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OMA Tapped to Design New York High Line's Latest Project

New York developer Related Companies has reportedly commissioned OMA to design their newest High Line project on West 18th Street. The Rotterdam-based practice is the latest to join a list of internationally acclaimed architects who will be leaving their mark on the elevated Manhattan parkway, including Zaha Hadid who also was tapped by Related Companies to design an 11-story, luxury apartment project on 520 W. 28th Street. Few details have been released; the commission will be OMA’s first major project in New York City. They will be working on the project alongside practice’s comprehensive “Rebuild by Design” strategy for Hoboken

MoMA PS1 YAP 2015 Runner-Up: Phenomena / Studio Benjamin Dillenburger

Although the Young Architects Program (YAP) announced Andrés Jaque of Office of Political Innovation as winner of its 2015 MoMA PS1 competition last week, the competition was fierce. Phenomena by Studio Benjamin Dillenburger addressed the idea of phenomenology in design, creating an experiential space that stimulates all the senses and hosts multiple programs. 

Phenomena was one of the five shortlisted proposals for this year's MoMA PS1 YAP competition. Read more about the proposal after the break.

Courtesy of Studio Benjamin Dillenburger Courtesy of Studio Benjamin Dillenburger Courtesy of Studio Benjamin Dillenburger Courtesy of Studio Benjamin Dillenburger

Tessa / Bates Masi Architects

© Eric Laignel © Eric Laignel © Eric Laignel © Eric Laignel

The Architectural League Announces Emerging Voices of 2015

MANUEL CERVANTES CESPEDES / CC ARQUITECTOS, Equestrian Project | photo by Rafael Gamo
MANUEL CERVANTES CESPEDES / CC ARQUITECTOS, Equestrian Project | photo by Rafael Gamo

Eight practitioners from the US, Canada and Mexico have been selected to receive The Architectural League of New York’s 33rd annual Emerging Voices award - one of the most coveted awards in North American architecture. Each recipient was selected for being a “distinct design voice” with the “potential to influence" disciplines of architecture, landscape architecture, and urbanism.

“This year’s Voices critically re-envision solutions for contemporary design concerns—programmatic, typological, and tectonic—that have the potential to inspire new approaches to building and form,” says program director Anne Rieselbach.

This year’s emerging voices are…

Fate of Paul Rudolph's Orange County Government Center Remains In Question

The latest in the debate over Paul Rudolph's controversial Orange County Government Center, Michael Kimmelman of the New York Times stresses the importance of its survival in "A Chance to Salvage a Master's Creation." The much debated plan for the now monumental structure would alter much of its existing character, whether by removal or replacement. Kimmelman argues that despite the criticism the Government Center has garnered from some, Orange County should reconsider architect Gene Kaufman's alternate proposal which would keep the structure intact and would restore it to its former glory.

BLUEPRINT: Curated by Sebastiaan Bremer and Florian Idenburg & Jing Liu of SO – IL

BLUEPRINT is the latest exhibition on display at the Storefront for Art and Architecture in New York. Curated by Sebastiaan Bremer, Florian Idenburg and Jing Liu, the exhibition features 50 blueprints from participating artists and architects, ranging from as far back as 1961 to 2013. 

How Americans Get to Work

In the US, most people drive alone to work. This isn’t surprising, considering car culture has been a staple of American life since the end of World War II. However, with the potential of high speed rails making way in California and the push for public transit in many other states, it will be interesting to see how this map may (or may not) change over the next decade. 

Inequality and Informality in New York: SITU Studio's Proposal for MoMA's Uneven Growth Exhibition

When it comes to discussing informal housing, it's usually cities in developing nations that take the spotlight - however, as revealed by SITU Studio's contribution to MoMA's Uneven Growth exhibition, issues of informal housing are indeed present in cities across the spectrum of development. In this interview, originally posted on Arup Connect as "Inequality and informality in New York," Sarah Wesseler speaks to SITU Studio principle Bradley Samuels about their unconventional proposal to address an issue that is frequently overlooked in New York city policy.

Uneven Growth: Tactical Urbanisms for Expanding Megacities, a newly opened exhibit at New York’s Museum of Modern Art, focuses on the complex relationship between urbanization and inequality. Over the 14-month period leading up to the launch, six interdisciplinary teams explored how these issues are playing out in different parts of the world, each developing an architectural response for a specific city.

Architecture firm SITU Studio (together with Cohabitation Strategies [CohStra]) was tasked with studying its home city, New York. (Arup transport planner Michael Amabile also consulted with the team.) We spoke with SITU principal Bradley Samuels about the project.

SITU documentation of shared housing in East New York, Brooklyn. Image © Jeyhoun Allebaugh SITU documentation of Jackson Heights apartment shared by nine people. Image © Jeyhoun Allebaugh Heat map of illegal conversions. Image © New York City Department of Buildings Drawing showing proposal for implementation of incremental community-driven growth. Image © SITU Studio

Work on 432 Park Avenue Ceases Briefly Due to Falling Construction Debris

As uncovered by Curbed, construction workers at Rafael Viñoly's 1,396 foot (426 meter) tall 432 Park Avenue were served with a full stop work order last week by the New York City Department of Buildings, after an 8 foot (2.4 meter) long section of steel pipework was dropped from a construction hoist on the building's 81st floor.

Norman Foster Revisits New York's Hearst Tower With Drones

To mark the 10th anniversary of the topping out of New York City's Hearst TowerLord Foster returned in order to narrate a short film shedding new light on the building with the aid of camera drones. The 46 storey building - which is integrated into a 6 storey base brick structure designed by Joseph Urban in 1928 - was "one of the most sustainable buildings of its time." Now, ten years later, this footage captures spectacular new views of the main atrium.

Vincent Laforet's Images of New York From Above Will Take Your Breath Away

Something he has “dreamed of capturing for decades,” Pulitzer Prize-winning photographer Vincent Laforet has released a stunning set of images that captures his hometown of New York in a way that has never before been seen. Taken from a nauseating 7500-feet above the city, Laforet’s “Gotham 7.5K” series reveals the unrelenting, pulsating energy that radiates from the Big Apple’s city grid. 

All the images and the making-of video, after the break. 

© Vincent Laforet © Vincent Laforet © Vincent Laforet © Vincent Laforet

New York's "City of Dreams" Competition Selects Two Winners

Two winners have been announced for the fifth annual cycle of New York’s “City of Dreams” competition: the “Billion Oyster Pavilion” by locally-based BanG Studio and “Organic Growth” by Izaskun Chinchilla Architects of Madrid and London. Pending approvals and fundraising, both pavilions will be assembled on Governors Island and open to the public for the summer 2015 season. The winning pavilions, after the break.

Video: Santiago Calatrava On His Design For Ground Zero's Only Non-Secular Building

In a film for the BBC Magazine, Spanish architect Santiago Calatrava talks through his designs for the new St. Nicholas Church - the only non-secular building on the 9/11 Memorial site. The building, which broke ground last year, has been described by Calatrava as a "tiny jewel" for lower Manhattan, comprising of a white Vermont marble shrine sat beneath a translucent central cupola that is illuminated from within. The new church, of Greek Orthodox denomination, replaces a church of the same name which was destroyed during the attacks of . It is sited close to its original location on 130 Liberty Street, overlooking the National September 11 Memorial park and museum. With the building set to open in early 2016, Calatrava discusses the key conceptual ideas and references behind its unique, controversial design.

Chefs Club by Food & Wine / Rockwell Group

  • Architects: Rockwell Group
  • Location: The Puck Building, 295 Lafayette Street, New York, NY 10012, USA
  • Area: 6000.0 ft2
  • Project Year: 2014
  • Photographs: Emily Andrews

© Emily Andrews © Emily Andrews © Emily Andrews © Emily Andrews

Northwest Corner Building / Moneo Brock Studio

  • Architects: Rafael Moneo Arquitecto + Moneo Brock Studio
  • Location: Broadway y 120th Streett, New York, NY 10010, USA
  • Design Architect: Rafael Moneo Valles Arquitecto, Belen Moneo and Jeff Brock
  • Moneo Brock Studio project team: Benjamin Llana, Spencer Leaf, Andrés Barron
  • Associate Architect: Davis Brody Bond, New York, NY, U.S.A. William Paxson, Partner-in-Charge
  • DBBA project team: Mayine Lynn Yu, David Haft, Fernando Hausch-Fen, Gene Sparling, Mario Samara, Clover Linne, Dohhee Zhoung, Veronique Ross, y James Paxson
  • Project Management: Columbia University Facilities – Capital Project Management
  • Area: 188000.0 ft2
  • Project Year: 2010
  • Photographs: Michael Moran

© Michael Moran © Michael Moran © Michael Moran © Michael Moran

Lincoln Memorial and Flatiron to Join LEGO® Architecture Series

LEGO® has unveiled the latest buildings to join their architecture series: the Washington D.C. Lincoln Memorial and the New York City Flatiron Building. Both will be released in 2015. 

The Lincoln Memorial, a national monument honoring the 16th President of the United States, was designed by Henry Bacon and features a sculpture of Lincoln by Daniel Chester French. The Flatiron Building, originally known as the Fuller Building, is a landmark Manhattan skyscraper designed by Daniel Burnham Frederick Dinkelberg.

The news was released following the grand opening of a new LEGO® Brand Store adjacent to the Flatiron. 

More images of the new LEGO® sets, after the break. 

New York's Storefront Launches "Street Architecture" Competition

On the occasion of Ideas City 2015, the biennial Festival created to explore the future city and to effect change, Storefront for Art and Architecture, along with the New Museum and the New York City Department of Transportation, is launching a competition for the design and construction of an outdoor structure—a work of "Street Architecture" that facilitates new forms of collective gathering and engagement with the city.

Why Are There Still No Built Traces of New York's Tech Industry?

For many architects, the chance to make an impression on the landscape of New York City is a sign of distinction, an indication that they have "made the big time." But it's not just architects who have this desire: for decades, the city's big industrial players have also striven to leave their mark. However in this article, originally posted on New York YIMBY as "How New York City is Robbing Itself of the Tech Industry’s Built Legacy," Stephen Smith examines where it's all gone wrong for the city's latest industry players.

Strolling through the streets of Manhattan’s business neighborhoods, you can pick out the strata of the city’s built commercial heritage, deposited over generations by industries long gone. From the Garment District’s heavy pyramidal avenue office towers and side street lofts, dropped by the garment industry in the 1920s, to the modernist towers like Lever House and the Seagram Building, erected on Park and Fifth Avenues during the post-war years by the country’s giant consumer goods companies, each epoch of industry left the city with a layer of commercial architecture, enduring long after the businesses were acquired and the booms turned to bust.

But 50 or 100 years into the future, when our grandchildren and great-grandchildren stroll through the neighborhoods of Midtown South that are today thick with technology and creative firms, they are not likely to find much left over from the likes of Facebook or Google. There will be no equivalent of Grand Central or Penn Station, Terminal City or the Hotel Pennsylvania, left over from the early 20th century railroad tycoons, or SoHo’s cast iron buildings, developed by speculators seeking to feed the growing textile and dry-goods trades of the late 19th century. Perhaps unique among New York’s large industries, the tech and creative tenants that have become the darlings of the current market cycle are leaving very little behind for future generations to admire.