Lessons for Students in Architecture, written by Dutch architect and educator Herman Hertzberger (born 1932), was first published in 1991 as an elaborated version of lectures Hertzberger had given since 1973 at Delft University of Technology. Since its first edition, the book has become a classic for students the world over; this immensely successful volume has gone through many reprints and has also been published in Japanese, German, Italian, Portuguese, Taiwanese, Dutch, Greek, Chinese, French, Polish and Persian.
How can places you go to other than your workplace or your home, such as libraries, idea hubs, cultural centres, parks, start-up cafés and other indispensable public spaces, so-called ‘third places’, make a valuable contribution to a vital society , now and in the future? How to Make a Relevant Public Space answers these questions from different angles, based on the five most important developments within the public space.
Supported by numerous interviews and primary data, this book points out the threats posed by typical large-scale projects of single SOEs (state owned enterprises), and further shows alternative development potentials that match the long-term socioeconomic demand, by learning from self-evolving SOE areas shaped by the combined forces of various public and private stakeholders.
The Dutch art movement De Stijl and its eponymous magazine have long exerted a strong influence on art and architecture, at home in the Netherlands and abroad. Published on the occasion of De Stijl’s centenary anniversary, the Guide to De Stijl in the Netherlands: The 100 Best Spots to Visit is the first publication to assemble, in a single practical and accessible guide, the 100 most important buildings, monuments and places of interest related to De Stijl.
The expansive areas around large airports, affected by noise, infrastructure, and transient forms of architecture, have until now not been researched as a phenomenon. But these noise landscapes are emerging worldwide, often surpassing the neighbouring city in size, and sometimes rivalling it in economic importance. On the basis of eight European case studies (Amsterdam, Zurich, London-Heathrow, Frankfurt, Munich, Madrid and the two Paris airports) this book provides the first account of how these landscapes emerged as the result of technical determinations, what is taking place in them, and how they can be interpreted.
The Netherlands has many thousands of dikes. A pivotal element in the Dutch landscape and one of the oldest features of the country's extensive water management program, the dikes of the Netherlands have significant cultural, historical and environmental value. But despite their importance to the history, economy and culture of the Netherlands (and their contemporary international relevance as the world scrambles to develop and implement effective flood-control strategies), Dutch dikes have never been properly mapped out or systematically studied. Many of them fail to meet current safety standards, though they are still a ubiquitous presence in the Dutch landscape.
Europe was hurt badly during the Second World War. The Netherlands, despite the dimensions of the task ahead, the poverty and the signifi cant war damage, took up reconstruction expeditiously. Bombed cities and villages re-emerged from the rubble and thanks to central management, the Netherlands were redeveloped spatially. In economic and social terms, signifi cant innovations took place as well.
Writingplace marks an emerging discussion on the relationship of literature and architecture. The book, which grows out of an online platform of the same name, offers reflections on the role played by written language as a crucial element of architecture culture, and on the potential of using literary methods in architectural and urban research, education and design.For readers interested in the transdisciplinary encounters between architecture and literature, this volume offers both theoretical contributions that address concepts such as narrative and literary imagination, and contemporary explorations regarding the practical operability of literary approaches.
From the Pantheon in Rome to the Zollverein in Essen, “vital architecture” describes buildings with a future value, buildings whose architecture determines and guarantees their lifespan. The spatial quality of such buildings is the core of their value and sustainability, even—or especially—when their use changes. Vital Architecture focuses on the clients, users, architects and designers of such buildings. Written by Ruurd Roorda and Bas Kegge, the book documents and interprets 20 of these vital buildings with plans, sections, diagrams and photographs by Roel Backaert.
In 2014, a 3D-printed Canal House by DUS architects caught the attention of the world. Imagine 10 explores the potentials of Additive Manufacturing for architecture by discussing its implications for design and construction processes, and presents research projects and ideas for future applications.
UC Berkeley's College of Environmental Design is now accepting applications from prospective participants in the 2016 Summer [IN]STITUTE in Environmental Design. This six week intensive summer program gives students the opportunity to test their enthusiasm for the material and culture of environmental design.
The Summer [IN]STITUTE consists of [IN]ARCH, [IN]LAND and [IN]CITY, three introductory programs in architecture, landscape architecture and sustainable city planning for post-baccalaureate students and senior-level undergraduates, as well as [IN]ARCH ADV, an advanced studio for post-baccalaureate students who have a degree in architecture or who are senior-level architecture majors.
Architects and designers from Singapore, Brazil, Chile, Germany, France, Portugal and Spain participate in Concéntrico 03, the urban festival of ephemeral installations in Logroño.
The objective of the program is to generate tangible prototypes and solutions along the theme of "DESIGN H(ij)ACK - When Art & Design Meet Public Space". Cross-disciplinary collaboration is a necessity, combined with strong knowledge integration from research, concepts, design, to execution, “DESIGN H(ij)ACK” encourages all participants to think differently, design efficiently, and work economically, mostly important: collectively.
The AZ Awards for Design Excellence celebrates the finalists and winners at a gala celebration on Friday, June 23 from 6 to 10 pm. Join colleagues and designers from around the world as we celebrate the very best in international architecture, interiors and product design. For more information and to get tickets, please visit http://azm.ag/AZAwardsGala17
National Cultural-Arts and Museum Complex ‘Mystetskyi Arsenal’ is a large-scale cultural project of national and international importance in the historic center of Kyiv. Its mission is to promote the modernization of Ukrainian society and integration of Ukraine into the global context, based on the axiological potential of culture.
Moderator: Louise Braverman, FAIA
Panel: Cynthia Davidson, James Biber, FAIA, Max Levy, FAIA
Often the first reaction to Venice is one of feeling overwhelmed by the astonishing beauty of her existence. Yet if we dig a bit deeper inherent contradictions begin to appear. How do we make rational sense of a city that floats on water? What are the features that contribute to our incredulity, and what can we learn from them? From the original muddy wilderness of the 5th century to a beguiling built environment, Venice remains 1,500 years later, a provocative paradox of visceral and visual inspiration.
SCI-Arc is pleased to announce MAIN EVENT 13 returns to its Downtown Los Angeles Art District campus (960 E 3rd St, Los Angeles, CA 90013) supporting their endowment scholarship fund. This year, MAIN EVENT 13 will showcase SCI-Arc’s annual schoolwide exhibition of final thesis projects and presentations of its most talented and promising young minds. This most anticipated event will also will also recognize two stand-out pioneers in the field of design and architecture - famed Pritzker-Prize-winning architect and founder of Morphosis, Thom Mayne and arts advocate Merry Norris, founder of Merry Norris Contemporary Art.
What is the place of the museum in the modern city? What role does architecture play? How can these buildings be effectively interpreted?
Frank Lloyd Wright’s design for the Guggenheim Museum in Manhattan broke with all existing conventions, setting a new standard for the postwar art museum and, together with the Museum of Modern Art, firmly establishing the city of New York as the cultural capital of the 20th century.