Portuguese photographer Francisco Nogueira captured the building's spaces in this comprehensive gallery of images. The MAAT proposes a new relationship between the river and the visitor through a building whose simultaneous power and sensitivity explores the convergence of contemporary art, architecture, and technology. As a structure in the landscape, the building becomes landscape by allowing visitors to walk over and on the museum itself. See here 70 stunning photos of MAAT's interiors and exteriors.
Adults and Young People, Cycle of Commented Visits: A cycle of three visits to building sites in Lisbon. In the selection of projects are included public and private buildings of different scales, phases and typologies.
http://www.archdaily.com/799717/lisbon-architecture-triennale-open-for-construction-works-lisbon-cruise-terminalAD Editorial Team
Filming architecture comes to Lisbon, Portugal! This is an academic itinerant workshop about architecture representation and narratives through cinematography, and will be part of the closing activities of the 2016 Lisbon Architecture Triennale. As the final product, students will produce a short movie filmed at a Museu dos Coches, a paradigmatic building designed by Paulo Mendes da Rocha and Ricardo Bak Gordon.
The 2016 Lisbon Architecture Triennale, which opened last week, is comprised of a constellation of exhibitions and satellites. One such show—eponymously named The Form of Form—is both an exhibition and a structure in itself – a sequence of rooms designed collaboratively by Mark Lee of Johnston Marklee, Kersten Geers of Office KGDVS, and Nuno Brandão Costa. If "one of architecture’s fundamental legacies is its own form," the curatorial statement declares, "this exhibition [builds] a dialogue that challenges notions of authorship and the limits of form."
French studio Lacaton & Vassaland Chilean studio UMWELT have been revealed as the recipients of the 2016 Lisbon Architecture Triennale's Lifetime Achievement Award and Début Award, respectively. An award ceremony will take place on the 15th November 2016 at the Centro Cultural de Belém (CCB), followed by a conference convened by Anne Lacaton and Jean-Philippe Vassal.
We’re only a few days away from the opening of the 2016 Lisbon Architecture Triennale, The Form of Form. Join us for an extended programme of activities designed for students that celebrate architecture.
http://www.archdaily.com/796202/4th-lisbon-architecture-triennale-the-form-of-form-nil-schools-invitedAD Editorial Team
The Form of Form starts on the holiday that celebrates the implementation of the Portuguese Republic with exhibition openings, debates, book presentations and many other activities. The intensive programme of the opening week will give a sneak-peek into what will follow until 11 December. The Lisbon Architecture Triennale invites you to join this celebration of architecture and the city. Book on your calendar.
http://www.archdaily.com/796063/the-4th-lisbon-architecture-triennale-starts-on-october-5thEquipe ArchDaily Brasil
Choreographies, an installation at the 4th Lisbon Architecture Triennale by Pedro Alonso and Hugo Palmarola, presents the construction of building sites as cultural and political archetypes. By critically contesting comic films and animated cartoons released in the United States and the Soviet Union between 1921 and 1980, it presents construction sites as places in which ideology and imagination were combined through the choreographic movements of hanging steel-beams in the US, and flying concrete-panels in the USSR. These building components symbolize the construction of the modern world, the technological optimism of industrialization, the relevance of the building process over the completed building, and the standing of workers—welders, riveters and crane operators—against the vanishing figure of the architect.
Christian Kerez will close the 2nd Critical Distance cycle organized by the Lisbon Architecture Triennale. The Swiss architect is this year invited to represent his country at the 15th Venice Architectural Biennale. In his architecture, Kerez explores the structural elements as the most visible element of his buildings, strongly illustrated in projects such as a school in Leutschenbach, Switzerland, or a skyscraper in China.