Artist Maycon Prasniewski has developed a series of illustrated posters featuring historic and cultural sites in Curitiba, Brazil. Important buildings in the city, such as the Oscar Niemeyer museum, the Wire Opera House, the Free University of the Environment (Unilivre), and the Botanical Garden are represented alongside other landmarks.
Last week marked the opening of Santiago Calatrava's Museum of Tomorrow in Rio de Janeiro. Prior to the its opening, ArchDaily sat down with Calatrava to learn more about the museum's design and how the project's fruition resulted in the removal of an elevated highway that once isolated the city from the harbor.
Rio de Janeiro architect and urban planner Washington Fajardo has been named by the Bienal de São Paulo Foundation as curator of the Brazilian Pavilion at Venice Biennale 2016. Fajardo is president of the Rio World Heritage Institute (Instituto Rio Patrimônio da Humanidade) and the Municipal Council of Cultural Heritage Protection (Conselho Municipal de Proteção do Patrimônio), as well as special advisor to Mayor Eduardo Paes on urban planning issues.
"The city of Rio de Janeiro is setting an example to the world of how to recover quality urban spaces through drastic intervention and the creation of cultural facilities such as the Museum of Tomorrow and the new Museum of Art,” said Santiago Calatrava. "This vision led us, in our first designs, to propose the addition of a plaza outside the Museum. The plaza creates a more cohesive urban space and reflects the neighborhood’s greater transformation.”
Oscar Ribeiro de Almeida Niemeyer Soares Filho, or simply Oscar Niemeyer, was one of the greatest architects in Brazil's history, and one of the greats of the global modernist movement. After his death in 2012, Niemeyer left the world more than five hundred works scattered throughout the Americas, Africa and Europe. Niemeyer attended the National School of Fine Arts in Rio de Janeiro in 1929, graduating in 1934. He began working with the influential Brazilian architect and urban planner Lúcio Costa also in 1932, a professional partnership that would last decades and result in some of the most important works in the history of modern architecture.
Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus. With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.