Phase 1 of the new Tom Bradley International Terminal at LAX, the largest public works project in the history of Los Angeles, has been completed. The new airport, designed by Fentress Architects to be a LEED-certified landmark for the city, will feature a flowing, ocean-inspired roofline, a three-story,150,000-square-foot Great Hall, and one of the most advanced multimedia Integrated Environmental Media Systems (IEMS) in the world. The $1.5 billion project has been funded solely from LAX’s operating revenues, without public funds.
Thousands have flocked to the Mile High City in Colorado to attend the American Institute of Architects (AIA) 2013 National Convention. The three-day event was enthusiastically kickstarted this morning by AIA president Mickey Jacobs who honored Tod Williams Billie Tsien Architects with the 2013 Architecture Firm Award; highlighted this year’s theme of leadership; and featured words of advice from TOMS founder and chief shoe giver, Blake Mycoskie.
Learn TOMS Founder Mycoskie’s top advice for architects after the break.
Architects: Slade Architecture
Location: Newark airport (EWR), 3 Brewster Road, Newark, NJ 07114, USA
Principals: Hayes Slade, James Slade
Design Team: Tian Gao, Kristina Kesler, Magda Stoenescu, David Iseri, Rasmus Kristensen, Ana Lopis, Allesandro Perinelli, Garrett Pruter
Client: Virgin Atlantic Airways Ltd.
Collaborators: Virgin Atlantic In-House Design
Mep Engineers: ADS Engineers Ambrosino, Depinto & Schmieder
Structural Engineers: Gilsanz Murray Steficek LLP
Quantity Surveyor: PT Projects – Peter Turvey
Lighting Design: Focus Lighting
Kitchen Consultant: Next Step Design
Contractor: Shawmut Design and Construction
Millwork: Allegheny Millwork
Area: 500.0 sqm
Photographs: Anton Stark, Courtesy of Slade Architecture
In the wake of Pritzker’s refusal to retroactively acknowledge Denise Scott Brown’s role in Robert Venturi’s 1991 Pritzker Prize, the American Institute of Architects (AIA) Board of Directors have voted to expand the prestigious Gold Medal award’s criteria to include either an individual or two individuals working together in a collaborative partnership. In order to be considered, partners must have created a singular body of distinguished architectural work.
Written by Ana Asensio Rodríguez. June 20th. World Refugee Day.
When we think of emergency architecture, what usually comes to mind are villages razed by flooding, by a hurricane or tornado. Families who have lost everything. From catastrophe emerges a new home for a new life, a new future to rebuild from the debris. But there are many other emergencies of an equally – if not more – dramatic nature.
Political and armed conflicts displace tens of millions of people every year. In the 2012 census collected by ANCUR, it was estimated that “43.3 million people in the world were displaced by force due to conflict and persecution. Children constitute 46% of this population.” These are not people who are starting from 0 with a new home, but rather who have run to save their own lives, taking with them only what they can carry – the things that will furnish houses that aren’t houses, because their inhabitants aren’t citizens.
But a refugee camp is also a city.
“Most social movements become social moments when they appear in a public square,” says Seyla Benhabib, a professor of Political Science at Yale University, in the video above. “These are informal spaces of deliberation and communication.”
Occupy Wall Street, which took over New York‘s Zuccotti Park, is just one example of this phenomenon. As we’ve reported, the social movements that spread through Turkey like wildfire took physical form in Istanbul’s historic Taksim Square and Gezi Park. Only a few days ago, protests took similar shape in the streets of Sao Paulo, Brazil, as citizens protested a raise in bus fares as well as many other social issues. There are countless other examples throughout history of people utilizing public space as a vehicle for self expression and social change, but what’s different about today’s social movements is that they also occupy cyberspace – heavily.
A few days ago, Google+ released the short video above about these digital spaces, what they call the “virtual public square”. Of course, the physical places that people use to express themselves are certainly no less important; however, it is interesting to consider the vital role social media and virtual communication now play in the unraveling of political events.
More after the break.
Vanity Fair reports that Developer Robbie Antonio’s OMA-designed “Stealth,” a $15 million private residence/art gallery in Manila will be completed by the end of the month. The home is a series of stacked, irregular boxes with rooftop pool and waterfall.
Focusing on key projects and using previously unseen archival material, drawings and personal items, the ‘Richard Rogers RA: Inside Out‘ exhibition will explore Roger’s career, from the influence of his Italian family to his impact on how we experience cities…
Those of us associated with the building of cities are often asked to do tricky things. Build a 632-meter-high skyscraper and give it the world’s tallest and fastest single elevator, traveling at speeds of more than 40 mph so folks can soar to the top in fewer than 40 seconds with no transfers. Build a data center in Houston that makes its own electricity (handy during a hurricane) and turns rain water into an asset. Design an office building that makes people happy to come to work.
But one of the biggest challenges facing us today requires, perhaps, one of our best magic tricks of all time: Creating open space when there seems to be none left.
How do we give people in cities public spaces (parks, gardens, squares, even wide tree-lined streets) to gather and room to breathe in our increasingly built-up and built-out urban environments?
More on David Gensler’s thoughts on reutilizing public space, after the break…
Architects: Horacio Schmidt Cortés, Horacio Schmidt Radic, Martin Schmidt Radic
Location: Ejército Libertador E 623 – Avda Ejercito Liber 569, Puente Alto, Santiago Metropolitan Region, Chile
Associate Architects: Rafael Pino, Cristián Pino, Rodrigo Toro
Area: 4500.0 m2
Photography: Courtesy of Schmidt Arquitectos
In the 20th century, it was going to be the site of the world’s tallest skyscraper, but it became the world’s largest hotel. In 2006, the hotel was replaced with a fence, the largest advertising space in all of Europe, enclosing acres of undeveloped, highly valuable land. In 2014, it will become Moscow’s first – and most important – park in over 50 years.
Zaryadye Park, located on 13 acres of land just a minute’s walk from the Kremlin and the Red Square, will become a gateway to Moscow, one that will “project a new image of Moscow and Russia to the world.” Because of the Park’s significance, the city of Moscow (with aid from the Strelka Institute for Media Architecture and Design) has decided to host an international competition for its re-design.
The 6 finalists shortlisted for this significant project, after the break…
Huishang Bank Headquarters / Y Design Office + Architectural Design & Research Institute of Tsinghua University
Y Design Office has released a proposal for the new headquarters of the Huishang Bank, located in the new financial district of Hefei, Anhui. The site is at the cross-section of two major roads, Yun Gu and the Luzhou Road. Yun Gu Road is the new financial street which connects directly to the new city center. Luzhou Road connects the site to the older city centers.