AD Classics: United States Embassy in Havana / Harrison & Abramovitz

The United States’ diplomatic presence in Cuba is housed in a severe, early-1950s office building perched on the shoreline over Bay. Walled off from the city and pulled back from the street, the building has the uneasy presence of a haunted castle – shunned and maligned by its neighbors, but subjected to the unending scrutiny of suspicious eyes and intrigued gossip of the locals. With its regimented orthogonalities and the unmistakably foreign imprint of modernist efficiencies, both the embassy’s architecture and the optimistic political spirit it embodies seem to belong to another era, a cooperative past no longer conceivable in the wake of a half century of underhanded diplomacy, calumnious propaganda, and failed attempts to restore relations between the embattled countries.

AD Classics: The National Art Schools of Cuba / Ricardo Porro, Vittorio Garatti, Roberto Gottardi

School of Ballet by . Image © Adrián Guerra Rey via places.designobserver.com

“Cuba will count as having the most beautiful academy of arts in the world.” – Fidel Castro (1961)

The Cuban National Schools of Arts, originally imagined by Fidel Castro and Che Guevara in 1961, are perhaps the largest architectural achievements of the Cuban Revolution. The innovative design of the schools, which aimed to bring cultural literacy to the nation, encapsulated the radical, utopian vision of the Revolution. Unfortunately, the nation’s idealistic enthusiasm lasted for a fleeting moment in time and the Schools quickly fell out of favor; they were left to decay before even being completed. Today, following nearly four decades of neglect, the architects have returned to try and bring these derelict schools to back to their intended glory.

Foster to redesign Fidel Castro’s School of Ballet

School of Ballet © toml1959

Cuban ballet star Carlos Acosta has selected to redevelop one of Fidel Castro’s unfinished spaces – the School of Ballet on the outskirts of . Acosta studied ballet at the Cuban National Ballet School and has danced with the Royal Ballet since 1998.

The stunning, derelict building was never completed during the Cuban revolution, as the design and architects of the Cuban National Art Schools (las Escuelas Nacionales de Arte, or ENA) were deemed irrelevant in the prevailing political climate. However, in March 1999, the three architects – Ricardo Porro, Vittorio Garatti and Roberto Gottardi – were called to lay out a budget to preserve the languished schools. These preservation efforts include the School of Ballet, whose cluster of domed volumes, designed in 1961 by Italian Vittorio Garatti, are connected by an organic layering of Catalan vaults that follow a winding path.

As reported on bdonline, Norman Foster told the Sunday Times: “Carlos is a great dancer who is inspiring the regeneration of an iconic ruin of early modernism outside Havana.”