The Teshima Art Museum designed by Tokyo-based architect Ryue Nishizawa and Japanese artist Rei Naito opened in 2010 for the Setouchi International Art Festival that was held in the Takamatsu Port area of Japan. The open gallery space features 25cm thick concrete shell with two elliptical openings that are open to elements. Iwan Baan shows on his website a great photo set of the art museum which can be viewed here.
More of Iwan Baan’s photographs following the break, as well as a video of the Teshima Art Museum while under construction.
New Yorkers can’t get enough of James Corner Field Operations with Diller Scofidio + Renfro‘s High Line as millions meandered along the refurbished rail tracks enjoying spectacular views of the skyline. And yet, the opening of the High Line in 2009 offered a mere preview of the project’s total grandeur as parts two and three of the 1.45 mile project were still to come. Today, the second phase of the High Line has opened to the public – a section which stretches from West 20th up to West 28th Street. This segment includes a hovering frame that will display people’s silhouettes against the evening sky, an elevated pathway which brings visitors to the level of the trees’ canopy, and a Great Lawn which will be perfect for sun-bathing and a summer time picnic.
In the Netherlands, Meissen porcelain is often regarded as ‘high-class kitsch’. Its sumptuous, often narrative style of decoration puts it at odds with the minimalistic and conceptual traditions of Modernism. Solid Objectives – Idenburg Liu (SO – IL) was commissioned by Kunsthal KAdE to design an ideal contemporary three-dimensional setting in which to present the porcelain such that it would challenge this prejudice and focus attention on the great sculptural, artistic and technical strengths of Meissen. In response, SO – IL has designed 32 modern, geometrically shaped showcases in bright colors and with ‘pointed tops’. These showcases not only serve the Meissen objects also autonomous in character.
More images by Iwan Baan and information after the break.
Architect: Bernardo Rodrigues
Location: Ribeira Grande, Portugal
Preliminary Study: James Grainger, Pedro Mosca, Natacha Viveiros
Execution: Nelson Ferreira, Ye Xuanyong, Vasco Melo, Laura von Dellemann, Alexandra Balona
Work: Adriana Massague, Rita Breda, Ana Soares, Jessica Silva, Sofia Cordeiro, Raquel Fernandes Elena Archipovait Marcello Zahr
Project Year: 2002-2010
Photographs: Iwan Baan
The Museum of Ocean and Surf (Cité de l’Océan et du Surf) explores both surf and sea and their role upon our leisure, science and ecology. The design by Steven Holl Architects in collaboration with Solange Fabiao is the winning scheme from an international competition that included the offices of Enric Miralles/Benedetta Tagliabue, Brochet Lajus Pueyo, Bernard Tschumi and Jean-Michel Willmotte.
The Museum of Ocean and Surf will open to the public this coming June 25th.
It was announced at a recent seminar, “Materials and Resistance” in Oslo, Norway, that the Holmenkollen Ski Jump, designed by JDS Architects, was the recipient for the Norwegian Steel Construction Prize 2011. A presentation of the winning project and award ceremony will take place under the Norwegian Ståldag (Steel Day), the 3rd of November 2011 at the Grand Hotel in Oslo. More images and description after the break.
Looking back at the Easter Pilgrimage 2011 at Ruta del Peregrino, the most important event of the year, we are pleased to announce the final step of the second construction phase (you can check the complete project over here).
This year, for the first time, the pilgrims were able to use the finished viewpoint by HHF Architects, offering a new way to experience the site.
All images by Iwan Baan and you can check his website for the full coverage.
Architects: AZL architects – Zhang Lei
Location: Nanjing, Jiangsu Province, China
Project Team: Zhang Lei, Meng Fanhao, Cai Menglei, Lu Yuan, Tang Xiaoxin
Collaborator: Architectural Design & Planning Institute, Nanjing University
Project area: 270 sqm
Project year: 2006 – 2008
Photographs: Iwan Baan
This coming Thursday, May 5th Harvard University Graduate School of Design will host Jacques Herzog, of Pritzker Prize winning Herzog de Meuron. The lecture, from 4pm-5pm, will be held at the Piper Auditorium and is free and open to the public. It will also be streaming live on the GSD webcast page. Further information about this upcoming lecture can be found here.
Designed by Koji Tsutsui Architect & Associates the InBetween House is a collection of small mountain cottages situated amongst Japanese larch trees in a mountainous region outside of Tokyo. A retreat from their busy work in the city, the clients wanted a house that could seamlessly blend into the natural surrounding, topography and local culture.
Architects: Koji Tsutsui Architect & Associates
Location: Karuizawa, Nagano, Japan
Project Team: Koji Tsutsui, Satoshi Ohkami
Structural Engineers: ANARCHItects(CG), Hirotsugu Tsuboi
General Contractor: Sasazawa Construction, Inc.
Project Area: 178.43 sqm
Project Year: 2010
Photographs: Iwan Baan
When I first read John Adams by David McCullough a few years ago I could not decide if I liked Mr. Adams for Mr. Adams or if I liked him for Mr. McCullough’s writing. After viewing Iwan Baan’s newest book, Living with Modernity, I have the same ambiguous feeling about Brasilia and Chandigarh. Baan’s photography of these controversial cities is both subtle and disarming. “[The photographs in this book] do not show how Le Corbusier and Niemeyer thought their cities would look; they show what the cities look like now, fifty to sixty years later.” Without arguing any particular point, Baan documents “what happens when the chilly, impersonal drawing from the past is populated by real, live human beings.” Some discomforting images are reminiscent of what happens when a child places his Tonka Trunk in the middle of an anthill; life follows in and out of structures that relate very little to the realities of daily life. Spaces are simply co-opted for purposes that stand in stark contrast to the intended purpose of the structures. At the same time Baan captures fascinating and brilliant moments of beauty that Niemeyer and Le Corbusier never could have planned for–or the did. As difficult as it is to put stunning photography into words, the short accompanying essay by Cees Nooteboom certainly comes close and is well worth a read. The book closes with a succinct but informative piece by Martino Stierli. Stierli gives the background, historical context, and controversy surrounding the two cities. In the end, I am still ambivalent on whether or not I admire such a ambitious/hubris top-down approach to design, but after seeing the cities in Baan’s book I am certainly fascinated by them—perhaps enough so that I will travel there some day in the future.
Concrete Islands is a group exhibition of photography and video exploring contemporary experiences of utopian architectural projects. For many architects modernism was a physical manifestation of human progress and, as architectural historian Colin Rowe wrote in The Architecture of Good Intentions, “The architect could stipulate an intrinsic connection between the form of his buildings and the condition of society.”
The works in Concrete Islands, by a selection of international contemporary artists, document, celebrate and critique architectural projects designed with inherent social and political values that now exist in various stages of inhabitation, dereliction and destruction.
The exhibition, curated by Elias Redstone for Analix Forever, will feature the works of Andreas Angelidakis, Iwan Baan, Frédéric Chaubin, Mounir Fatmi, and Niklas Goldbach. For more information, please click here.
Architects: Zaha Hadid Architects
Location: Guangzhou, China
Project Director: Woody K.T. Yao, Patrik Schumacher
Project Leader: Simon Yu
Project Team: Jason Guo, Yang Jingwen, Long Jiang, Ta-Kang Hsu, Yi- Ching Liu, Zhi Wang, Christine Chow, Cyril Shing, Filippo Innocenti, Lourdes Sanchez, Hinki Kwong, Junkai Jiang
Local Design Institute: Guangzhou Pearl River Foreign Investment Architectural Designing Institute (Guangzhou, China)
Structural Engineering: SHTK (Shanghai, China); Guangzhou Pearl River Foreign Investment Architectural Designing Institute
Façade Engineering: KGE Engineering (Zhuhai, China)
Building Services: Guangzhou Pearl River Foreign Investment Architectural Designing Institute (Guangzhou, China)
Acoustic Consultants: Marshall Day Acoustics (Melbourne, Australia)
Theater Consultants: ENFI (Beijing, China)
Lighting Consultant: Beijing Light & View (Beijing, China)
Project Management: Guangzhou Municipal Construction Group Co. Ltd. (Guangzhou, China)
Construction Management: Guangzhou Construction Engineering Supervision Co. Ltd. (Guangzhou, China)
Main Contractor: China Construction Third Engineering Bureau Co. Ltd. (Guangdong, China)
Project Area: 70,000 sqm
Project Year: 2003-2010
Photographs: Iwan Baan