Architects: Adjaye Associates
Location: Harlem, New York, NY, USA
Area: 191000.0 ft2
Project Year: 2012
Photographs: Courtesy of Adjaye Associates
Details have been released on the New York Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.
The typical skyscraper is a nondescript tower constructed of a steel frame and glass curtain wall. Architects from the firm Fundamental are challenging this convention with “New York Tomorrow,” a proposal that earned them a runner-up place in Metropolis Magazine’s Living Cities Competition. This progressive design weds revolutionary structural technology with a unique programmatic layout to draw people from all walks of life to the city of New York.
Architects: Selldorf Architects
Location: Brooklyn, NY, USA
Area: 140000.0 ft2
Project Year: 2014
Photographs: Nikolas Koenig, Marc Lins, Jonathan Chesley, John Majors
Ubu Gallery is pleased to present Knud Lonberg-Holm: The Invisible Architect, a debut exhibition devoted to this overlooked, yet highly influential, 20th Century modernist. Never-before-seen photographs, architectural drawings, letters, graphic design, and ephemera from Lonberg-Holm’s remarkably diverse career will be on view through August 1, 2014. The exhibition, which consists of selections from the extensive archive assembled by architectural historian Marc Dessauce, will solidify the importance of this emblematic figure in early 20th Century cultural and architectural history. Metropolis Magazine, the national publication of architecture and design, will publish an article on Knud Lonberg-Holm to coincide with this groundbreaking exhibition.
This summer, the American Institute of Architects New York Chapter (AIANY) and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.
In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show---featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman--- inspired by the cultural zeitgeist that surrounded this event.
Social Housing in Spain is intended to be the first of a series of international programs by the AIANY Housing Committee, highlighting exemplary housing design around the world. For the first program of the series, AIANY have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.
Bohlin Cywinski Jackson and Eckersley O'Callagha, both longstanding collaborators of Apple’s flagship stores, has been commissioned to transform a 93-year-old former United States Mortgage and Trust Company building on Madison Avenue into the chain’s next New York City store. Though little has been released about the design, the store’s grand opening is planned for 2015. More information can be found here.
The Design Trust for Public Space announces The Energetic City: Connectivity in the Public Realm, a new request for project proposals to redefine public space.
Set to open to the public on Wednesday after a highly controversial and contested journey from idea to reality, the September 11 Memorial Museum has inevitably been a talking point among critics this week. The museum by Davis Brody Bond occupies the space between the Memorial Plaza at ground level and the bedrock below, with an angular glass pavilion by Snøhetta providing an entrance from above. A long ramp, designed to recall the access ramp with which tons of twisted metal was excavated from the site, descends to the exhibits which sit within the perimeter boundaries of the twin towers' foundations, underneath the suspended volumes of Michael Arad's memorial fountains.
The content of the museum is obviously fraught with painful memories, and the entrance pavilion occupies a privileged position as the only surface level structure ground zero, in opposition to the great voids of the memorial itself. The discussion at the opening of the museum was therefore always going to center on whether the design of the museum - both its built form and the exhibitions contained - were sensitive and appropriate enough for this challenging brief. Read the critics' takes on the results after the break.
A New York City icon that once rivaled structures such as the Statue of Liberty and the Empire State Building, the World Trade Center, colloquially known as the Twin Towers, was one of the most recognized structures in history. Designed by Japanese-American architect Minoru Yamasaki, it held the title of Tallest Building in the World from 1972–1974. Up until its unfortunate demise, the WTC site was a major destination, accommodating 500,000 working people and 80,000 visitors on a typical weekday.
In response to New York City’s rapidly expanding population, NBRS + Partners has proposed a 40 story tall skyscraper that could help the city embrace its rapidly shifting demographics and size. Entitled “VIVO on High Line,” the adaptable steel-frame tower is essentially the vertical extension of the city’s beloved High Line park.
“The podium screen engulfs the High Line folding it in and extending the lifeblood into the building base, like capillary action drawing it vertically,” described the team.
The New York Public Library (NYPL) has abandoned Norman Foster's controversial plans to transform part of its 20th century Carrère and Hastings “masterpiece” into a circulating library. The news doesn’t come as much of a surprise, considering the city’s new mayor, Bill de Blasio expressed skepticism towards the $150 million renovation earlier this year.
Several library trustees have stated that in order to keep up with the cultural shift from traditional stacks to online resources, they now intend on completing the renovation of the library's mid-Manhattan branch on Fifth Avenue.
A response from Norman Foster, after the break...
Architects: Kiss + Cathcart
Location: New York, NY, USA
Area: 13300.0 ft2
Project Year: 2013
Photographs: Paul Warchol
New York Mayor Bill de Blasio has addressed the “crisis of affordability” by implementing a five-borough, ten-year plan that will build and preserve 200,000 affordable units over the coming decade. Believing affordable housing to be part of “the bedrock of what makes New York City work,” Blasio hopes the plan will make New York, once again, “a place where our most vulnerable, our working people and our middle class can all thrive.” Review the plan in detail and check out one of the largest affordable housing projects planned for the city, here.
Jonathan Kirschenfeld, founder of the Institute for Public Architecture and principal at Jonathan Kirschenfield Architect PC, has been selected to receive the inaugural Henry Hobson Richardson Award. The award, presented by the New York State chapter of the American Institute of Architects (AIA), lauded Kirschenfeld for his "contribution to the quality of New York State public architecture."
From CLOG. In many countries, architects assume that designing to meet the local building code assures that their buildings are safe for the public. But what if a building’s harm is not in the risk of the building falling down, but in the building performing as intended? If designed for the wrong purpose, can a building be a human rights violation, and if so, what should an architect do about it?
Coinciding with the release of CLOG : PRISONS, the J. Max Bond Center on Design for the Just City and the Masters of Urban Design Program at the Spitzer School of Architecture are hosting a lecture and panel response organized by CLOG that will critically examine the architecture of incarceration.