.
This AD Classic features a series of exclusive images by Cameron Blaylock, photographed in May 2016. Blaylock used a Contax camera and Zeiss lenses with Rollei black and white film to reflect camera technology of the 1960s.
A new video by JDS Development Group, Building Knowhow: Skybridge, begins with an anecdote of a day when the firemen showed up at the site. “We got a call – the buildings are falling down!” the chief fireman told Michael Jones, director of JDS. Jones responded with a chuckle, "they're supposed to be like that!"
Located on the East Side of Manhattan, the American Copper Buildings, designed by New York-based SHoP Architects, test the boundaries of engineering. In an informative video, JDS Development Group documents the building of a skybridge between the towers, outlining their detail-oriented, step-by-step approach. Located 300 feet in the air, it is New York's first major skybridge in 80 years.