The Trienal de Lisboa have today announced that a team of nine, led by Parisian architect Éric Lapierre, has been appointed as the curatorial team of the 5th edition of Lisbon Architecture Triennale which will be held from October to December 2019. Lapierre, who runs the Masters in Architecture & Experience at the École Nationale Supérieure d’Architecture in Marne-la-Vallée, Paris, will collaborate with philosopher Sébastien Marot, who is also a critic in architecture and landscape design. Other members of the curatorial team include Ambra Fabi, Giovanni Piovene, Mariabruna Fabrizi, Fosco Lucarelli, Laurent Esmilaire, Tristan Chadney, and Vasco Pinelo de Melo. A grand total of 48 proposals were submitted to the organization, comprising 155 participants from 16 countries.
https://www.archdaily.com/869546/eric-lapierre-appointed-as-chief-curator-of-2019-lisbon-architecture-triennaleAD Editorial Team
The postgraduate programme is a unique and innovative approach to international architectural education: it combines the idea of the classical artist journey with the intensive, interdisciplinary and project-oriented workshop tradition and team-work, focusing on acute topics generating architectural knowledge and dialogue across greater Europe between cities as Tallinn, Lisbon, Helsinki, Berlin, Dessau, Ljubljana, Innsbruck and Haifa.
Florian W. Mueller's Singularity series is, in the photographer's own words, "just the building – reduced to the max." These deceptively simple shots of the summits of skyscrapers from around Europe and North America, each set against in infinite gradient of sky, are symbols of architecture's effort to reach ever higher in evermore unique ways. For Mueller, who is based in Cologne, they are an attempt at abstraction. In isolation—and especially when viewed together—they are remarkably revealing as studies of form and façade.
GSAPP Conversationsis a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school's influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
Located along banks of the Tagus in the Lisbon neighborhood of Belém, AL_A's recently completed Museum of Art, Architecture, and Technology (MAAT) has brightened up the Lisbon waterfront with its sleek form and glimmering materiality since its opening last October. These qualities have now been captured in a 4K timelapse video by photographer and filmmaker Alejandro Villanueva. The video shows how the building’s presence transforms throughout the day, as the sun reflects off of its unique ceramic facade.
Portuguese photographer Francisco Nogueira captured the building's spaces in this comprehensive gallery of images. The MAAT proposes a new relationship between the river and the visitor through a building whose simultaneous power and sensitivity explores the convergence of contemporary art, architecture, and technology. As a structure in the landscape, the building becomes landscape by allowing visitors to walk over and on the museum itself. See here 70 stunning photos of MAAT's interiors and exteriors.
Adults and Young People, Cycle of Commented Visits: A cycle of three visits to building sites in Lisbon. In the selection of projects are included public and private buildings of different scales, phases and typologies.
https://www.archdaily.com/799717/lisbon-architecture-triennale-open-for-construction-works-lisbon-cruise-terminalAD Editorial Team
Filming architecture comes to Lisbon, Portugal! This is an academic itinerant workshop about architecture representation and narratives through cinematography, and will be part of the closing activities of the 2016 Lisbon Architecture Triennale. As the final product, students will produce a short movie filmed at a Museu dos Coches, a paradigmatic building designed by Paulo Mendes da Rocha and Ricardo Bak Gordon.