Venice Biennale 2012: Le quattro stagioni. L´architecttura del Made in Italy da Adriano Olivetti alla Green Economy / Italy Pavilion
The theme of the 13th International Architecture Exhibition, Common Ground, seems particularly apposite in describing the sense of rapport and relationship that is one of Italy’s primary characteristics in the development of cultural research and inquiry. This relationship has always been attained through reference to and an exchange between not only the purview of the contemporary, but also the past and our always compellingly tangible history.
In the context of the ongoing financial crisis, cities and citizens are going through profound and as yet uncharted transformations. Tomorrow in Naples, Italy, UN-Habitat’s World Urban Forum will bring together mayors, international organizations, governments and civil- society organizations to discuss the Urban Future.
This debate aims to blur the boundaries between designers and politicians; researchers and eco- nomists, to highlight new policies and practices which do not require funding from strained public coffers. Can new forms of city development be thought about without the contribution of private enterprise? Can the political and design worlds find “Common ground” in the face of urban decay and austerity? How can policy making and urban planning come together to bring about appropriate norms for improving urbanites’ lives? This will be one of the focus areas for the ANMA Architects’ new foundation ANMA-F.
For over a century, the Venice Biennale (La Biennale di Venezia) has been one of the most prestigious cultural institutions in the world. The avant-garde institution has remained at the forefront in the research and promotion of new artistic trends, while leading international events in the field of contemporary arts that are amongst the most important of their kind. Over the past thirty years, the Biennale has given growing importance to the Architecture Exhibition, which is still a young component of the Biennale considering that its first exhibition was held in 1975. Today, the Venice Biennale captures a multitude of interest from around the globe and attracts over 370,000 international visitors.
Before the festivities of the 13th Venice Architecture Biennale begin tomorrow, read up on the origin of this highly acclaimed international exhibition.
A timeline history of the Venice Architecture Biennale:
Each year, approximately two million Mexican residents take part in the religious phenomenon Ruta del Peregrino (Pilgrim’s Route) – a 117 kilometer pilgrimage through the mountain range of Jalisco that is centered around and moved by the adoration to the Virgin of Talpa. This religious voyage has been taking place since the 17th century and represents the pilgrim’s act of faith carried to penitence. Although conditions are harsh, this sacrifice carried with austerity is an essential part of the promise or offering that become the ritual of purification.
In an effort to provide the historical route with better conditions, nine architecture firms and design offices collaborated to build seven architectural landmarks that provide shelter, services and outlook points for the pilgrims. By establishing a strong relationship with both the extraordinary landscape and the religious rituals of Ruta del Peregrino, the architectural pieces have become the “imaginary landmarks” of a deeply rooted phenomenon.
Continue reading to learn about how this project is contributing to the 2012 Venice Biennale.
For the first time ever, Design Onscreen – the Initiative for Architecture and Design on Film – will present the Design Onscreen Film Festival at the Venice Architecture Biennale, August 27 through the 29th at the Arsenale’s Teatro Piccolo. All sixteen screenings are free and open to the public and most will be followed by dynamic in-person discussions and audience Q&As, featuring top architects and design experts from around the globe, including Lord Norman Foster, Peter Eisenman, Rick Joy, Steven Holl, Vittorio Garatti, Deyan Sudjic (Director, Design Museum London), Barry Bergdoll (Chief Curator of Architecture and Design at the Museum of Modern Art); Moshen Mostafavi (Dean, Harvard Graduate School of Design), Mark Wigley (Dean, Columbia Univ. School of Architecture), and David Chipperfield (Curator and Director of the 13th Annual International Architecture Exhibition, Venice Biennale).
Continue after the break for trailers and more information.
Although the city is seen as a place of meetings and exchanges, many urban centers have become over-saturated with cars and car parks. This phenomenon has created a series of “non-places” that have claimed “common areas” from city dwellers. Occupying a space no larger than a typical parking spot, the Architettura Dolomiti Pavilion reflects on David Chipperfield’s “Common Ground” theme and explores ways on how to exploit these common areas currently occupied by parking places. This wooden pavilion reinterprets and reintroduces the “larin” – a traditional space found in the rural houses of Belluno where the family meets to eat, drink and share stories – in an effort to create an intimate space within the city that offers an escape and an opportunity for interaction amongst city dwellers. With this pavilion, Dolomiti Architetture explores the possibilities of “a new life free from cars” within the city center that also reflects their values of environmental sustainability by using disassemblability techniques, recycling methods and renewable raw materials.
The Architecture Dolomiti Pavilion is currently being occupied by the city dwellers of Belluno, Italy. Continue reading for the architects’ description.
GREENHOUSE TALK, a comparison of design cultures in the great countries of Eastern Asia and Europe, will be taking place August 28 from 9-11am as part of the 13th International Architecture Exhibition at la Biennale di Venezia. Promoted by the Embassy of the Kingdom of the Netherlands in Rome and supported by Image, the main protagonists of this meeting are Pritzker Prize Laureate Wang Shu of Amateur Architecture (China), Rahul Mehrotra of RMA architects (India) and Francine Houben of Mecanoo (the Netherlands). The meeting, introduced by Pippo Ciorra and commented by Ole Bouman, will be an informal discussion in the Serra dei Giardini in Venice. For more information, please visit here.
With the aim of transforming the town of Ameno, Italy for two days in a centre where spaces, art and sociality could guide people through the territory, ES-arch, in partnership with Legnotech S.p.A., present CASsAPANCA . As the 5th edition of the “Paesaggi Mirati” exhibition invited architects and designers to work on the idea of “diffuse museum”, they created an experience of a journey dedicated to multi-sensible tourism, made by cultural, responsible, sustainable and artistic choices. More images and architects’ description after the break.