As transitory as trends may be, they always have a way of coming back. We see it all the time in fashion, with clothing pieces we thought were long gone coming back in style and reconquering the market. Interior design is no exception. Although this century has set the ideal on subtle sophistication and simplicity – with white surfaces, clean lines and slick gloss finishes –, bold retro enhancements are reviving in residential and commercial interiors. Whether in the form of vibrant colored walls, floors with intricate geometric patterns or vintage-looking furniture pieces, there seems to be a renewed appreciation for design elements inspired by trends from the second half of the 1900s, particularly from the 50s to the 80s.
The Royal Institute of British Architects (RIBA) has announced the winning projects for the 2022 RIBA London architecture awards. The list of 42 buildings includes projects ranging from a sustainable council housing development to a cookery school for children, showcasing the best architectural interventions in London over the past two years. The projects were selected by a regional jury, who visited all 66 shortlisted projects. RIBA London Award winners will now be considered for a highly-coveted RIBA National Awardin recognition of their architectural excellence, which will be announced in June.
As we look back at the architecture projects we have published in 2020, as part of our yearly review, we were able to distinguish many recurring elements and solutions in terms of materials, programs, and functions.
Since the architecture industry moves slightly slower than others, we found that many things in the construction and design that have been building up these past years have come out making strong statements this 2020. We believe, therefore, that trends in the architecture world could be defined not only by what has been recurrent and popular but also, what has proven to be relevant and substantial.
https://www.archdaily.com/955914/construction-and-design-trends-of-2020-the-recurring-the-popular-the-relevant-and-the-substantialPaula Pintos & Clara Ott
The use of brick plays a very important role in the architectural history of the United Kingdom. Construction techniques that involve brick and stone have been in constant progress. In fact, brick production improved over time, making the material the most popular one in the construction industry. From the 18th century onwards, brickwork was predominantly used in domestic and industrial architecture, but later on, it was introduced to the structure of warehouses and factories, as well as other various forms of infrastructure.
While many of these buildings are still operating to this day, it comes as no surprise. Refurbishment and reuse are highly recommended techniques, and in many cases, the only methods to maintain densely populated European cities. Therefore, the challenge lays in reusing these buildings and recycling the materials available, always trying to retain as much of the original structure as possible.
Known for his sensuous materiality and attention to place, 2009 Pritzker LaureatePeter Zumthor (born April 26, 1943) is one the most revered architects of the 21st century. Shooting to fame on the back of The Therme Vals and Kunsthaus Bregenz, completed just a year apart in 1996 and 1997, his work privileges the experiential qualities of individual buildings over the technological, cultural and theoretical focus often favored by his contemporaries.
Artist Holly Hendry has been announced as the winner of the Experimental Architecture Award, organized by the United Kingdom’s Arts Foundation. London-based Hendry's sculptural works employ the language of architecture and building to challenge the notion of space, permeated by a fascination with rear spaces and open cracks.
The first award of its kind given by the Arts Foundation, the Experimental Architecture Awards was “conceived to bring to light discussions about what new meanings architecture, art & design are bringing to address spatial issues and what role does experimentation play in contemporary practice.” The prize forms part of the Arts Foundation Future Awards 2019, which also features the categories Designer-Makers, Hip Hop Dance, and Poetry & Visual Arts.
https://www.archdaily.com/910351/holly-hendry-wins-the-2019-experimental-architecture-awards-with-playful-sculptural-worksNiall Patrick Walsh
Whether architecture is a form of art or not has often been a controversial topic of conversation within the architecture world. If one goes by the general definition of the word "art," architecture could potentially fit within the umbrella term: "the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power." As anyone involved in the architectural discipline probably knows, there is an abundance of varying definitions of the word "architecture," so whether its primary purpose is to achieve beauty or to organize space is evidently up for discussion.
Ask Jay A. Pritzker, founder of the Pritzker Prize, and he may say that "architecture is intended to transcend the simple need for shelter and security by becoming an expression of artistry." Ask The Guardian's Jonathan Jones and he may tell you that "architecture is the art we all encounter most often, most intimately, yet precisely because it is functional and necessary to life, it's hard to be clear about where the 'art' in a building begins." But this ambiguity is part of what makes the field of architecture challenging and exciting. To celebrate this complicated aspect of architecture, below we have collected a list of just some of the works that could be seen as art, architecture or both, depending on who’s looking, to provide some context to those blurry boundaries.
Known for his superior design and unparalleled craftsmanship, the 2009 Pritzker Laureate and 2013 RIBA Gold Medal Award winner, Peter Zumthor, was recently invited to speak at the School of Architecture in Tel Aviv University. In a lecture titled “Presence in Architecture - Seven Personal Observations,” Zumthor shared some of the inspirations behind his greatest projects, giving us insight into his poetic, intelligent, (and some might say) “nearly divine” mind.
Zumthor’s Seven Points on “Presence,” after the break...
In an article for Vanity FairPaul Goldberger unravels the Swiss Mystique surrounding Peter Zumthor's personality and work, describing him as a "cross between Mies van der Rohe and Marcel Proust, with perhaps a tiny bit of Bob Dylan thrown in." With completed projects few and far between, but executed with intense experiential thought and craftsmanship, the article explores how Zumthor's motives has informed his rigorous attitude to architecture. Having recently been awarded the RIBA Gold Medal, the "cult following" that Goldberger described in 2001 seems to only be getting stronger. You can read the full article here.
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