Watch Álvaro Siza celebrate the opening of the exhibition "Corner, Block, Neighbourhood, Cities. Álvaro Siza in Berlin and The Hague" and the arrival of the Siza archive at the CCA. You can also follow the conversation on Twitter using #SizaCCA.
Update: CCA releases statement from Siza.
Earlier this week we announced that Portuguese architect Álvaro Siza was considering donating his archive to institutions outside of his home country of Portugal. Finally, after much discussion and speculation, Siza has arrived at a decision.
Siza will donate one part of the archive to two institutions in Portugal: the Fundação Gulbenkian in Lisbon and the Fundação de Serralves in Porto. The other part of the archive will be given to the Canadian Center for Architecture (CCA) in Montreal.
The archives of Álvaro Siza, whose drawings, sketches, and models have been exhibited in the most renowned cultural institutions around the world, may soon be transferred to the Canadian Centre for Architecture (Centre Canadien d'Architecture, CCA) in Montreal.
The architect confirmed on Wednesday to Portuguese paper PÚBLICO that he has been "in talks" with the CCA, as well as other un-named institutions from different countries, in order to "decide the future" of his archives.
On view at the CCA from 19 June to 14 September 2014 and curated by architectural historian David Gissen, The Mound of Vendôme revisits one key episode of French history when the Commune de Paris in 1871 voted to demolish the Vendôme Column, abolishing all allusions to the Napoleonic era. To protect the surrounding architecture during demolition, a radical landscape was erected on Place Vendôme. Informed by the methods of experimental history, Gissen’s ongoing research project and installation at the CCA traces the provocative history of the column and mound, while arguing for its historicisation and reconstruction.
Curatorial practice as it emerged during the twentieth century is being extensively recast. The tremendous change in the status of the object, culture, the various disciplines, information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has recently emerged within the field of architecture. For the third year, the CCA (Canadian Center for Architecture) offers two curatorial opportunities with the generous support of the Power Corporation of Canada: the Young Curator Program and the Curatorial Internships Program. More information after the break.
The CCA presents the 'Imperfect Health: The Medicalization of Architecture' Book and Online TV Channel
The Canadian Centre for Architecture (CCA), Montréal, announces the launch of the book and website related to its current major exhibition, Imperfect Health: The Medicalization of Architecture, on view in the CCA’s main galleries for an extended run until 15 April, 2012.
Produced by the Canadian Centre for Architecture and Lars Müller Publishers, the book, in French and English editions, bears the same title as the exhibition and is available from March 2012. Edited by exhibition curators Giovanna Borasi (Curator of Contemporary Architecture, CCA), and Mirko Zardini (Chief Curator and Director, CCA), the book extends the research produced for the exhibition and includes essays by leading academics Margaret Campbell, Nan Ellin, David Gissen, Carla C. Keirns, Linda Pollak, Hilary Sample, Sarah Schrank, and Deane Simpson.
The book investigates the historical connections between health, design and the environment, bringing to light uncertainties and contradictions in cultures informed by Western medicine. Within this framework, the essays it contains reflect on themes related to the exhibition such as the relationship between the built environment and human health; pollution; modernism and hygiene; planning strategies for dealing with urban disease; the challenges of the urban environment on health; the relationship between physical health and the built environment; urban design in an ageing society; and the impact of sun on health.
More about the book, the microsite and the exhibition after the break.