Construction is complete on Hypar Pavilion at Lincoln Center for the Performing Arts, situated on the edge of Hearst Plaza and 65th Street, the new free standing structure is the home of a new public lawn and restaurant.
The dual requirements of a destination restaurant and a public green space located within the confines of the Plaza are satisfied with a single architectural gesture sited between the reflecting pool and the plaza’s north edge. Elizabeth Diller comments, “Hypar Pavilion’s moment of invention came when we discovered how to design a destination restaurant without consuming public space on the Lincoln Center campus. The roof became a new kind of interface between public and private, with an occupiable twisting grass canopy over a glass pavilion restaurant.”
Follow the break for more photographs of the new Hypar Pavilion.
Architects: Diller Scofidio + Renfro with FXFOWLE
Location: New York City, New York, USA
Design Team Principals: Elizabeth Diller, Ricardo Scofidio and Charles Renfro
Design Senior Associate: Kevin Rice
Architecture Team: Zoe Small, Haruka Saito, Ann-Rachel Schiffman, Stefan Roeschert, Michael Hundsnurcher, Roman Loretan, Dan Sakai, Chris Andreacola, Anthony Saby, Mateo Antonio de Cardenas, Toshikatsu Kiuchi, Felipe Ferrer, Hallie Terzopolos
Core and Shell Design: Diller Scofidio + Renfro with FXFOWLE
Kitchen Design: Yui Design
Lighting: Tillotson Design Associates
SMEP: Ove Arup & Partners
Acoustical: Jaffe Holden
Telephone and Data Consulting: Shen Milsom & Wilke
Construction: Turner Construction
Project Year: 2010
Photographs: Iwan Baan
In response to the large demand of the fashion industry for showroom space, the client conducted an external expert evaluation with an international architectural competition in the spring of 2007 for a new building Labels Berlin 2. In September 2007 the expert commission awarded first prize to the design by HHF Architects.
The new center for fashion, Labels Berlin 2, was conceived to provide showroom space for approximately thirty different international fashion labels. A large event area and small restaurant are located on the ground floor. The design concept responds to the architecture of the adjacent building. The interior spaces of this historical building are strongly characterized by the repetition of arched windows used in the façade. This motif became one of the starting points for the design of the project.
After the break you will find more photographs of Labels Berlin 2, along with a more detailed description about the design.
Photographer Iwan Baan received the inaugural Julius Shulman Photography Award in Los Angeles on October 10th. The Julius Shulman Institute at Woodbury University will honor the legacy of the renowned photographer during a series of events that coincide with the 100th anniversary of the day of his birth. The image.architecture.now exhibit is currently featuring Iwan Baan along with 9 photographers all whose work illuminates a range of explorations into documenting the experience of space. This exhibit is at Ahmanson Main Space at Woodbury University until October 23rd.
Check out Junya Ishigami and Associates‘ amazing studio + workspace where students of the Kanagawa Institute of Technology get to spend their days designing. The studio is about the closest you can get to the feeling of working outside while being indoors. The floor-to-ceiling glass makes the building appear weightless and elegant, and the open plan preserves the building’s sense of transparency as the viewer’s eye can shoot directly across the uninterrupted space. 305 columns of various sizes support the stripped roof of skylights, yet their white color keeps the focus on the space and the view, not the structure. The columns, although seemingly random, as specifically placed to create the sensation of zoned spaces, but their nonrestrictive quality provides a flexible layout to suit the changing needs of students.
Inspiring place to design in, wouldn’t you agree?
More photographs by Iwan Baan after the break.
We are sure that SO-IL‘s PS1 installation, Pole Dance, will be a hit this summer. On Friday we had a preview by Alan R Tansey and today, we found at Iwan Baan’s website another view on the installation. We hope you’ll be able to visit the project in person sometime.
Complete photoset at Iwan’s website, some photos after the break:
Our friend and architecture photographer, Iwan Baan , just published on his website some of his recently shot images of Steven Holl’s Horizontal Skyscraper in Shenzhen, China . The project is a long mixed-use complex which includes office spaces, apartments, a hotel and even a public landscape. Baan’s photos illustrate Holl’s idea that the “building appears as if it were once floating on a higher sea that has now subsided; leaving the structure propped up high on eight legs.”
Complete photoset at Iwan’s website, more images and more about the project after the break.
The Shanghai Expo 2010 has opened its doors, and we start to see how the pavilions evolved from the previews we saw during design/construction phases at ArchDaily, to become a showcase of the current status of architecture from around the world.
The Denmark Pavilion was one of the first ones we presented you, almost a year ago. The project, designed by BIG with ARUP and 2+1, was interesting not only from an architectural and structural point of view, but also for the danish spirit it represents.
Basically, the pavilion is a big loop on which visitors ride around on one of the 1,500 bikes available at the entrance, a chance to experience the Danish urban way. At the center of the pavilion there’s a big pool with fresh water from Copenhagen’s harbor (one of the most clean in the world), on which visitors can even swim.
At the center of the pool you will find The Little Mermaid, a statue that has become a symbol for Denmark. And this time, it will be moved temporarily to China. In Bjarke Ingels words “it is considerably more resource efficient moving The Little Mermaid to China, than moving 1.3 billion Chinese to Copenhagen”.
After the break, more images of the completed pavilion by arch photographer Iwan Baan, including Bjarke Ingels himself riding a bike on the circular loop:
Mapungubwe, located on South Africa’s northern border with Botswana and Zimbabwe, prospered between 1200 and 1300 AD by being one of the first places that produced gold, but after its fall it remained uninhabited for over 700 years, until it’s discovery in 1933. The society living in what today is Unesco World Heritage Site, is thought to have been the most complex in the region, implementing the first class-based social system in southern Africa. And besides the cultural heritage, Mapungubwe is also home to an immensely rich flora and fauna, including over 1000 years old Baobab trees and a big variety of animal life, including elephant, giraffe, white rhino, antelopes and 400 bird species.
You can see the complete photoset over Iwan Baan’s website
Last year we presented you this interesting project by REX during its construction stage, where you could see how an unused structure was converted into the new headquarters for Vakko, integrated with a new complex steel structure. The project is now completed, and we can see the final result with photos by Iwan Baan and a complete set of drawings and diagrams courtesy of REX.
Despite the mix of the existing concrete structure with the new additions and the complex inner core (dubbed the “showcase”), the exterior of the building is read as a whole. The structural “X” of the glass panels on the facade break the monotony of the box on the outside, contrasting with the mirror like finish of the volume on top.
The “showcase” fills the central void with a mirror finish that turns the volume into a sculpture (as seen on the photos and on the showcase elevations below), while housing different programs that benefit from the arrange of the boxes, such as the auditorium, meeting rooms and showrooms.
REX once again shows innovative structural solutions in relation with the program, together with new uses of materials as we previously saw on the Wyly Theatre in Dallas.
After the break, the architect’s description:
Location: Istanbul, Turkey
Clientes: Vakko and Power Media
Key personnel: Erez Ella, Tomas Janka, Mathias Madaus, David Menicovich, Tsuyoshi Nakamoto, Joshua Prince-Ramus, Ishtiaq Rafiuddin, Tieliu Wu
Consultants: ARTE, Autoban, Buro Statik, Cedetas, Dora, Eleksis, Front, Gurmen Muhendislik, Lamglass, Norm Tecnic, Say Yapi, STEP, Superpool, Cem Mimarlik
Area: 9,100 sqm (98,000 sqf)
Program: Headquarters for a Turkish fashion house—including offices, showrooms, conference rooms, auditorium, museum, and dining hall—as well as the television studios, radio production facilities, and screening rooms of its media sister-company
Photography: REX, Iwan Baan
Architects: Mass Studies
Location: Seoul, Korea
Project Team: Minsuk Cho, Kisu Park, Zongxoo U, Younkyoung Shin, Sangkyu Jeon, Jingyoung Ha, Geunmi Ryu, Jieun Lee, Joonhee Lee, Daeun Jeong, Bumhyun Chun, Kiwoong Ko, Hartmut Flothmann, Dongchul Yang, Seongbeom Mo, Byungkyun Kim, Jisoo Kim, Songmin Lee, Vin Kim, Young Kim, Ranhee Kim, Kwangjin Woo, Minho Hwang, Jiyoung Yoon, Chungwhan Park
Structural Engineering: Junwoo Structure
MEP Engineering: HANA Consulting & Engineers
Civil Engineering: CG E&C
Landscaping: Alban Mannisi + Soltos Landscaping
Construction: SK E&C
Client: SK Networks
Site Area: 2,931 sqm
Project Area: 39,898.56 sqm
Design Year: 2006
Construction Year: 2006-2009
Photographs: Iwan Baan, Kyungsub Shin & Yong-Kwan Kim
Architects: Kazuyo Sejima + Ryue Nishizawa / SANAA
Client: Zollverein School
Location: Essen, Germany
Construction start: March 2005
Completed: July 2006
Project architect: Nicole Berganski
Associate architects: Böll & Krabel
Built area: 5.000sqm
Masterplan: Rem Koolhaas, OMA
Landscape: Agence Ter
Photos: Iwan Baan
Location: Toledo, Ohio, USA
Client: Toledo Museum of Art
Architect: Kazuyo Sejima + Ryue Nishizawa / SANAA
Team: Toshi Oki, Takayuki Hasegawa, Keiko Uchiyama, Mizuki Imamura, Tetsuo Kondo, Junya Ishigami
Built area: 7,000sqm
Site area: 20,000sqm
Structure: Guy Nordenson & Associates / SAPS
Glass consultant: Front Inc
Lighting: Arup / Kilt Planning
Photos: Iwan Baan
Now, Iwan Baan shows on his website this great photoset he made for March’s issue of Domus magazine, where we can see much more of the sloped interiors and some amazing images of the perforated curved concrete+glass volume that gives form to the building.
Iwan Baan has always amazed us with his photos, capturing the essence of several projects around the world. But Iwan has also been exploring with virtual panoramas (I remember some OMA buildings at Domus, included on a CD).
Via @vitra I found that Iwan used this technique on the VitraHaus building by Herzog & de Meuron, which you can now explore from your computer to get a better idea about the spatial relations between these stacked volumes.
Follow this link to take the virtual tour.
The 22@ is an experimental district in Barcelona, Spain, with a mayor energetic load (District Climate), where the new values of the companies are intangible: they are not based in having natural resources of water, soil, gas, they don’t have real-estate values, retransmission rights (media Pro), they have patents (Indra), they have intelligence, programming and interaction (like the Reactable of Sergi Jorda from the Pompeu), a district, the way Artur Serra from I2CAT and the people form the 22@ say, an urban Lab.
Architects: Preston Scott Cohen, Inc. (Design Architect); Institute of Architectural Design and Planning with Atelier Zhang Lei (Chinese architect of record)
Location: Nanjing, China
Client: Nanjing University
Project Area: 16,000 sqm
Budget: RMB 3,000/sqm
Design Year: 2007
Construction Year: 2008-2009
Photographs: Iwan Baan
Architect: Zaha Hadid Architects
Location: Rome, Flaminio, Italy
Client: Ministero Beni e Attività Culturali – Fondazione MAXXI
Structural engineers: Anthony Hunts Associates OK Design Group
Lights and illumination: Equation Lighting
Year of enchargement: 1999
Year of completion: 2009
Constructed area: 27,000 sqm
Photographs: Iwan Baan
Architects: SeARCH & CMA
Location: Vals, Switzerland
Design: Bjarne Mastenbroek & Christian Müller
Interior design cardboard bedroom: Studio JVM, Jeroen van Mechelen
Interior design excluding cardboard bedroom: Bjarne Mastenbroek
Interior advises: Christian Müller, Monica Ketting & Thomas Eyck
Contractor main structure: Kurt Schnyder Bauunternehmung, Vals, CH
Structural engineering: Alex Kilchmann, Schluein, CH
Glass façade engineering and construction: Walch GmbH, Ludesch, AT
Carpenter, interior finishing: A. Gartmann AG, Vals, CH
Cardboard interior: Nedcam shaping technology, Apeldoorn, NL
Cupboards, step chest: van hier tot Tokio’, Japanese Antiques
Electrical installations: Comet GmbH, Vals, CH
Plumbing & Water installations: Oscar Caduff, Vals, CH
Mechanical Ventilation & heating regeneration: Lippuner EMT AG, Grabs, CH
Avalanche protection: Geobrugg AG, Romanshorn, CH
Fire places and stoves: Maurus Cathomas, Ilanz, CH
Project Year: 2009
Photographs: Iwan Baan
The house is inspired on the Jantar Mantar Astronomical Observatory, built in Delhi in 1724.
Stefano Boeri from Abitare interviewed Gabriel Orozco about this project, where you can read more about his vision.
More photos of the house with one of the best pools I have ever seen, after the break.