Since its opening in April, Expo Osaka has welcomed millions of visitors from around the world, standing as a true showcase of innovation, architecture, and design. Among its highlights is the Grand Ring, designed by Japanese architect Sou Fujimoto, considered the largest timber architectural structure in the world. Under the theme of Expo 2025 — “Designing Future Society for Our Lives”, along with Saving Lives, Empowering Lives, and Connecting Lives — more than 150 countries have used their pavilions to address key topics in contemporary architecture, such as circular construction, cultural memory, and innovation and technology aimed at shaping a sustainable built environment for the future.
The theorist André Corboz, known for his contributions to the critical reading of territory, proposes that the cities should be understood as a palimpsest. That is, a surface continuously rewritten, where traces of previous layers remain visible even after successive interventions. For him, the city is not a static entity, but an organism in constant transformation, where historical, functional, and symbolic layers overlap. This is why working on restoration or rehabilitation projects for historical buildings is particularly complex, requiring careful thought about the approach to be taken: should extensions and renovations seek complete coherence with the original language, or assert themselves as architectural expressions of their own time?
Andanzas y visiones españolas is the book in which Miguel de Unamuno collects his experiences during excursions through Spain's cities and countryside, accompanied by friends and colleagues. More than a precise geographical description, the text consists of narratives in which each region and every feature of the territory leaves a deep imprint on his thought. The literary discourse actively weaves the diversity of setting, climate, and contextualism as foundational threads, presenting the territory not only as a physical place but also as a space for reflection and contemplation. This attentive engagement with the landscape—so diverse within Spanish architecture—also resonates in the built environment, fostering in contemporary practice a sensitive adaptation to the country's varied climatic conditions, both through design strategies and material choices.
https://www.archdaily.com/1031789/context-responsive-architecture-in-spain-7-projects-highlighting-material-strategiesEnrique Tovar
Miguel Ramón López y Ander Bados Sesma, comisarios de la XVII Bienal Española de Arquitectura y Urbanismo. Image Courtesy of XVII Bienal Española de Arquitectura y Urbanismo
The seventeenth edition of the Spanish Biennial of Architecture and Urbanism (BEAU) will take place in December 2025. The event consists of an exhibition hosted in a former thermal power station repurposed as a cultural center in Ponferrada, in northeastern Spain. This edition will be curated by architects Ander Bados Sesma, from Atelier Ander Bados, and Miguel Ramón López, a Ponferrada native and architect at Estudio Lamela, under the curatorial proposal titled flujos comun.es ("common flows"). Their curatorial proposal responds to the theme of the open call: Architecture as a Policy for Change, an invitation to reflect on the role of the discipline in processes of social, economic, and environmental transformation. Within this framework, flujos comun.es presents a critical perspective on the challenges associated with hyperconnectivity. The call for proposals and project submissions is currently open, and will be until the end of July, depending on the category.
ESPARTAL Pavilion / ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins. Image Courtesy of TAC! Festival de Arquitectura Urbana
The TAC! Urban Architecture Festival is held annually in Spain with the aim of bringing contemporary architecture closer to the public through installations in various cities, including Granada, San Sebastián, Valencia, Vigo, and San Fernando. Organized by the Ministry of Housing and Urban Agenda in collaboration with Fundación Arquia, the festival seeks to promote experimentation in architecture by constructing temporary pavilions for cultural events and gatherings. The 2025 edition of the festival will take place in two locations: Casa Mediterráneo in Alicante and Plaza Stagno in Las Palmas de Gran Canaria. The pavilions are selected each year through an open call for young architects up to 45 years old. This year's winners have already been announced: the ESPARTAL project by ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins; and DE ROCA MADRE by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro.
Located in southern Spain, Seville unfolds as a layered city shaped by centuries of cultural intersections. As the former capital of Al-Andalus and a central port during the Spanish Empire's expansion, its built environment reflects a deep historical complexity. From Roman foundations to Islamic geometries, from Renaissance palaces to contemporary interventions, Seville presents a unique spatial narrative in which architecture directly reflects its political, religious, and social transformations.
The city's architectural heritage is inseparable from its climate and geography. Narrow shaded streets, inner courtyards, and water as spatial elements reveal a deep knowledge of environmental adaptation that still informs how public and private spaces are articulated today. While monumental landmarks such as the Alcázar, the Giralda, or the Cathedral preserve and reinterpret historic legacies, modern projects have begun introducing new materials, programs, and spatial typologies, challenging conventional forms and proposing alternative ways to inhabit the city.
In recent decades, Santiago has evolved into a hub for contemporary architectural exploration, blending its historic charm with modern interventions. Projects such as Eisenman Architects' City of Culture reflect an ambitious dialogue between avant-garde design and Galicia's natural landscape. Complementing this are works by Álvaro Siza Vieira, Arata Isozaki, Francisco Mangado, and other renowned architects, who incorporate local materials and forms into forward-thinking designs. Together, these works position Santiago de Compostela as a dynamic architectural destination within Spain's broader cultural narrative.
It is almost impossible to talk about Madrid, the Spanish capital, which, in addition to its obvious tourist appeal and its leadership as the most visited city in the country—followed by Barcelona—is inseparable from its long history and evolution up to the present day. In 2024, Madrid welcomed over 11.2 million visitors, accounting for approximately 11.9% of the total tourists who came to Spain that year. Much of the city's identity, the uniqueness of each of its neighborhoods, and the new areas developed over the years are deeply linked to growth that, although planned and modernized in many aspects, has managed to preserve the diverse character that defines its urban essence.
Spain boasts a vast diversity of natural and urban landscapes, where public space plays a leading role. Its relevance has grown in recent years, solidifying it as a key axis for interaction. Beyond its architectural and landscape qualities, public space offers visitors and citizens high-quality environments that contribute to improving living conditions, whether, in an urban park, a pedestrian axis within the city, or a space simply meant for being in a natural setting and connecting with the territory.
Proposal for the Roof of the Málaga Cathedral. Image Courtesy of Marina Uno Arquitectos
Like a musical composition, there is a particular category of buildings whose history might be compared to an unfinished symphony. Alternating between high notes and moments of silence, these structures are intermittent narratives that have spanned centuries. One of the most emblematic cases is the Sagrada Familia, which has been under construction for over a century and is on track to be completed this decade. While a hundred years of construction is no small feat, another building in this group surpasses that range: the Cathedral of Málaga, located in southern Spain, has been in the making for over five centuries.
Driven by Renaissance influences, the cathedral began construction in 1528. Since then, it has experienced periods of interruption throughout its history, resulting in an unfinished landmark. The cathedral is still missing one of its towers, has incomplete elements on its facade, and its vaults are exposed to the weather due to the absence of a covering structure. Over the years, various works have been undertaken—including the recent adaptation of tourist access to the domes—but one major task remains: the gable roof. Originally proposed in 1764 by Ventura Rodríguez, its design has been reimagined and will now be executed using contemporary wooden construction techniques.
https://www.archdaily.com/1020754/track-to-completing-malaga-cathedral-the-role-of-timber-in-designing-the-new-gable-roofEnrique Tovar
Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.
To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.
https://www.archdaily.com/1010187/sustainable-building-models-an-eco-friendly-structure-in-natural-slate-within-a-multi-ecological-neighborhoodEnrique Tovar
How to design livable spaces, making the most of the available square meters? Currently, the design of housing in major urban centers is often linked to finding ways to optimize interior spaces, integrate environments for better lighting and ventilation, and establish a connection with the outdoors. According to the needs of its inhabitants, project requirements, and often construction costs, architecture professionals seek to provide flexibility, spaciousness, and adaptability to spaces through renovations, transformations, and more, which provide good living conditions and consider the possible changes that future generations may have to face.
The origin of interior courtyards dates back several years, serving as a means of shelter, security, and protection, while also aiming to achieve comfort and well-being through exterior elements. In contemporary housing, a wide range of possibilities is deployed, capable of accommodating various uses and activities that foster the relationship between the interior and exterior environment. Furthermore, notions of energy efficiency, thermal regulation, ventilation, and natural lighting are incorporated, among others.
In Spain, the implementation of integrated kitchens in homes has become increasingly common in contemporary architecture. Although there are various configurations and designs that are applied according to the customs and cultures of societies, as we saw in Argentina or Uruguay, the essence of conceiving the kitchen space as a hub of activities and a gathering space among its inhabitants and visitors is a common factor. This has led architects to try to find innovative ways, technologies, or materials that achieve an aesthetic and harmony capable of providing functionality, spaciousness, and flexibility to homes.
The 25th of June 2022, marked 170 years since the birth of Antoni Gaudí, the greatest representative of Catalan Modernism, and we celebrate this day by sharing the story of his life and remembering his work.
Cortesía de Colegio Oficial de Arquitectos de Madrid [COAM]
With José Antonio Corrales and Ramón Vázquez Molezún, a situation quite common in Spanish architecture post-1950 is repeated: the lack of international projection of talented architects, largely due to the absence of theory. Apart from that, an intrinsically mysterious and enigmatic character pervades their work, deeply reinforced by the attitude of these architects towards it. They never stopped to explain it. They were never interested in providing it with a theoretical foundation. All this makes it extraordinarily difficult to understand their architecture, leaving many questions unanswered, open only to the interpretation of those who pause to reflect on them.
Corrales and Molezún have collaborated together on numerous projects sine 1952. They were very different people. José Antonio used to define himself as a "more rigorous person", while Ramón was closer to the "gaie", with a lighter, almost romantic touch. Their duo could be incarnated, respectively, as the two lobes of the brain: the left hemisphere, visual, verbal, linear, controlled, dominant, quantitative, etc. in Corrales; while the right, spatial, acoustic, holistic, contemplative, emotional, intuitive ... perhaps more accurately represents Molezún. One more couple to the long history of creation: Don Quixote and Sancho Panza, Sherlock Holmes and Dr. Watson, ...
La ciudad en el espacio. Image Cortesía de Ricardo Bofill Taller de Arquitectura
It was 1968 when Ricardo Bofill Architecture Workshop's published a kind of manifesto in reaction to the pressing demands of a society in constant transformation. The idea of the City in Space saw the light of day for the first time and was proclaimed as an absolute architecture, capable of resolving all the complexities of its contemporaneity through a unique open, flexible and three-dimensional model.
