Wife and husband pair Alison (22 June 1928 – 16 August 1993) and Peter Smithson (18 September 1923 – 3 March 2003) formed a partnership that led British Brutalism through the latter half of the twentieth century. Beginning with a vocabulary of stripped down modernism, the pair were among the first to question and challenge modernist approaches to design and urban planning. Instead, they helped evolve the style into what became Brutalism, becoming proponents of the "streets in the sky" approach to housing.
Italian-American architect Paolo Soleri (21 June 1919 – 9 April 2013) made his name as a countercultural icon and urban visionary, best known for his theory of "arcology" - a combination of architecture and ecology - and for Arcosanti, the prototype town in the Arizona desert which embodied his ideals and became his life's work, which he founded in 1970 and continued to work on right up until his death in 2013.
Known as both an architect and an engineer, Pier Luigi Nervi (June 21, 1891-January 9, 1979) explored the limitations of reinforced concrete by creating a variety of inventive structural projects; in the process, he helped to show the material had a place in architecture movements of the coming years. Nervi began his career in a time of technological revolution, and through his ambition and ability to recognize opportunity in the midst of challenge, he was able to have an impact on several disciplines and cultures.
Everyone deserves the extra daylight that June 21 brings, including those who are stuck indoors, especially at work.
Hawkins\Brown has been chosen to design the new School of Architecture for the University of Reading in Reading, Berkshire, in the United Kingdom. The new School “will be housed in a retrofitted 1970’s concrete brutalist building originally designed by Howell, Killick, Partridge & Amis,” which is currently the University’s School of Construction Management and Engineering. Brutalist buildings, like the Prentice Women’s Hospital and the Preston Bus Station are continuously at risk of being demolished, which makes this retrofit all the more valuable. While the University seeks to modernize the building and improve efficiency, they also plan to respect the original design. Construction is set to begin in January 2017 and wrap up by December 2018. Learn more about the project here.
Charles (June 17, 1907 - August 21, 1978) and Ray Eames (December 15, 1912 - August 21, 1988) are best known for their personal and artistic collaboration, and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.
As early as the 1970s, Emilio Ambasz (born 13 June 1943) initiated a discussion on sustainability through his work with green spaces and buildings which is arguably more important today than ever, and contributed to theoretical and design discourse outside of architecture through his wide variety of interest and career pursuits. Ambasz’s work has crossed several disciplines; he has been a curator, a professor, an industrial designer, and an architect, and is highly regarded in all of these varied pursuits.
120 HOURS has teamed up with FutureBuilt to host a 5 day-long competition regarding climate-friendly urban development in the Oslo region. Open to all creatives, the competition's challenge will be revealed on Monday, June 15th 2015, at 09.00 (GMT+1). From that moment, entrants will have 120 hours to design and submit their proposal. Third, second and first prize in the contest are respectively 12.500, 25.000 and 50.000 Norwegian Kroner. Read more about the competition and register here.
As one of the leading minds of art-nouveau in the UK, Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) left a lasting impression in art and architecture. With a surprisingly brief architectural career, Mackintosh managed to stand out at the international level in art and design with his personal style coined known as the "Mackintosh Rose" motif. Born in Glasgow, Scotland in 1868, Mackintosh is known for his play between hard angles and soft curves, heavy material and sculpted light. Though he was most well-known for the Mackintosh Building at the Glasgow School of Art, Charles Rennie Mackintosh left a legacy of architecture-as-art that transcends the Glasgow school and exemplifies trans-disciplinary architecture.
This event hosted in collaboration with the NSF TUES grant’s Center for Performative Design & Engineering Technology will consist of a series of presentations and panel discussions, aiming to instigate a conversation from different perspectives on the areas of data visualization, sensing, simulation, and artificial intelligence.
The Food and Agriculture Organization of the United Nations and DBR | Design Build Research School are now seeking entries for TREEHOUSING, an international wood design competition. Housing for the world’s growing urban population and the threat of deforestation are two of the most significant issues facing humanity today. TREEHOUSING challenges architecture students, professional architects and designers to develop innovative wood housing and urban building solutions through two distinct open competitions: TREEHOUSING DURBAN | Tall Wood Housing and TREEHOUSING GLOBAL | Affordable Wood Housing. Read on to learn more.
The author goes along with the observer in a photographic stroll through the colors, surfaces and lights of the Grand Tour City of the Leaning Tower, Pisa. "Emotions from Pisa" is more than a collection of fine photographs: it is an exploration of the dialogue between place and photographer. The “emotions” of the shots are recognized, captured and made available to us. Pasqualetti preserves moments which we often miss and teaches us to read and feel the messages sent out by places and buildings. He shows us the Pisa that we know and above all a Pisa that we never noticed. This collection of photographs does not only record the face of the city, here shown in ways which truly surprise and move. His photos also demonstrate how architecture, through its forms and its surfaces, can evoke emotions that are constantly changing, as sun and seasons take their daily and yearly paths.
The Architects' Journal (AJ) have revealed the results of their fourth AJ120 award, an annual survey which ranks the largest and wealthiest practices based in the UK. Partially calculated on the number of ARB-registered (or equivalent) fully qualified architects in employment, the AJ have announced that London based Foster + Partners have topped the 2015 table. Describing the 48 year old practice as an "international powerhouse," employing 312 architects (out of their 1,066 employees worldwide), the survey also shows that "the £185million fees billed by the practice’s architects – up a huge £45 million from last year – made up 38% of the combined total of all of the companies in the Top 10." The survey saw BDP ranked second, while AHMM came in third.
Spanning practice and theory in an innovative and integrative manner, “REBUILD BY DESIGN MUNICH” is oriented towards a broad audience including the interested public, practitioners, scholars and students alike from disciplines in planning and design for the built environment.
Submissions are invited for the 2015 Faith & Form/IFRAA International Awards Program, which recognizes excellence in the design of religious architecture, restoration and renovation of religious buildings, religious arts, religious landscape design, the design of unbuilt religious projects, and student design projects for spiritual environments. The winners of the awards program will be chosen by an independent jury panel of recognized experts in the field and will be published globally. All submissions are digital and the deadline is June 30, 2015. More information can be found here.
In an article for The New Yorker, Ben Mauk examines the rise of the private art 'museum.' In the centre of Berlin there sits a "heavy, grey, and shrapnel-pocked" bunker, designed by Nazi architect Karl Bonatz under the direction of Albert Speer which, in 2003, was transformed into a private gallery. Having been bought by Christian and Karen Boros in order to display a portion of their sizeable collection of contemporary art, the only way for a member of the public to gain admittance is by registering online for a group tour. For Mauk, however, this is not necessarily a bad thing. Read the article in full here.