Comprising housing, social spaces and educational facilities, the design of the complex draws inspiration from its historic site, a former paratrooper airfield. In response, Steven Holl Architects proposed a completely new building typology, “Parachute Hybrids,” which “combines residential bar and slab structures with supplemental programming suspended in sections above, like parachutes frozen in the sky.”
MVRDV has been selected as the winner of an international competition for a new mixed-use complex to be located near several important historic buildings in the city center of Moscow, Russia. Known as Silhouette, the complex will pack 52,000 square meters (560,000 square feet) of commercial, retail and residential space into its pixelated, geometric volume.
The Union of Architects of Russia calls for submissions to the Sixth "Glass in architecture" awards for 2018. It will be held on April, 18-19, 2018 within the framework of the Forum of the architectural glass industry, "ArchGlass 2018," in Moscow at the Central House of Architects.
The main objective of the Competition is to find the unique architectural-artistic solutions for interiors of passenger areas and entrance halls of the two new metro stations - “Nagatinsky zaton” and “Klenoviy bulvar”. These are the stations of the Third interchange circuit and will be located in South administrative district of Moscow.
The competition concepts of the artistic decisions for the stations should blend harmoniously with the town-planning, historical and cultural environment of the region they are located in; be resistant to time; adaptable to streamlined production; adaptable for safe transportation of all population categories; and also have unified navigation
A UNESCO designated World Heritage site, Red Square is the historic center of not only Moscow but Russia’s cultural life. In the 1400’s, this city center was a poor, blighted area until Ivan the Great called on Italian architects to help him build the Kremlin, or fortress. This outdoor urban space is now home to St. Basil’s Cathedral, the State Historical Museum, the GUM Department Store and Vladimir Lenin’s mausoleum. St. Basil’s is one of the most recognizable buildings in Russia due to it’s unique domes, towers, cupolas, spires and arches. Some of the best Russian history and art lives behind the distinctive red brick walls of the State Historical Museum. The GUM Department Store makes Red Square a luxuriant shopping destination. In it’s lifetime, the Square has hosted innumerable speeches, parades, rock concerts and festivals.
As part of the series of new urban developments sprawling up in Moscow, Zaryadye Park is the latest to open this month in a bid to improve the city’s green space. Commissioned by Moscow Chief Architect, Sergey Kuznetsov, an international consortium led by Diller Scofidio + Renfro in collaboration with Hargreaves Associates and Citymakers has designed this new public space that encourages integration and celebrates the amplitude of regions across Russia by artificially emulating each of their climates: the steppe, the forest, the wetlands and the tundra.
Kleinewelt Architekten in partnership with Citizenstudio / Gorozhane Group, created a re-design proposal for the Northern River Boat Station Park, also known as the Park of Five Seas, in Moscow. Built in the 1930’s, the current park is supposed to act as the city’s gateway to the five seas: the White, Baltic, Black, Azov, and Caspian Sea. However, the park is removed from city life and separates Moscow from it’s historic waterways.
The New Normal, a three year-long educational programme at Moscow's Strelka Institute of Architecture, Media and Design, is focused on "the opportunities posed by emerging technologies for interdisciplinary design practices." In this short essay, taken from a new book of the same name, course director Benjamin Bratton lays out the thesis behind the project.
Something has shifted, it seems. We are making new worlds faster than we can keep track of them, and the pace is unlikely to slow. If our technologies have advanced beyond our ability to conceptualize their implications, such gaps can be perilous. In response, one impulse is to pull the emergency brake and to try put all the genies back in all the bottles. This is ill-advised (and hopeless).
Better instead to invest in emergence, in contingency: to map the new normal for what it is, and to shape it toward what it should be.
In this article, originally published by Strelka Magazine and translated into English by Alexandra Tumarkina, Anton Khitrov sits down with Julia Ardabyevskaya to analyse the urban environment and spectacular world that the blockbuster movie Ghost in the Shell creates.
Ghost in the Shell, a new sci-fi blockbusterstarring Scarlett Johansson, is based on a 1992 manga comic and a more famous 1995 anime adaptation. In the film, humans are presented as obsessed with high-tech prosthetics, spending vast amounts of money on “self-improvement”. The story proceeds to show that the next step for humanity will be complete robotization; this new generation of human machines is represented by the movie's heroine – a female cyborg with an organic brain but a synthetic body. The action takes place in a futuristic city in which almost every surface is covered in holograms the size of a skyscraper, each and every one an advertisement.