The Diana Center, a 98,000 square-foot multipurpose arts building at Barnard College designed by WEISS/MANFREDI Architecture/Landscape/Urbanism, is the winner of a 2011 Chicago Athenaeum American Architecture Award. The project will be exhibited in Buenos Aires at the 13th International Architecture Biennial in October, and will be on display throughout Europe in the next year.
Established in the 1990s by The Chicago Athenaeum: Museum of Architecture and Design, together with The European Centre for Architecture Art Design and Urban Studies and Metropolitan Arts Press Ltd., the awards program honors and celebrates the most outstanding new achievements and innovations for new architecture. Past recipients of the award include Renzo Piano, Perkins + Will, Eric Owen Moss and other leading architecture firms with distinguished projects designed and built in the United States. which makes this award such an honor.
The Diana Center establishes a new nexus for social, cultural, and intellectual life on campus and within the city. Located on Broadway, the Diana Center unites landscape and architecture, interior and exterior in a seven-story structure that rethinks the conventions of a mixed use building. The building is home to the departments of architecture, art history, visual arts, and theater and includes architecture and painting studios, a 500-seat events space, black box theater, cafe, dining room, reading room, classrooms, and exhibition galleries.
In the international design idea competition to find the best design solution for a music themed upscale hotel in Jurmala, Latvia, the proposal by Nobutaka Ashihara Architect (NAA)…, which won the third prize, transforms the existing, implements a new
As we all know, natural disasters continue to kill hundreds of thousands each year, and the vast growth of cities with unsafe and unreliable buildings and other infrastructure will only increase the cost of human life and negatively impact local…
Similar to a mainstream school setting, Celebrate the Children, a school for children with autism, lines its hallways with colorful banners, photographs, and student artwork. Parents concerned with some of their children’s hypersensitivities often ask Monica Osgood, the school’s director, if there is too much stimulation. Monica responds that her students need to learn in ‘real’ world settings if they will ever have a chance to use their acquired skills outside of the classroom. This logic for replicating ‘neuro-typical’ environments, argues directly against the sensory sensitive approach, and, with reasons worth exploring. Individuals with autism often have very poor generalization skills. Therefore proponents of ‘neuro-typical’ simulated environments claim that sensory sensitive environments actually cause less, not more, universal access and integration into the larger population. Whether or not there is any truth to this claim is unknown. There are strong arguments for and against the ‘neuro-typical’ approach, but there are no definitive studies comparing the sensory sensitive approach to the ‘neuro-typical’ approach.
Norman Foster has launched proposals for the Thames Hub as “An Integrated Vision for Britain”. The self-funded collaboration between Foster + Partners, Halcrow and Volterra has produced a detailed, holistic vision for Britain’s future development of infrastructure.
The rapidly population growth and evolving global economy has put pressure on UK’s aged infrastructure. The study describes the Spine, which will combine rail, energy, communications and data throughout the entire length of the UK. The Spine is supported by the proposed Thames Hub, introducing a new river barrier and crossing, an international airport, and a shipping and rail complex.
The Thames Hub plans to maximize Britain trade links with the rest of world, stimulate job creation, and boost the economies of the Midlands and the North by providing direct connections to the cities and markets of Europe.
Continue reading for more detailed information and images.
‘James Frazer Stirling: Notes from the Archive’ provides a rare glimpse into the works of James Stirling, renowned British architect, Pritzker Prize laureate (1981), and Yale School of Architecture professor, the Canadian Centre for Architecture (CCA), Montréal and the Yale Center for British Art, New Haven have co-organized this impressive exhibit on display at Stirling’s own Neue Staatsgalerie in Stuttgart until January 15th.
Featuring the exhibition curator, Anthony Vidler Dean and Professor of The Irwin S. Chanin School of Architecture at The Cooper Union, the video highlights Stirling’s works: the Engineering Building of Leicester University (1959-63), History Faculty Library in Cambridge (1964-67), Florey Building for Queen’s College at Oxford University (1966-71), along with the 1970 competition entry for the New Civic Centre in Derby, Nordhein-Westfallen Museum (1975), and Wallraf-Richartz Museum (1975). The works ‘reveal Stirling’s wide ranging approach to architectural composition and language, as well as the fundamental importance of historical and modernist architecture to his work.’ On display are more than three hundred original architectural drawings, models and photographs.
We recently had the opportunity to interview gmp architekten founding partner, Meinhard von Gerkan. Born in 1935 in Riga/Latvia, Gerkan completed his architectural studies in 1964 at the Carolo Wilhelmina Technical University in Braunschweig. In 1965 he co-founded with Volkwin Marg, von Gerkan, Marg and partners. They have completed together over 260 buildings, among them the Berlin-Tegel Airport (competition, 1st place 1965, built in 1970-75), the Berlin Central Station, Villa Guna, Christ Pavilion, and the Lingang New City, been recognized nationally and internationally for their designs and competition proposals.
Meinhard von Gerkan has also dedicated time to architectural education serving as a professor at multiple institutions including Hamburg’s Free Academy of Arts and Japan’s Nihon University in Tokyo. His interest in the training of architects resulted in the creation of a foundation to promote architectural training in 2007: the Academy for Architectural Culture. He has regarded this as one of his most important projects.
“The architect has a particular social responsibility since architecture is an art with social obligation and use.”
Our profession has a big component of passion, and Meinhard was full of it. It was inspiring to interview him, and I hope you enjoy this video.
A list of gmp architekten projects featured on ArchDaily include:
The stadiums built by the architects von Gerkan, Marg and Partners (gmp) in Cape Town and Port Elizabeth for the 2010 World Cup in South Africa received the IOC/IAKS Award on 26 October 2011. In the context of the international Trade Fair for Amenity Areas, Sports and Pool Facilities (FSB), the International Olympic Committee and the International Association for Sports and Leisure Facilities (IAKS) selected the Cape Town stadium for first prize and the Nelson Mandela Bay stadium in Port Elizabeth for third prize in the “stadiums for competitions and events” category. The awards were received by Hubert Nienhoff, gmp partner in charge of the offices in Berlin, Frankfurt and Rio de Janeiro. More information on the projects after the break.
Earlier this week, we had the pleasure of touring the Metropolitan Museum of Art ‘New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia’ with Achva Stein on its opening day. Stein, a principal of an ASLA award-winning landscape architecture and design firm Benzinberg Stein Associates and the founding Director of the Graduate program in Landscape Architecture at the Spitzer School of Architecture at the City College of New York, was asked to join the MET’s endeavors after her noted publication, Morocco: Courtyards and Gardens, showcased her passion for and understanding of the country’s varied garden types found in regions such as Marrakech and Fez. For the new wing, Stein has created a fantastic 14th century Maghrebi-Andalusian-style courtyard that goes beyond a mere representation, and truly infuses the spirit and essence of a Moroccan court into a small interior space of the MET.
More about our trip to the MET after the break.