"Dear Architecture," writes Craig L. Wilkins, "I’ve been wondering why you don’t speak to me. Is it because you don’t see me? Are you ignoring me? Maybe it’s because you really don’t care for me; but whatever it is, you sure don’t. Speak, that is. At least, not to me." In his winning entry to 'Dear Architecture', a competition initiated by Blank Space (of Fairytale fame), Wilkins describes misgivings through the lens of a disenfranchised city dweller, illustrating a missed connection felt by one resident towards his surroundings.
Publications: The Latest Architecture and News
Tomorrow the Kickstarter campaign launched by the Real Estate Architecture Laboratory (REAL), which surpassed its funding target earlier this month, will come to an end. The Real Review, an independent bi-monthly magazine led by Jack Self and Shumi Bose which intends to "revive the review as a writing form" to a general readership within the architectural sphere, is slated for launch in early 2016. In an interview with ArchDaily, the editors stated that "the original crowdfunding target of $24,994 (or £15,990) was set at the [basic] cost of print." Having since surpassed their first goal by almost £10,000 to date, every new donation or subscription adds to the financial feasibility and longevity of the project. Following the announcement that Self, Bose and Finn Williams will be curating the British Pavilion at the 2016 Venice Biennale, a new reward was added to their campaign.
"From his first conceptual, colorful phase, Koolhaas has traveled through dirty realism, enlightened deconstructivism and commercial pragmatism, grafting Leonidov on Le Corbusier, hybridizing mambo fifties with dry sixties, and joining programmatic diagrams with sculptural volumes to end in the realm of heritage and history, ecology and sustainability, elements and the discipline." - Luis Fernández-Galiano
The first monograph that AV has dedicated entirely to the Dutch architect covers his work at OMA starting in 2000, the year in which Koolhaas was awarded the Pritzker Prize. Accompanied by an essay and 12 critical texts by Luis Fernández-Galiano, the publication covers the work built by the studio during the last 15 years.
The Real Estate Architecture Laboratory (REAL) have today announced a Kickstarter campaign in preparation for the launch of their flagship publication, the Real Review. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects.
The Real Review will be "a printed object of exceptional quality, featuring engaging texts by leading international commentators," alongside providing "a highly visible platform for emerging writers." Confirmed authors at this time include, among others, Assemble, Pier Vittorio Aureli (Dogma, AA), Reinier de Graaf (OMA), Sam Jacob (Sam Jacob Studio), and a rostra of journalists including the Financial Times' architecture critic Edwin Heathcote.
From the publisher. From structural design to interior fit-out: Assessing and improving the environmental impact of buildings
What makes building materials sustainable? How to reduce the amount of embodied energy in building constructions? And how does a Life Cycle Analysis work? These are questions which are becoming increasingly more common in the context of sustainable construction.
From the publisher. Visual spatial effects and communication
Colour in the past, present and future
Colours affect people, induce emotions and often evoke memories, which is why not only artists but also scientists, psychologists, planners, and writers are all preoccupied with colour. Choosing colour is a very demanding task for architects, one that can have an enormous impact if it is carried out professionally.
The monograph is a popular platform for dissemination and debate in the art and design world, yet architectural monographs are often treated with suspicion – viewed more as a self-serving PR exercise. But do monographs actually have a more substantive role within the practice of architecture? This was the backdrop for a discussion entitled ‘Why a Monograph?’ held at Waterstones Piccadilly as part of this year’s London Festival of Architecture. The participants included Jay Merrick, architecture correspondent of The Independent; Simon Henley of Henley Halebrown Rorrison (HHbR); David Grandorge, architectural photographer and Senior Lecturer at London’s CASS; and Ros Diamond of Diamond Architects. The session was chaired by ArchDaily Editor James Taylor-Foster.
It's common to find an architectural monograph (or three) on an architect's bookshelf. Within the pages of these large, heavy, often expensive tomes lie a formalised portfolio of a studio's professional output, interspersed by essays penned by influential writers, thinkers or practitioners. They are sources of both information and inspiration, bringing architecture from around the world into your personal field of vision.
Recent years have seen a vast number of these types of books published on architects and their practices, begging the question: Why a Monograph? Are they simply part and parcel of a studio's creative process, or necessary tools for communication with the wider world? Perhaps more interestingly, what role does the recording of work in this way have for architects in enabling them to take stock and move forward? It will seek to examine how the print monograph has become a staple tool for self-promotion, reflection, and criticism in a world which is leaning towards a gradual digitisation of the discourse.
The Society of Architectural Historians (SAH) have announced the winners of the 2015 Publication Awards in Chicago, as part of their 68th Annual International Conference Awards ceremony. David Brownlee, Keith Morgan, Pauline Saliga, and Stanley Tigerman were also inducted as Fellows of the Society of Architectural Historians for their "lifelong contributions to the field of architectural history."
Awarded annually, the SAH Publication awards honor excellence in "architectural history, landscape history, and historic preservation scholarship," alongside outstanding architectural exhibition catalogs. Eligible publications must have been published in the two years immediately preceding the award, with nominations for the 2016 Publication Awards opening on June 1.
Learn more about the winning publications after the break.
Moleskine, the go-to brand of sketchbooks beloved by creatives around the world, recently released another title in its Inspiration and Process in Architecture series: Studio MK27, led by architect Marcio Kogan.
The series already features monographs dedicated to Studio Mumbai, Wiel Arets, Dominique Perrault, Zaha Hadid, and others. Studio MK27 joins this prestigious list along with Kengo Kuma, Grafton Architects, Frits Palmboom and Michael Graves, whose monographs were also recently announced by Moleskine.
Read on to find out how you can win a copy of Inspiration and Process in Architecture - Marcio Kogan Studio MK27!
Self-described as "a periodical of architectural stories that [makes] a mess of the built environment and the politics of space," SOILED zine's 5th issue has been released, abounding with tales of the aerial. Entitled Cloudscrapers, the issue is the second in a series of limited-edition, locally produced publications by CARTOGRAM Architecture.
The Avery Review (AR), a new online journal dedicated to thinking about books, buildings and other architectural media, seeks to utilise the potential in the critical essay and repackage it for the digital realm. A project of the Office of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation, the AR's responsive website (designed by Nothing in Common) perfectly matches the exceptional quality of the content. Featuring essays from Owen Hatherley and Amale Andraos, among others, the overarching aim of the review is to "explore the broader implications of a given object of discourse" whether that be "text, film, exhibition, building, project, or urban environment."
Find out more from editors Caitlin Blanchfield and James Graham after the break.
BI is a publication focused on the exchanges between architecture and its wider cultural context; it consists of short extemporaneous texts with longer studied pieces from a multitude of perspectives. The following is an excerpt from its latest (and first print) edition, FREE, written by the editors-in-chief E. Sean Bailey and Erandi de Silva.
There is implicit conflict in the word ‘free’. While culturally we celebrate the infinite opportunities afforded by the ‘freedom to’, the term also alludes to emancipation, a break from a captive state, or a ‘freedom from’. ‘Free’ is, at its core, an architectural concept. Architecture is a discipline directly engaged with shaping enclosure, of erecting and toppling barriers or—more explicitly—of extending and limiting ‘freedoms’.
The Architecture of Pompidou Metz: An Excerpt from "The Architecture of Art Museums – A Decade of Design: 2000 – 2010"
In honor of International Museum Day, we're taking a look back at the 21st century's most exciting museums. The following is an excerpt from the recently released book, The Architecture of Art Museums – A Decade of Design: 2000 – 2010 (Routledge) by Ronnie Self, a Houston-based architect. Each chapter of the book provides technical, comprehensive coverage of a particular influential art museum. In total, eighteen of the most important art museums of the early twenty-first century - including works from Tadao Ando, Herzog & de Meuron, SANAA, Steven Holl, and many other high-profile architects - are explored. The following is a condensed version of the chapter detailing Shigeru Ban and Jean de Gastines' 2010 classic, Centre Pompidou-Metz.
The Pompidou Center – Metz was a first experiment in French cultural decentralization. In the late 1990’s, with the prospect of closing Piano and Roger’s building in Paris for renovations, the question arose of how to maintain some of the 60,000 works in the collection of the National Museum of Modern Art available for public viewing. A concept of “hors les murs” or “beyond the walls” was developed to exhibit works in other French cities. The temporary closing of the Pompidou Center – Paris spurred reflections on ways to present the national collection to a wider audience in general. Eventually a second Pompidou Center in another French city was imagined.
This post was originally published in The Architectural Review as "Size Doesn't Matter: Big Ideas for Small Buildings."
Taschen’s latest volume draws together the architectural underdogs that, despite their minute, whimsical forms, are setting bold new trends for design.
When economies falter and construction halts, what happens to architecture? Rather than indulgent, personal projects, the need for small and perfectly formed spaces is becoming an economic necessity, pushing designers to go further with less. In their new volume Small: Architecture Now!, Taschen have drawn together the teahouses, cabins, saunas and dollhouses that set the trends for the small, sensitive and sustainable, with designers ranging from Pritzker Laureate Shigeru Ban to emerging young practices.
While architects don't always see the connection between politics, social constructs, and architecture, James Stewart Polshek considers the three indivisible. In an interview on Metropolis Magazine about his newly released book Build, Memory, he describes how this belief launched his career 65 years ago. To learn more about Polshek's approach to architecture and the publication, click here.
The Society of Architectural Historians (SAH) has chosen to honor six of the "most distinguished publications" released in the last two years with their prestigious Publication Awards. The annual prize awards publications in architectural history, urban history, landscape history, preservation, and architectural exhibition catalogs, as well as the best article published in the Journal of the Society of Architectural Historians by an emerging scholar. View all the winners, after the break...
Launched in September 2013 by students at the Harvard Graduate School of Design, Open Letters is a print experiment that tests the epistolary form as a device for generating conversations about architecture and design. The project stems from an earnest curiosity about what people have to say to each other about architecture, landscapes, cities, ideas, history, practice, experience and learning.
New issues are released every other Friday, each presenting one open letter, i.e. a letter addressed to a particular party, but intended for publication, about any topic relating to the design disciplines. Past correspondents have written to mentors, chairs, trees, mystical creatures, those in need of advice and to NCARB. All issues can be read online.