The Miami Design District, an 18 square-block neighborhood between Miami’s downtown and South Beach, has announced that the facade of its new mixed-use retail building will be designed by Sou Fujimoto. The two-floor, 17,000 square foot structure, which will feature “an elongated series of glass fins extending from the rooftop down to the open courtyard,” will create unique pedestrian arcades covered by a “structural waterfall.”
The Miami Design District, owned by Miami Design District Associates, aims to combine commerce with high-quality design, fashion, art and architecture, and has chosen Fujimoto on the merit of his past award-winning works, from House N in Tokyo, to the Musashino Art University & Library, to – most recently – his design of the Serpentine Gallery Pavilion in London.
New renderings of Zaha Hadid Architect‘s 215 meter-high One Thousand Museum Tower in downtown Miami have been released. As the first Zaha Hadid-designed skyscraper to grace the skyline of the Western Hemisphere, the 60-story luxury condominium will mask its program with a prominent concrete exoskeleton. As Hadid described to the Wall Street Journal, the tower is designed with an interest in “how the structure is manifested” so that it may avoid the “generic modernist typology” that is commonly found in Miami.
One Thousand Museum Tower is one of several by high-profile architects that are beginning to take root in Miami, changing the tide of investment from real estate that is solely driven by waterfront locations to architecture that is high-end and luxurious.
Read on for more images and information…
Foster + Partners have released new images of the luxurious, 18-story Faena House currently being constructed in Miami. Argentinean developer Alan Faena, who is best known for transforming Buenos Aires’ abandoned Puerto Madero neighborhood into the city’s most vital culture center, commissioned the project, which will mark the first phase of the anticipated Faena District in Miami Beach. Once complete, the district will include a five-star hotel, a large and versatile Arts Center, an OMA-designed parking complex, a luxury retail complex, and a marina.
The Miami Beach Convention Center, a giant box of a building constructed in 1957, is in desperate need of a makeover and two design teams have bravely accepted the challenge. Team 1 is dubbed South Beach ACE (Arts, Culture, Entertainment District) and is a collaboration between Rem Koolhaas‘s OMA firm, Tishman, UIA, MVVA, Raymond Jungles and TVS. Team 2 goes by the name of Miami Beach Square and includes BIG, West 8, Fentress, JPA and Portman CMC. Both proposals completely re-imagine 52 acres of prime beach real estate and cost over a billion dollars in public and private funds. So, who does it better?
Vote for your favorite after the break…
South Beach ACE just unveiled their master plan for the redevelopment of the Miami Beach Convention Center site. Currently in a battle with BIG and Portman CMC for the right to overhaul the 52-acre site, national developer Tishman, international architecture firm OMA, international firm TVS, and Miami Beach developer UIA Management comprise the South Beach ACE team. The vision involves bringing to life one of Miami Beach’s most underutilized public sites with a fully-revamped convention center capable of luring major events from around the world, an iconic hotel, inviting green spaces, low-density retail uses, and cultural venues.
More images and the team’s description after the break…
BIG has collaborated with West 8, Fentress, JPA and developers Portman CMC to challenge an OMA- and South Beach ACE-lead team in the 52-acre Miami Beach Convention Center overhaul. With a mission to “bring Miami Beach back to the Convention Center,” BIG’s newly unveiled proposal aims to transform the “dead black hole of asphalt in the heart of one of the most beautiful and lively cities in America” into an archipelago of urban oases made up of paths, plazas, parks and gardens, which will all lead to the heart of the plan: the Miami Beach Square. This tropical centerpiece will become the front door to the convention center and the convention hotel, as well as the front lawn to a revitalized Jackie Gleason Theatre, a town square for the city hall, an outdoor arena for the Latin American Cultural Museum, and the red carpet for the big botanical ball room.
“We have devised a strategy that combines urban planning and landscape design to create a neighborhood characterized by human scale, pedestrian connections, shaded spaces with public oriented programs lining the streets and squares. A neighborhood that, depending on the season, the weekday, or even the time of day can be perceived as a lively downtown neighborhood or an inviting public park.” Bjarke Ingels, Creative Director BIG
More images and the teams description after the break…
DawnTown recently announced the winners for Landmark Miami, their 2013 ideas competition which focused on how cities are instantly identified by the individual structures within them. With the challenge of coming up with a new symbol for the future, architects and designers were tasked with creating an iconic architectural piece that contributes to the image of Miami. Studio Dror was announced as the first prize winner for their ‘Miami Lift’ proposal which pays tribute to the city’s by elevating visitors to give them a new perspective to the city. More images and information on the winning entries after the break.
Most parking is free – but that doesn’t mean it doesn’t have a high cost. A recent podcast from Freakonomics Radio (which you can listen to at the end of this article) examined parking in US cities, investigating the “cost of parking not paid for by drivers” – a cost paid not just by the government, but by the environment – due to congestion and pollution caused by people searching for kerbside parking. For example, in a 15 block area of Los Angeles the distance traveled by drivers looking for parking is equivalent to one trip across the USA per day.
One potential solution which they discuss is a San Francisco project called SF Park, which makes use of sensor technology to measure the demand for parking in certain areas of the city and adjust price according to demand. In theory, this would create a small number of empty spaces on each block and dramatically reduce the time that many drivers spend cruising for parking spaces.
Though the idea is certainly an intelligent approach to the problem of kerbside parking, unsurprisingly all this talk of supply, demand and pricing sounds very much like an economist’s answer to a problem. But what can designers do to help the situation?
Perhaps, from the designer’s point of view, the real problem with kerbside parking and surface lots is that they are always seen as a provision “coupled with” a building or area of the city. There have been a number of attempts by architects – some successful and some tragically flawed – to make parking spaces less of a rupture in a city’s fabric and more of a destination in themselves. Could these point to another way?
Read about 3 examples of parking’s past, and one of its potential future, after the break…
Up-Downtown, the prize-winning installation in DawnTown‘s competition for the creation of a temporary installation on the theme of the “Evolution of Miami”, is taken literally to present an interactive story of Miami’s rise. “A city is a complex machine, where everything is interconnected and any movement affects the other,” said Manuel Clavel-Rojo, co-creator of the Up-Downtown team. The installation, exhibited at HistoryMiami, features a 10’ x 10’ x 10’ box structure using steel for supports. A mirror sits at its base, with blue and pink neon lights representing the water’s edge and roadways, creating a perimeter of the downtown area. More images and information after the break.
Slated to open in 2015, the Patricia and Phillip Frost Museum of Science is on its way to become the world’s most innovative and sustainable science museum with the structural foundation now complete and the vertical construction currently in progress. Designed by Grimshaw Architects, the 250,000 square-foot complex will harness energy from water, sun, wind and even museum visitors to power exhibits and conserve resources. More images and architects’ description after the break.
PlusUrbia , an architectural and urban design firm, led the design of the new trade/commercial district in the Port of Miami in collaboration with GSHstudio, OskiStudio and studioLFA. The team developed a concept coined “Port-Side Miami” to become the city’s new commercial district on the west end of the Port’s Dodge Island, which was designated by the “PortMiami 2035 master plan” to be developed into office space, retail, restaurants and a number of high-end hotels.
More images and the architect´s description after the break.
DawnTown is launching Landmark Miami, their latest ideas competition for the 2013 season. The competition is centered around the idea of how cities are recognized and perceived through architecture. Many cities worldwide are instantly identified by their exclusive architectural elements: Seattle has the Space Needle, St.Louis has the Arch, Paris the Eiffel Tower, etc. So what is Miami’s landmark? They are calling all designers, professionals and students to add a new landmark representing what Miami is about today and for the future. The deadline for submissions is April 15. For more information, please visit here.
Now in its fifth year, the DawnTown Design/Build competition announced that the international collaboration between Manuel Clavel-Rojo (Murcia, Spain) and Jacob Brillhart (Miami, FL) has been tasked to present their design to the public in the next 30 days. With the challenge of creatiung a low cost, temporary installation on the topic of Evolution in Miami, their winning design will be turned into a reality. ‘Up-Downtown’, the title of the project, is defined by Rojo defines as a metaphor for Miami, “A city is a complex machine, where everything is interconnected and any movement aﬀects the other.” More images and architects’ description after the break.
Watch this video tour of the Bacardi Building in Miami, Florida, by the grandson of the original founder. The building, built in 1962, became the headquarters of the company for fifty years and has become an iconic modernist symbol in the city with an additional building added to the property in 1970. The building is designed by Enrique Guitierrez. The unique facade of the building was designed by ceramic artist Francisco Brennand using 20,000 tiles. The building resonates with Miami’s culture and has become a landmark for nearby residents. Tito Bacardi, who is the tour guide in the video, explains with pride how its the company’s legacy has become intertwined with the architecture – a building that represented Bacardi’s relocation from Cuba to America.
The Miami Herald has just announced that Zaha Hadid will be designing her first skyscraper in the Western hemisphere in Miami: America’s Next Great Architectural City. The female powerhouse has been commissioned to transform a waterfront property, currently occupied by a BP Station at 1000 Biscayne Boulevard, predominantly into a residential high rise. The skyscraper will rise above the neighboring Museum Park and fill a void in the wall of towering condos, commonly referred to as the “Biscayne Wall”. Details of the design are expected to be released next year.
This news comes shortly after Zaha’s loss to Norman Foster in an intense competition to design New York City’s next high-profile office tower on 425 Park Avenue. You can watch the A-list architects battle it out here as they present their ideas to the jury.
Check out the preliminary renderings of the Collins Park garage, after the break…
FXFOWLE Architects shared with us their custom-design for the inaugural Miami Project art fair. Their installation, known as the ‘FXFOWLE Lounge’, features a free-standing architectural pavilion housed within a well-appointed lounge and bar area. The pavilion – which pairs technologically-sophisticated scripting software with simple museum board – comprises 180 varying segments that, together, take the form of complex structural geometries. More images and architects’ description after the break.
Glithero are a progressive London-based practice made up of designers, Tim Simpson and Sarah van Gameren, who met and studied at the Royal College of Art. Their latest work, entitled ‘Lost Time’, was recently unveiled at Design Miami. Created in collaboration with Perrier-Jouët, the installation takes inspiration from the Art Nouveau movement and a trip to the Champagne region of France, where they were invited into the Perrier-Jouet cellars in Epernay. In the past year Glithero has presented solo shows in London, Paris and Rotterdam, as well as exhibitions in Milan, Berlin and Basel. In 2011 the studio was shortlisted for the Brit Insurance Award and the Dutch Design Awards. Filming the installation, we gain an insight into its creation and into Glithero’s design ethos.