Perkins + Will have revealed a new design for the world’s tallest wooden skyscraper in Vancouver. Called Canada Earth Tower, the mass timber project is designed along the city’s Central Broadway corridor. Bruce Langereis, president of Delta Land Development, unveiled the company’s proposal to transform a 1.3-acre lot at 1745 West 8th Avenue with a project that could rise up to 40 floors. Canada Earth Tower aims to become a new precedent and benchmark for green building construction.
3XN has released details of its plans for T3 Bayside, the first office building in Toronto’s emerging Bayside community, and the tallest timber office building in North America. Located on the shores of Lake Ontario, the structure stands at 42 meters in height and serves as part of the 2,000-acre revitalization initiative to transform Toronto’s waterfront.
The scheme is designed to reflect and emphasize the emerging neighborhood in which it sits, intertwining principals of life, work, and play. A continuously-activated ground level is abundant with retail opportunities, bleeding into a central plaza, exhibition spaces, flexible office spaces, and coworking facilities.
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The Odunpazari Modern Museum (OMM) by Kengo Kuma and Associates will open in June 2019, situated in Eskişehir, a university town in the northwest of Turkey. The OMM will feature an internationally significant collection of modern and contemporary art, showcased within a scheme designed by the architect behind the recently-completed V&A Dundee.
The 4,500-square-meter scheme is defined by a distinctive stacked timber design, drawing inspiration from Odunpazari’s traditional Ottoman wooden cantilevered houses that are synonymous with the district, and pays homage to the town’s history as a thriving wood market. Along with several other city museums in the surrounding area, OMM will create a museum square and public meeting place in the town.
The Council for Tall Buildings and Urban Habitat has announced that Norway's Mjøstårnet tower is, at 85.4 meters, officially the world's tallest timber building. Beyond the unique distinction, the tower is also Norway's tallest mixed-use structure and third tallest building.
Antonio Serrano and Madrid-based Mad Lab have designed a collection of everyday objects inspired by Renaissance concepts of “Utopia.” The set of trays, boxes, and centerpieces are made from inlay maple and cedar wood, each telling “stories of entrepreneurship, design, craft, and technology.”
The collection, which manifests as a form of “scaled-down city,” considers Utopia as an imagined reflection on reality, rather than a yearning for an ideal city. The objects are full of “nods, winks, and gestures that leave us trapped in an illusion of a dream” conveyed through Renaissance architectural elements such as arches and spires.
C.F. Møller Architects have completed Sweden’s tallest timber building, which is now accepting its first tenants. Situated in Västerås, one hour from Stockholm, the building is constructed from solid timber in order to radically reduce CO2 emissions, positively affect the indoor climate, and enhance the interior quality of life.
The 8.5-story-high tower features an elevated ground floor and double-height top floor, with all walls, beams, balconies, lifts, and stairwells made from cross-laminated timber. The use of CNC-milled solid timber and glulam allows for an airtight, energy-efficient structure without the need for additional cladding.
Precht has designed a timber skyscraper concept that combines modular housing with vertical farming. The concept was created by Penda co-founder Chris Precht and his wife Fei to reconnect people in cities with agriculture. In their proposal, the modular housing units would be built so that residents can produce their own food. Dubbed the Farmhouse, the concept aims to create more sustainable ways of living as city dwellers are increasingly losing touch with food production.
Sidewalk Labs has released new renderings from Snøhetta and Heatherwick Studio of the Quayside neighborhood development in Toronto. After announcing plans to create a model smart city, Sidewalk Labs has been working to pioneer a new approach to future urban developments. Plans for Quayside were first revealed last summer, designed to be interconnected smart neighborhood for the city. The latest renderings were released with further documents outlining how the company plans to pay for the ground-up development.
Construction has begun on the Powerhouse Company-designed pavilion for the ING campus in Amsterdam. Located in the up-and-coming district of Amsterdam Southeast, the 900-square-meter pavilion seeks to “make a bold statement while integrating with its surroundings."
The clean, minimalist pavilion will sit at the heart of the ING campus, serving as both a dining area and a multifunctional space for the community. Emphasizing the natural landscape, the pavilion offers a synergy between the built and natural environment through a friendly circular form, a timber interior, and green Tichelaar tiles on the north and east facades.
Researchers at New York’s Columbia University have unveiled a method of vibrantly replicating the external and internal structure of materials such as wood using a 3D printer and specialist scanning techniques. While conveying the external profile and patterns of natural objects is tried and tested, a major challenge in the 3D printing industry has been replicating an object’s internal texture.
In their recent study “Digital Wood: 3D Internal Color Texture Mapping” the research team describes how a system of “color and voxel mapping “led to the production of a 3D printed closely resembling the texture of olive wood, including a cut-through section.
Swedish practice Tham & Videgård Arkitekter designed a series of colored timber homes for Gothenburg, Sweden. Part of a larger site development along Landvetter Lake, the project was imagined as a "vertical village" that rethinks the row house typology. A series of compact, three-level homes include private gardens around tall hedges and rounded plots. The solid timber design reimagines the firm's original proposal for a site in Stockholm.
Australia’s largest engineered timber commercial building has opened in Brisbane, designed by Bates Smart. At 10 stories, and 45 meters in height, the “25 King” open plan office complex is the tallest timber structure in Australia, and “establishes new frontiers in the design of commercial buildings.
The scheme’s aesthetic is centered on the goal of “bringing a clear expression of its exposed timber structure to the building’s transparent envelope and promoting a warmer, more natural workplace environment of the future.”
Wood has been an indispensable material in the history of civilization. Different regions from around the world have used it for specific climatic conditions. Mexico, as we have mentioned on several occasions, is an extensive country where different climates, resources and ways of life fit. Therefore the application of wood in architecture has been developed in a number of ways, from its structural use to produce roofs for Mayan huts to projects that seek to revive vernacular architecture.
While the handling of this material is difficult due to its specific detail management, it presents a multitude of benefits from its aesthetic appeal, air circulation, and even smell. Take a look at 16 Mexican projects that use wood in wondrous ways.
OOPEAA, working in collaboration with Lundén Architecture Company, has won a design and build competition for a timber housing development in Kivistö, Vantaa in the Helsinki metropolitan area of Finland. Organized by the City of Vantaa, the competition asked entrants to design a district of wooden housing, part of a commitment “to provide climate-conscious development in housing.”
Titled “Upstairs – Downstairs, Living Together on Three Levels,” the OOPEAA and Lundén scheme will form part of the broader sustainable district, creating a link between natural forest, active streets, and railway infrastructure.
The ninth Hello Wood International Summer University and Festival has taken place at Hello Wood’s campus in the Hungarian countryside. As part of the week-long Cabin Fever program, students from 65 universities around the world were given the opportunity to build seven contemporary timber cabins in a nomadic, lush countryside, mentored by international architects.
As a result of the week-long effort, the rural area was transformed into a cutting-edge working village featuring cabins on wheels, cabins on stilts, and multi-story homes. The festival is dedicated to the Tiny House Movement, which “makes cabins which give urban dwellers the chance to get away from it all for a while.”
A beautifully delicate design by ingenhoven architects, in cooperation with architectus, has bested series of internationally acclaimed architects to design Sydney’s tallest residential tower at 505-523 George Street. The 79-storey skyscraper will reach 270m, and include several uses, ranging from high-quality living and retail to hotel and leisure. The designers hope the tower will be “a profoundly visible landmark standing for an economical, environmental and socially sustainable, future-oriented development”.
Few subjects evoke as much sensitivity and refection, both within architecture and beyond, as those of death and mortality. Frank Lloyd Wright’s timeless reflection that “youth is a quality, and once you have it, you never lose it, and when they put you in the box, that is your immortality” offers one insight into how architects place not just their buildings, but also their lives and careers in perspective.
Furthering this engagement between architecture and mortality is HofmanDujardin, a Dutch studio which has sought to “rethink the way we say goodbye” with the design of a new Funeral Centre. Placing the coffin at its epicenter, the scheme translates the memorial sequence into three moments: the gathering of friends and family, the ceremony of remembrance, and the moment of social encounter.
The Naomi Milgrom Foundation has released images of the MPavilion 2018, designed by Barcelona-based architect Carme Pinós of Estudio Carme Pinós, and situated in Melbourne, Australia. The fifth MPavilion in an ongoing series, the Estudio Carme Pinós design seeks to invite interaction at an intersection between people, design, nature, and the city.
The first Spanish architect to design an MPavilion, Carme Pinós follows on from past MPavilion designers such as OMA in 2017, Studio Mumbai in 2016, and AL_A in 2015.
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