Weiss Manfredi: The Latest Architecture and News

For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.

With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.

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The Natural History Museums of Los Angeles County (NHMLAC) have unveiled three new concepts for a master plan of the La Brea Tar Pits. The proposals were designed to improve the entire 12-acre site, which has not been renovated or considered comprehensively since it opened more than forty years ago. The three proposals were made by Dorte Mandrup, Diller Scofidio + Renfro and WEISS/MANFREDI. The concepts aim to create a more integrated experience of the museum and the landscape in Hancock Park.

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Weiss/Manfredi has unveiled their design for the re-envisioned U.S. Embassy campus in New Delhi, India. The first phase of a long-term masterplan, the scheme features a New Office Building, a support annex, and connected landscape offering a secure campus for America’s mission in India. Included in the design is the restoration of the early modernist Chancery Building by Edward Durell Stone.

As the Durell Stone-designed embassy reaches its sixtieth anniversary, the scheme offers a sustainable vision for the Embassy’s future that builds on the legacy of the historic campus to create a new foundation for American diplomacy in India.

The innovative Cornell Tech campus has officially opened on New York City’s Roosevelt Island. Master planned by SOM and featuring buildings and landscapes by Morphosis, Weiss/Manfredi, Handel Architects, and James Corner Field Operations, the campus represents a new vision of a campus for the digital age. Two years after breaking ground in 2015, the campus now houses some of the most environmentally-friendly and energy-efficient buildings in the world.

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With construction nearing completion ahead of its September opening date, the first building at the new Cornell Tech campus on New York City’s Roosevelt Island has been dubbed “one of the most environmentally-friendly buildings in the world” by the university, as they revealed their aspirations for the building to reach Net Zero and LEED Platinum status.

Designed by Morphosis, The Bloomberg Center (named for Emma and Georgina Bloomberg, daughters of former New York mayor Michael Bloomberg) will employ a range of strategies including solar power; geothermal ground source heat pumps; a dynamic energy-efficient facade which balances transparency and opaqueness to maximize building insulation; and an array of smart building technologies that monitor lighting and plug load use, among other metrics.

Mayor Bill de Blasio and the New York City Public Design Commission have announced the winners of their 2016 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.” Both built and unbuilt projects are considered for the award. Previous winners have included Studio Gang’s Fire Rescue 2 (2015), the Louis Kahn-designed Four Freedoms Park (2014), and Steven Holl’s Hunters Point Library (2011).

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The New York City Department of Design and Construction (DDC) has selected 26 architecture firms to be pre-qualified to design new public projects throughout the city’s five boroughs. In effect until 2019, these firms will be given exclusive access to Request for Proposals (RFPs) for public works projects with an estimated budget of $50 million of less. These projects will include new constructions, additions and renovations of existing public buildings, parks and plazas.

The program, known as the Design and Construction Excellence 2.0 Program, was established in 2005 to increase the efficiency and quality of procuring design services. Recent successes of the program include the Times Square pedestrian plaza by Snohetta, Dattner and WXY’s Spring Street Salt Shed, Studio Gang’s Fire Rescue 2, and BIG’s 40th precinct police station in the Bronx.

From the Publisher. Rail lines, bridges, highways, waterways, and off-ramps—larger than life but part of it, infrastructural systems are the enduring forms of urban evolution, multiplying as cities grow and requiring expanding swaths of territory to accommodate more and more monofunctional requirements. What if the very hard line between landscape, architecture, engineering, and urbanism could find a more synthetic convergence?

The United States Department of State has commissioned WEISS/MANFREDI to re-envision the Edward Durell Stone-designed embassy compound in New Delhi, India. Fifty years after its opening, the masterplan hopes to "restore the early modernist Chancery Building and recast the Embassy Compound as a multi-functional 28-acre campus setting." The masterplan's first phase will see the addition of a new office annex and restore the complex's landscape.

WEISS/MANFREDI broke ground yesterday on Cornell Tech's pioneering building, "The Bridge." Spearheading the first phase of the $2 billion Roosevelt Island tech campus, the new building will "bridge" the gap between academia and industry, providing a seven-story "corporate co-location" loft where students and industry leaders will collaborate.

“The Bridge is a crystalline incubator with river-to-river views and creates a three-dimensional crossroads, an ecosystem of innovation to catalyze collaboration between academics and entrepreneurs,” say design partners Marion Weiss and Michael A. Manfredi.

Ohio’s Kent State is set to break ground tomorrow on its New Center for Architecture and Environmental Design. The $48 million building was designed by New York-based WEISS/MANFREDI following a collaboration with Richard L. Bowen & Associates which won first in the project’s national competition.

The design, dubbed the “Kent State Design Loft,” transforms the notion of a continuous studio loft into a three-tiered structure that unites all the college’s programs, including construction management, under one roof. 

New images of the building, after the break.

In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, Weiss/Manfredi writes on behalf of ESTO.

Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.

“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.