Flip Flop House / Dan Brunn Architecture

© Brandon Shigeta

Architects: Dan Brunn Architecture
Location: Venice, , CA, USA
Contractor: RJC Builders
Structural Engineer: Paul Franceschi
Area: 5700.0 sqm
Year: 2013
Photographs: Brandon Shigeta

Frank Gehry: “I’m Not a Starchitect”

The , . Image © Gehry Partners, LLP

For Peter Aspden’s first encounter with the architect of the Guggenheim in Bilbao and the Walt Disney Concert Hall in LAFrank Gehry did not “exude sweetness.” “You are not going to call me a [...] ‘star-chitect’? I hate that.” In a candid interview with the Financial Times, Gehry discusses the problem of being branded for beginning the Bilbao Effect in spite of the fact that he insists that “you can’t escape your signature.” Gehry talks at length about Facebook’s latest headquarters and, in particular, his relationship with his client, Mark Zuckerberg. Read the full interview here.

Frank Gehry to Submit Grand Avenue Vision to L.A. City Officials

First images released of Gehry’s Grand Avenue scheme for .. Image

After reviewing proposals from a selection of other firms, Related Companies has chosen to move forward with ’s Grand Avenue vision for Los Angeles. The design, which abandons the fluid forms of Gehry’s original scheme, has been described by critic Christopher Hawthorne as “significantly more exuberant and suggestive of L.A. culture” than Gensler and Robert A.M. Stern Architects’ recently rejected proposal

Appleton Living / Minarc

© Art Gray

Architects: Minarc
Location: Venice, , CA, USA
Design Team: Tryggvi Thorsteinsson, Erla Dögg Ingjaldsdóttir
Year: 2011
Photographs: Art Gray

Tom Bradley International Terminal / Fentress Architects

Courtesy of

Architects: Fentress Architects
Location: , CA, USA
Area: 850,000 sqft
Year: 2013
Photographs: Courtesy of Fentress Architects, Jason A. Knowles

Architects Tackle LA’s Water Scarcity

Arid Land Institute Geo-spatial Model. Image © Arid Land Institute

Water scarcity is a profound challenge for designers of the built environment. Beyond looking for water sources and creating sustainable ecosystems, how can we begin to create cities and buildings that will help us to celebrate and mitigate hydro-logical concerns? Hadley and Peter Arnold, co-directors of the Arid Land Institute (ALI) at Woodbury University, have decided to tackle this problem around . With the support of the World Water Forum and the Metropolitan Water District of Southern California, they recently developed a high-resolution geospatial model to strategically identify and quantify the potential for improving storm water capture within urban areas.

How Would You Design Grand Avenue?

Related Cos. rendering of a conceptual plan for a retail and residential complex across . Image Courtesy of Related Cos., via LA Times

“Will Grand Avenue finally turn around? Most likely not until they make it a two-way, add more trees, bike lanes, and pedestrian amenities. Buildings alone can’t do it, no matter how daring, novel (or expensive) the architecture.” — Guy Horton, , “Ten Years Later, Has the Disney Concert Hall Made a Difference?

The latest controversy surrounding the Grand Avenue re-design, the long-awaited project to develop the stretch of land east of the Walt Disney Concert Hall, is the re-instatement of Frank Gehry, a move which occurred after the city of LA rejected plans from mega-developers Related Cos. (designed by Gensler in collaboration with Robert A.M. Stern) for being “overly commercial.” Of course, while the Related Cos. plans may have failed to wow the city, the decision to bring Gehry back to the project hasn’t exactly been embraced either.

A must-see article in Zócalo Public Square asks four urban planning experts, “what would you do with Grand Avenue?” In his latest ArchDaily column, Guy Horton offers his opinion: any re-design must rely on activating life on the street-level, rather than on one architectural solution. Well, ArchDaily readers, now we’d like to know your thoughts on the matter.

AD Classics: Walt Disney Concert Hall / Frank Gehry

© Gehry Partners, LLP

Completed October 23, 2003, The celebrates its tenth anniversary today. to the LA Philharmonic, it has received wide acclaim for its excellent acoustics and distinctive architecture. In the decade since its opening, the hall’s sweeping, metallic surfaces have become associated with Frank Gehry’s signature style.

Solar Decathlon 2013: SCI-Arc & Caltech Create California-style, Zero Net Energy Bungalow

© Paolo Tadoc /

DALE, short for Dynamic Augmented Living Environment, is this year’s U.S. Department of Energy Solar Decathlon entry for the SCI-Arc/Caltech team. Made of two movable, prefabricated modules that open to allow the outdoors in, DALE celebrates the active California lifestyle through its dynamic architecture.

DALE learns from two classic California precedents: the super-sized suburban tract and the compact, sufficient bungalow; amending one and expanding on the other to become a new Southern California typology. At 600 square feet, it is a micro house with an unprecedented flexible interior that results in the program of a house three times the size.

The Indicator: Ten Years Later, Has the Disney Concert Hall Made a Difference?

Courtesy of shutterstock.com

On October 23rd, the , the project that almost never was, will celebrate its ten-year anniversary. Throughout these ten years it has had all manner of transformative power attributed to it. But has it really transformed LA? What would the city have been like if it had never been built? Would it be fundamentally different?

The answer? No.The city wouldn’t even be that different in the immediate vicinity of .

Gelb House / Bruce Norelius Studio

Courtesy of

Architects: Bruce Norelius Studio
Location: Los Angeles, CA,
Area: 1,200 sqft
Year: 2013
Photographs: Courtesy of Bruce Norelius Studio

Global Citizen: The Architecture of Moshe Safdie

Journey through a three-dimensional of striking architecture in this career-spanning exhibition of Moshe Safdie’s work. Global Citizen: The Architecture of Moshe Safdie surveys the renowned architect’s career from his formative period in the 1960s and early 1970s to his recent projects around the world, exploring his aesthetic language of transcendent light, powerful geometry, and iconic forms.

Using sketches, models, photographs, and films of twenty-five projects, the exhibition portrays Safdie’s architecture not only as visual art but as a medium for advancing social, political, and cultural goals. Along with the exhibition, there will be a talk with at the Skirball Cultural Center on Sunday, October 20, 3:00pm. Click here for more information.

Westgate Residence / Kurt Krueger Architect

© Unlimited Style Photography

Architects: Kurt Krueger Architect
Location: , CA,
General Contractor: Rhino Construction, Inc.
Photographs: Unlimited Style Photography

Kearsarge Residence / Kurt Krueger Architect

© Unlimited Style Photography

Architects: Kurt Krueger Architect
Location: , CA,
General Contractor: Rhino Construction, Inc.
Year: 2012
Photographs: Unlimited Style Photography

Gehry’s Walt Disney Hall Turns 10

Courtesy of Archdaily

It’s been called a “remarkable work of public architecture” that “engages [the city of] Los Angeles” like few others. With the 10 year anniversary of Frank Gehry‘s approaching, the LA Times, with some great, in-depth coverage, has been taking a look back at its architecture and what makes it such an important icon for both Gehry and LA. Oh, and don’t forget to check out its soon-to-be neighbor on Grand Avenue, the Broad Museum by Diller Scofidio + Renfro!

Same Time Zone, Different Standards

Foreground: Pavilion by Tom Wiscombe Design, Middleground: Textile Room Pavilion by P-A-T-T-E-R-N-S at The Museum of Contemparary Art, Los Angeles. Image © Taiyo Watanabe

The Getty’s Pacific Standard Time Presents: Modern Architecture in L.A. hosted A. Quincy Jones: Building for Better Living at UCLA’s Hammer Museum and Contemporary Architecture from Southern California (formerly known as A New Sculpturalism) at Geffen for the better part of this summer. These two exhibits, on view until September 8 and 16 respectively, give us insight into Los Angeles’ past and present architectural legacies. They take on fundamentally different challenges. One uncovers a prolific and primary history of a modernist architect, the other attempts to capture and catalogue an unwieldy and unstable present.

Read on after the break for reviews of both exhibitions…

The Threat Hanging Over LA’s Modernist Homes

Richard Neutra’s 1929 Lovell House. Image Courtesy of Wikiarquitectura

A shadow hangs over the hills of Los Angeles, threatening its modernist architecture. In this article on the Daily Beast, Andrew Romano investigates the trend for the ‘McMansions’ which are now popular among LA’s super-rich, and the risk that they pose to the style that “many believe was perfected in Southern California” – the hillside modernist . But it’s not all bad news: he finds that the Schairer House, designed by Gregory Ain in 1949 is now being restored, and Beverly Hills last year past its first preservation laws. Read the full article here.

Petersen Automotive Museum Unveils Eye-Catching New Exterior by Kohn Pedersen Fox

Courtesy of Petersen Automotive Museum

The Petersen Automotive Museum in Los Angeles has announced that it will celebrate its 20th anniversary in 2014 with a redesign of its interior and a complete transformation of its exterior facade to create a “world class museum that will showcase the art, experience, culture and heritage of the automobile.” The exterior design by Kohn Pedersen Fox Associates will give the Petersen a truly unique and iconic look that will hopefully attract architecture and car enthusiasts alike.

More on the museum’s drastic transformation after the break.