Located in the Central Mountains of Honduras, Tegucigalpa stands as the country's largest city. Being home to approximately 1.5 million residents, it is also one of the biggest urban centers in Central America, with origins that date back to 1578 when it was founded by Spanish colonizers. It was declared the capital in 1880 and has since developed into the political, cultural, and economic heart of Honduras. This history has endowed the city with a diverse architectural heritage, showcasing styles from various periods and influences.
Styles that range from colonial Baroque, Neoclassical, and Art Deco to Modernism and Post-Modernism, reflect its dynamic history. It is also home to several museums that celebrate both traditional and contemporary Honduran arts, such as the Museum of National Identity (MIN) and the National Gallery of Art. Beyond its urban attractions, the city's surrounding mountains are home to the hiking trails of La Tigra National Park and several colonial silver mining towns, which make it a great city to visit while traveling through Central America.
"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"
Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditionaldesign has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.
https://www.archdaily.com/1020898/contemporary-architecture-and-the-modern-cityGerhard W. Mayer
Copenhagen was founded around the 11th century, from a small fishing village called "Havn" (harbor), which served as a strategic point for trade and navigation. Over time, this settlement transformed into an industrial city and eventually became the capital of Denmark. Though small in size, Copenhagen exerts significant global influence as a model of urban living. Spread across two islands, it is recognized as one of the most livable cities in the world, compensating for its modest size with an imposing character, reflected in its vibrant urban life and a skyline punctuated by historic towers, low-rise buildings, and a mix of old and modern architecture.
Naturally, a higher population density prevents the formation of ghost towns and vacant shops, which can become hotbeds for crime. However, these positive views on dense living environments often rest on optimistic assumptions about urbanism, such as minimal friction among individuals, easily maintained hygiene and a natural formation of diversity.
The 15-minute city has become an internationally recognized concept advocating for a people-centric urban model where residents should be able to meet most of their daily needs within a 15-minute walk or bike ride from their homes. The concept was introduced by Professor Carlos Moreno in 2015 following the COP21 conference in Paris, which concluded with the signing of the Paris Agreement. The idea proposes a practical and adaptable framework for introducing low-carbon mobility and creating a vibrant local economy to support more social interaction and more sustainable urban environments. Since then, the concept has been recognized with the 2021 Obel Award and has gained a notable recommendation in UN-Habitat's World Cities Report. Now, Professor Moreno is publishing the book titled “The 15-Minute City: A Solution to Saving Our Time and Our Planet” to showcase concrete examples and strategies for achieving better cities. ArchDaily had a chance to sit down with Professor Carlos Moreno to discuss these ideas, offering insight into Moreno’s urban thinking and the impact of this model.
Ephemeral architectures, characterized by their temporary and flexible nature, have emerged as powerful tools for revitalizing urban spaces and fostering architectural creativity. These transient installations transform public areas, engaging communities, and prompting reflections on the potential futures of our cities. By temporarily transforming environments, ephemeral architectures encourage both architects and the public to reimagine the possibilities of urban living. This dynamic interplay, between the temporary and the permanent, challenges traditional architectural practices and opens up new avenues for sustainable and inclusive urban development.
In November of 2022, the coastal city of Sharm El Sheikh, Egypt, hosted the 27th convention of the United Nations Conference of the Parties, known as COP27. Since signing the Paris Agreement in 2015, the nearly annual conference has gained momentum as a global leader in sharing knowledge and developing frameworks to mitigate climate change worldwide. While the more recent COP28, held in Dubai in 2023, focused on conversations of energy production, this previous conference focused on urban contexts, as they deal with the urgent need for incorporating loss, damage, and climate reparations into climate action plans. As two years have now passed since COP27, it is important to revisit these discussions and hold governing bodies accountable for the promises made and the benchmarks set for climate change mitigation. One of the most ambitious plans from COP27 highlights an urgent debate in our urban environments: how will we define loss, damage, and climate reparations in the twenty-first century?
National Public Radio officials thought they had a solid plan. Over a decade ago, they began to create new offices in the NoMa neighborhood of Washington, D.C., to consolidate 800 employees in three buildings. The $201 million adaptive reuse of an old warehouse plus a new seven-story tower opened in 2013 with soaring ceilings, a 24-hour wellness center, a gourmet café staffed by a resident chef, and dozens of bike racks to encourage cycling. There’s only one problem: hardly anyone works there now.
At least three-quarters of densely packed cubicles that dominate entire building floors sat eerily unoccupied during a tour for the American Institute of Architects annual convention, held in June, and it wasn’t because reporters were out covering stories. Due to work-at-home policies, few writers and editors take advantage of the building’s $44 million in top-shelf audio and multimedia equipment, 14 studios, and six recording booths.
In the first decades of the XXI century, Honduras experienced higher levels of crime and violence compared to its other Central American neighbors. This situation caused the country to be largely avoided by most visitors and investors. However, it didn’t stop Tegucigalpa, its capital city, from experiencing an explosion of residential and office developments which are currently reshaping its skyline. Defined by a unique topography, and tropical weather, the city served as a testing ground for modernist urban principles that contributed to the transformation of a small mining town into one of the largest metropolises in Central America.
The Suzhou Museum of Contemporary Art, spanning 60,000 square meters, is envisioned as a village of 12 pavilions, presenting a contemporary take on the city's historic urbanism, architecture, and landscape. Designed by Bjarke Ingels Group - BIG, ARTS Group, and Front Inc., the project is part of Suzhou's development around Jinji Lake. It reimagines the classical garden 'lang,' or corridor, framing gardens with outdoor art installations. The pavilions' layout draws inspiration from Suzhou’s garden heritage, guiding visitors through an artistic, natural, and aquatic journey. The museum, which recently celebrated its topping out, is scheduled for completion in 2025.
Musicians, advertisers, and renowned chefs are just some of the professionals who initially found inspiration and training in architecture before changing course. Beyond designing buildings, architecture promotes a comprehensive view of space, aesthetics, and functionality—all valuable skills in various fields. Architects are trained to think creatively and solve complex problems, applying this expertise to the development of all kinds of projects. With the help of technology and artificial intelligence tools, this field can expand even further. Contemporary urban development, in particular, faces complex challenges that require innovative solutions. An example of architects venturing into different areas beyond design or construction sites is the OSPA Group, based in Porto Alegre, Brazil. Although it began as an architecture firm, over the years it evolved to include three main vertical activities, each playing a crucial role in urban development: the Responsive Cities Institute, Urbe.me, and Place.
Alarming cases of climate disasters are a constant presence in world news. Last month's floods in southern Brazil gained special attention from heat waves and forest fires to droughts and cyclones. This tragedy, which left over half a million people homeless, was understood to be the result of a combination of factors, including human actions that have devastated ecosystems to create environmentally irresponsible cities.
In this context, the work of Beijing-based architect Kongjian Yu, founder of the landscape architecture firm Turenscape, has gained international visibility and recognition, which included receiving the 2023 Cornelia Hahn Oberlander International Landscape Architecture Prize (“Oberlander Prize”). His "sponge cities" concept, designed to address and prevent urban flooding in the face of accelerated climate change, was adopted as national policy in China in 2013. This approach prioritizes large-scale nature-based infrastructures such as wetlands, greenways, and parks.
In London, where I live, there are 23 universities. Those universities make up an institutional population of nearly half a million people. In a city with almost 10 million residents, 5% may seem a small number, but it’s a significant one, roughly the population of Atlanta. Shrink the city, and the proportion can increase dramatically. In our neighbouring cities of Oxford (population 150,000), 40% of the population is institutional; in Cambridge (population 125,000), it’s 33%. Campus and city are so intertwined in those places that a plan for one is almost necessarily a plan for the other.
This article is the ninth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx interviews Peter Hirshberg, chairman, and Anna Fedorova, principal at the Maker City Project.
On April 10, 2024, the New York Landmarks Conservancy bestowed the Preservation Leadership Award to author and urbanist Roberta Brandes Gratz. A longtime preservation activist, Gratz served on the City’s Landmarks Preservation Commission. She also led the successful effort to restore the Eldridge Street Synagogue, now the Museum at Eldridge Street. The following is a slightly edited version of the speech Gratz delivered at the 34th annual Lucy C. Moses Preservation Awards.
Between now and 2050, worldwide installation of cooling appliances, like air conditioning, is projected to triple, resulting in a twofold increase in energy consumption. This reliance on such devices, often seen as exacerbating global warming, poses a paradox: how can we fightrising temperatures in cities while simultaneously contributing to them through our dependence on these solutions?
As part of the Design Doha 2024 Biennial, Glenn Adamson and Péter Tamás Nagy present the exhibition “Colors of the City: A Century of Architecture in Doha” investigating the architectural evolution of the capital of Qatar based on multiple global influences that characterize it. Running until March 30, 2024, the exhibition offers a journey through Doha's architectural history featuring various styles such as Classicism, Art Deco, and Modernism, contemplating the Qatari adaptations of these styles developed by architects from Europe, America, the Middle East, and South Asia.
India's urbanscapes are characterized by a negotiation between the formal and the informal; permanence and impermanence. Structured amidst the concrete high-rises and planned neighborhoods, makeshift markets and bazaars form the core of city life. Often composed of sustainable structures, these transient commercial hubs exhibit a form of rudimentary architecture that spreads its roots deep in India's cultural and economic traditions.
The heart of India's informal urbanism lies in its public marketplaces and roadside bazaars that have existed for centuries. These urban zones have a history, believed to have originated from the era of traveling merchants and imperial trade relations. Today, these environments have evolved into dense labyrinths of impermanent shelters made from recycled tin sheets, tarpaulin canopies, and wooden poles. These bazaars organically transform neighborhoods into a choreographed chaos of vendors, goods, and the common public. Weekly markets are usually massive in scale and are set up every few days only to disappear again.
