Herzog & de Meuron just celebrated the grand opening of the Pérez Art Museum Miami (PAMM), alongside the commence of the Art Basel in Miami Beach. Located on a waterfront site overlooking the Biscayne Bay, near the MacArthur Causeway, the three-story museum’s low-profile seems to almost disappear into its surroundings – a pleasant contrast to the ornate and often form-based architecture that is typically found throughout the city. This lack of form, as Jacques Herzog described, is all about “permeability.”
“Miami is known for its iconic art deco district – in fact art deco was about decorated boxes with no great relationship and exchange between inside and outside,” Herzog continued. “The greatest thing, however, that makes Miami so extraordinary is its amazing climate, lush vegetation and cultural diversity. How can these assets be fully exploited and translated into architecture? That’s the way we tried to go with our design for the new art museum in Miami.”
Continue reading for a sneak peak inside the Museum…
Developers are using the name recognition of some of the world’s most important architects to bring in buyers for their posh towers.
The Real Deal looks at the luxury market’s newest selling point as well as other trends shaping South Florida’s new condo boom with a top-flight roundtable Nov. 7 in Miami’s Coconut Grove neighborhood. A cocktail party will follow the discussion.
Slated to speak are Danish architect Bjarke Ingels, whose latest South Florida project is Grove at Grand Bay, and Chad Oppenheim, the Miami-based architect whose work includes the celebrated Ten Museum Park. They will be joined by developer David Martin of Terra Group, plus brokers Mayi de la Vega of One Sotheby’s International Realty and Esther Percal of Esslinger Wooten Maxwell.
The evening will take place at Grove at Grand Bay, 2669 South Bayshore Drive. The roundtable starts at 6 p.m.; the party kicks off at 7 p.m. and wraps up at 9 p.m. Space is limited so reserve your seat today at RSVP@therealdeal.com.
Title: Starchitecture Comes to Miami: Chad Oppenheim & Bjarke Ingels in a Roundtable
Organizers: The Real Deal
From: Thu, 07 Nov 2013 18:00
Until: Thu, 07 Nov 2013 21:00
Venue: Grove at Grand Bay
Address: 2669 South Bayshore Drive, Miami, FL 33133, USA
Each December, Design Miami/ commissions early-career architects to build a designed environment for the fair’s entrance as part of its biannual Design Commissions program. This year’s winning proposal, dubbed “Tent Pile,” was designed by the New York-based architectural practice formlessfinder. Its design harnesses the properties of sand and aluminum to create shade, seating, cool air and a space to play for Miami‘s public.
The Miami Design District, an 18 square-block neighborhood between Miami’s downtown and South Beach, has announced that the facade of its new mixed-use retail building will be designed by Sou Fujimoto. The two-floor, 17,000 square foot structure, which will feature “an elongated series of glass fins extending from the rooftop down to the open courtyard,” will create unique pedestrian arcades covered by a “structural waterfall.”
The Miami Design District, owned by Miami Design District Associates, aims to combine commerce with high-quality design, fashion, art and architecture, and has chosen Fujimoto on the merit of his past award-winning works, from House N in Tokyo, to the Musashino Art University & Library, to – most recently – his design of the Serpentine Gallery Pavilion in London.
New renderings of Zaha Hadid Architect‘s 215 meter-high One Thousand Museum Tower in downtown Miami have been released. As the first Zaha Hadid-designed skyscraper to grace the skyline of the Western Hemisphere, the 60-story luxury condominium will mask its program with a prominent concrete exoskeleton. As Hadid described to the Wall Street Journal, the tower is designed with an interest in “how the structure is manifested” so that it may avoid the “generic modernist typology” that is commonly found in Miami.
One Thousand Museum Tower is one of several by high-profile architects that are beginning to take root in Miami, changing the tide of investment from real estate that is solely driven by waterfront locations to architecture that is high-end and luxurious.
Read on for more images and information…
Foster + Partners have released new images of the luxurious, 18-story Faena House currently being constructed in Miami. Argentinean developer Alan Faena, who is best known for transforming Buenos Aires’ abandoned Puerto Madero neighborhood into the city’s most vital culture center, commissioned the project, which will mark the first phase of the anticipated Faena District in Miami Beach. Once complete, the district will include a five-star hotel, a large and versatile Arts Center, an OMA-designed parking complex, a luxury retail complex, and a marina.
The Miami Beach Convention Center, a giant box of a building constructed in 1957, is in desperate need of a makeover and two design teams have bravely accepted the challenge. Team 1 is dubbed South Beach ACE (Arts, Culture, Entertainment District) and is a collaboration between Rem Koolhaas‘s OMA firm, Tishman, UIA, MVVA, Raymond Jungles and TVS. Team 2 goes by the name of Miami Beach Square and includes BIG, West 8, Fentress, JPA and Portman CMC. Both proposals completely re-imagine 52 acres of prime beach real estate and cost over a billion dollars in public and private funds. So, who does it better?
Vote for your favorite after the break…
South Beach ACE just unveiled their master plan for the redevelopment of the Miami Beach Convention Center site. Currently in a battle with BIG and Portman CMC for the right to overhaul the 52-acre site, national developer Tishman, international architecture firm OMA, international firm TVS, and Miami Beach developer UIA Management comprise the South Beach ACE team. The vision involves bringing to life one of Miami Beach’s most underutilized public sites with a fully-revamped convention center capable of luring major events from around the world, an iconic hotel, inviting green spaces, low-density retail uses, and cultural venues.
More images and the team’s description after the break…
BIG has collaborated with West 8, Fentress, JPA and developers Portman CMC to challenge an OMA- and South Beach ACE-lead team in the 52-acre Miami Beach Convention Center overhaul. With a mission to “bring Miami Beach back to the Convention Center,” BIG’s newly unveiled proposal aims to transform the “dead black hole of asphalt in the heart of one of the most beautiful and lively cities in America” into an archipelago of urban oases made up of paths, plazas, parks and gardens, which will all lead to the heart of the plan: the Miami Beach Square. This tropical centerpiece will become the front door to the convention center and the convention hotel, as well as the front lawn to a revitalized Jackie Gleason Theatre, a town square for the city hall, an outdoor arena for the Latin American Cultural Museum, and the red carpet for the big botanical ball room.
“We have devised a strategy that combines urban planning and landscape design to create a neighborhood characterized by human scale, pedestrian connections, shaded spaces with public oriented programs lining the streets and squares. A neighborhood that, depending on the season, the weekday, or even the time of day can be perceived as a lively downtown neighborhood or an inviting public park.” Bjarke Ingels, Creative Director BIG
More images and the teams description after the break…
DawnTown recently announced the winners for Landmark Miami, their 2013 ideas competition which focused on how cities are instantly identified by the individual structures within them. With the challenge of coming up with a new symbol for the future, architects and designers were tasked with creating an iconic architectural piece that contributes to the image of Miami. Studio Dror was announced as the first prize winner for their ‘Miami Lift’ proposal which pays tribute to the city’s by elevating visitors to give them a new perspective to the city. More images and information on the winning entries after the break.
Most parking is free – but that doesn’t mean it doesn’t have a high cost. A recent podcast from Freakonomics Radio (which you can listen to at the end of this article) examined parking in US cities, investigating the “cost of parking not paid for by drivers” – a cost paid not just by the government, but by the environment – due to congestion and pollution caused by people searching for kerbside parking. For example, in a 15 block area of Los Angeles the distance traveled by drivers looking for parking is equivalent to one trip across the USA per day.
One potential solution which they discuss is a San Francisco project called SF Park, which makes use of sensor technology to measure the demand for parking in certain areas of the city and adjust price according to demand. In theory, this would create a small number of empty spaces on each block and dramatically reduce the time that many drivers spend cruising for parking spaces.
Though the idea is certainly an intelligent approach to the problem of kerbside parking, unsurprisingly all this talk of supply, demand and pricing sounds very much like an economist’s answer to a problem. But what can designers do to help the situation?
Perhaps, from the designer’s point of view, the real problem with kerbside parking and surface lots is that they are always seen as a provision “coupled with” a building or area of the city. There have been a number of attempts by architects – some successful and some tragically flawed – to make parking spaces less of a rupture in a city’s fabric and more of a destination in themselves. Could these point to another way?
Read about 3 examples of parking’s past, and one of its potential future, after the break…
Up-Downtown, the prize-winning installation in DawnTown‘s competition for the creation of a temporary installation on the theme of the “Evolution of Miami”, is taken literally to present an interactive story of Miami’s rise. “A city is a complex machine, where everything is interconnected and any movement affects the other,” said Manuel Clavel-Rojo, co-creator of the Up-Downtown team. The installation, exhibited at HistoryMiami, features a 10’ x 10’ x 10’ box structure using steel for supports. A mirror sits at its base, with blue and pink neon lights representing the water’s edge and roadways, creating a perimeter of the downtown area. More images and information after the break.
Slated to open in 2015, the Patricia and Phillip Frost Museum of Science is on its way to become the world’s most innovative and sustainable science museum with the structural foundation now complete and the vertical construction currently in progress. Designed by Grimshaw Architects, the 250,000 square-foot complex will harness energy from water, sun, wind and even museum visitors to power exhibits and conserve resources. More images and architects’ description after the break.
PlusUrbia , an architectural and urban design firm, led the design of the new trade/commercial district in the Port of Miami in collaboration with GSHstudio, OskiStudio and studioLFA. The team developed a concept coined “Port-Side Miami” to become the city’s new commercial district on the west end of the Port’s Dodge Island, which was designated by the “PortMiami 2035 master plan” to be developed into office space, retail, restaurants and a number of high-end hotels.
More images and the architect´s description after the break.
DawnTown is launching Landmark Miami, their latest ideas competition for the 2013 season. The competition is centered around the idea of how cities are recognized and perceived through architecture. Many cities worldwide are instantly identified by their exclusive architectural elements: Seattle has the Space Needle, St.Louis has the Arch, Paris the Eiffel Tower, etc. So what is Miami’s landmark? They are calling all designers, professionals and students to add a new landmark representing what Miami is about today and for the future. The deadline for submissions is April 15. For more information, please visit here.
Now in its fifth year, the DawnTown Design/Build competition announced that the international collaboration between Manuel Clavel-Rojo (Murcia, Spain) and Jacob Brillhart (Miami, FL) has been tasked to present their design to the public in the next 30 days. With the challenge of creatiung a low cost, temporary installation on the topic of Evolution in Miami, their winning design will be turned into a reality. ‘Up-Downtown’, the title of the project, is defined by Rojo defines as a metaphor for Miami, “A city is a complex machine, where everything is interconnected and any movement aﬀects the other.” More images and architects’ description after the break.
Watch this video tour of the Bacardi Building in Miami, Florida, by the grandson of the original founder. The building, built in 1962, became the headquarters of the company for fifty years and has become an iconic modernist symbol in the city with an additional building added to the property in 1970. The building is designed by Enrique Guitierrez. The unique facade of the building was designed by ceramic artist Francisco Brennand using 20,000 tiles. The building resonates with Miami’s culture and has become a landmark for nearby residents. Tito Bacardi, who is the tour guide in the video, explains with pride how its the company’s legacy has become intertwined with the architecture – a building that represented Bacardi’s relocation from Cuba to America.