Foster + Partners | Tag (page 22)

Foster’s Apple Headquarters Exceeds Budget by $2 Billion

April 05, 2013

The estimated cost of Apple’s Cupertino City headquarters has escalated from an already hefty price of $3 billion to $5 billion (more than $1,500 per square foot), reportedly pushing back the original completion date to 2016. According to Bloomberg, Apple is working with lead architect Foster & Partners to shave $1 billion from the “ballooning budget”. Most of the cost is seemly due to Steve Job’s “sky-high requirements for fit and finish”, as the tech legend called for the 2.8 million square foot, circular monolith to be clad 40-foot panes of German concave glass, along with its four-story office spaces be lined with museum-quality terrazzo floors and capped with polished concrete ceilings.

Although lambasted for his ambitious plans and “doughnut-shaped” design, Steve Jobs wanted to create a masterpiece that looked as good as it functioned, just like his products. During a 2011 presentation to the Cupertino City Council, Jobs stated, “This is not the cheapest way to build something... there is not a straight piece of glass in this building.” He continued, “We have a shot... at building the best office building in the world. I really do think that architecture students will come here to see it.”

More after the break...

Foster + Partners Approved for Mixed-Use Development on London’s Albert Embankment

March 20, 2013

Foster + Partners have received the green light from the Lambeth Council for three mixed use towers on the 20-21 Albert Embankment in London. Ranging from 15 to 27 stories, the curved steel and glass structures will provide the area with 253 apartments, including affordable homes for senior living, along with offices, restaurants and a residents’ bar, gym, pool and spa.

Grant Brooker, Senior Partner at Foster + Partners: “We are absolutely delighted that 20-21 Albert Embankment has received planning permission – working alongside our clients at St. James and with great support from Lambeth and the GLA, we hope to transform this important and highly visible site into a vibrant riverside community that sets a benchmark for the regeneration of this part of the river.”

More after the break...

Vieux Port Pavilion / Foster + Partners

March 05, 2013

Saturday in Marseille, France, pedestrians and city officials joined Foster + Partners to celebrate the completion of the Vieux Port Pavilion at the mouth of Marseille’s World Heritage-listed harbor. Minimal, yet effective, this “discreet” intervention provides a new sheltered events space on the eastern edge of the port. With six slender pillars supporting its razor-thin profile, the polished 46 by 22 meter stainless steel canopy amplifies and reflects the surrounding movement, creating a spectacle that encourages pedestrians to linger.

More on Foster’s Vieux Port Pavilion after the break...

Foster + Partners to Submit Thames Hub Airport Proposal to Airport Commission

March 04, 2013

Foster + Partners have confirmed that they will submit their proposal for a new hub airport in the Thames Estuary to the Airports Commission, an organisation investigating airport capacity in the UK, by mid-July. The submission will be an important step towards getting government approval of the plan.

Foster + Partners To 3D Print Structures on the Moon

January 31, 2013

Foster + Partners, in conjunction with the European Space Agency (ESA), has undertaken a study to explore the possibilities of using 3D printing to construct lunar habitations on the moon's southern pole (where there is near perpetual sunlight). The firm has already designed a lunar base that could house four people, and has begun to test the structure in a vacuum chamber that echoes lunar conditions.

The shell of the base, which has a hollow closed cellular structure inspired by natural biological systems, should be able to protect potential inhabitants from "meteorites, gamma radiation and high temperature fluctuations." According to Xavier De Kestelier, Partner at Foster + Partners, the firm is "used to designing for extreme climates on earth and exploiting the environmental benefits of using local, sustainable materials – our lunar habitation follows a similar logic."

The study will also address the challenges of transporting materials to the moon, and is investigating the use of lunar soil, known as regolith, as the potential building matter.

More details from Foster + Partners' Press Release, after the break:

2013 RIBA Norman Foster Travelling Scholarship

January 14, 2013

The 2013 RIBA Norman Foster Travelling Scholarship has recently been launched and is inviting applications from schools of architecture around the world. Proposals for research might include: learning from the past to inform the future; the future of society; the density of settlements; sustainability; the use of resources; the quality of urban life; and transport. A £6,000 grant will be awarded to one student by a panel of judges which includes Lord Foster and the President of the RIBA. The deadline for submissions is Friday, April 26. For more information, please visit here.

Norman Foster’s Sainsbury Centre Listed

December 27, 2012

On the advice of English Heritage, architecture minister Ed Vaizey has listed Norman Foster’s first major public building: the 1977 Sainsbury Centre at the University of East Anglia, Norwich, in the United Kingdom. According to BDOnline, the popular public art museum, which houses the collection of Lord and Lady Sainsbury, was granted grade II* protection for its innovative engineering, fine design, historic association, flexibility and group value. Its revolutionary design features an innovative, prefabricated modular structure that is cleverly designed to allow for subsequent extension.

Vaizey described: “Norman Foster’s design for the Sainsbury Centre is recognized around the world as a high point of the British ‘high-tech’ movement and, by any standards, a modern classic.”

Read Foster’s response after the break.

Avery Fisher Hall To Be "Radically" Renovated

November 29, 2012

About a decade's passed since Foster+Partners won the competition to re-design Avery Fisher Hall (as part of Lincoln Center's campus-wide re-haul, designed by Diller Scofidio + Renfro), and the famous music hall is finally ready to go through with it - just not necessarily with Foster+Partners.

After Lincoln Center and the New York Philharmonic failed to raise the $300 million they needed to cover construction costs, and due to concerns that displacing the orchestra would jeopardize potential revenue, Foster+Partners' plans languished. However, the Philharmonic is now under new leadership, and its young directors are anxious to transform the conventional music hall, hence why they've decided to solicit new proposals for the building.

As the Orchestra's new executive eirector, Matthew VanBesien, told the New York Times: “If you’re not thinking about the way in which our art form and music and audiences are evolving, you’re not serving the art form long term. You really want to build this next great hall in a new way, to do the kinds of things you maybe are doing but want to do in a more compelling way or maybe can’t even imagine yet.”

More info about the proposal for the new Avery Fisher Hall, after the break...

Foster+Partners' First US Residential Building Breaks Ground

November 14, 2012

50 UN Plaza, Foster+Partners' first residential building in the U.S., broke ground this morning. With the Hearst Tower long finished, Tower 2 at Ground Zero near complete, and a new iconic building planned for 425 Park Avenue, 50 UN Plaza will only further solidify Lord Foster's mark on New York City.

The 44-story luxury tower's privileged spot at the United Nations Plaza will give it remarkable views of the UN Building, the East River, and the Manhattan skyline. According to Foster, the building's deep bay windows (which line each of the tower's 3 volumes) will maximize that view and, along with its steel and glass facade, give the tower a distinctive, "jewel-like quality": “The slender proportion of 50 United Nations Plaza is attenuated by the vertical stacks of bay windows, which give it a distinctive identity[...] The polished stainless steel detailing of the facade is in the sprit of earlier historic towers in the city and it reflects the sharp quality of light which is special to New York."

The building, whose construction will incorporate recycled materials, also has a strong environmental agenda, combining active and passive energy strategies.

According to the New York Observer, the tower's 87 units will range in size from 1,100 square feet one-bedrooms; three bedrooms as big as 3,000 square feet; full-floor residences; and a penthouse duplex, measuring about 10,000 square feet. One of the marquee features will also be a private driveway. The tower is expected to cost $500 million and be completed in 2014.

More images and Foster+Partner's description of 50 UN Plaza, after the break...

Which Grand Central Vision Is the Best for New York?

October 26, 2012

The New York Time’s Michael Kimmelman described it as an “ennobling experience, a gift,” a lesson on what architecture, at it’s best, can be.

Indeed, entering the Main Concourse of Grand Central Terminal is a pleasure that rivals few others. For me, it took me by surprise: walking, as New Yorkers do, in a determined beeline through an undistinguished tunnel, I was suddenly struck by light. I stopped, as New Yorkers never do, to observe a vaulted, starry ceiling, the changing light, and multitudes of people whipping by.

Grand Central is one of New York’s most beloved icons, one of the few which tourists and natives share alike. Which is not to say, of course, that it isn’t in need of a face-lift.

The Terminal’s upcoming centennial, which corresponds with proposed re-zoning laws that would completely change the face of Midtown, makes now the perfect moment to consider how Grand Central’s grandeur can be preserved and its neighborhood reinvigorated. Last week, the Metropolitan Art Society (MAS) invited three firms to share their visions - and while SOM’s gravity-defying “halo” may have stolen the show, only one truly captured the spirit of Grand Central, and explored the full potential of what it could - and should - one day be.

+ 9

AD Interviews: Norman Foster

October 11, 2012

Norman Foster is undoubtedly one of the most influential architects of our time. Since establishing his award-winning practice in 1967 – originally titled Foster Associates – the Pritzker Prize laureate has grown Foster + Partners into an international powerhouse, with project offices in more than twenty countries.

Venice Biennale 2012: Gateway / Norman Foster

October 09, 2012

For the 13th Venice Biennale, Norman Foster was invited to create two exhibitions. On the one hand, there’s Central Pavilion, “Hong Kong and Shanghai Bank HQ”, specifically commissioned by David Chipperfield, which presents how a public space, created by physically lifting a tower to make a space at its base, has been used by people over time.

On the other hand, we find“Gateway.” Located at the beginning of the Arsenale, it is one of the first spaces the public encounters at the Biennale. In this installation, viewers are presented with an intense dose of images and words, representing different types of buildings and spaces, criss-crossed with the names of the architects, designers and planners that have influenced our built environment over the years.

We had the chance to interview Norman Foster, who tells us more about “Gateway” in this video. Full interview coming tomorrow!

More about this exhibit after the break:

Foster + Partners to design Manhattan’s next 'Iconic' Building

October 03, 2012

Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.

Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”

Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.

Ground Zero Master Plan / Studio Daniel Libeskind

September 23, 2012

With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.

Follow us after the break for more on the elements and progress of the master plan.

Shortlist announced for West Kowloon Cultural District’s first Arts Venue

July 18, 2012

The West Kowloon Cultural District Authority (WKCDA) has announced five design teams invited to submit proposals for the Xiqu Center, which will be the first landmark building within Hong Kong’s West Kowloon Cultural District. Serving as the main theatre and Team House, the Xiqu Center will form the gateway into the £1.7bn, Foster-designed masterplan once it is complete towards the end of 2015.

Mr. Louis Yu, Executive Director, Performing Arts stated, “There has been a fantastic response to our plans for the Xiqu Centre from design teams from across the world. We are working hard to find the right team to work with to fulfill our ambitions. The shortlisted teams will meet with representatives of the Chinese opera artform, engaging with stakeholders so we can conceive together a world-class building for Hong Kong and for the development and promotion of this important form of Chinese cultural heritage.”

The five shortlisted teams are:

In Progress: Faculty of Law and Political Scies of Turin / Foster and Partners

June 29, 2012

Architects: Foster and Partners Location: Turin, Italy Design Group: MAIRE Engineering (agent), Foster and Partners, Ltd. ICIS, Giugiaro, Arch CAMERANA Benedict, Studio Ass Mellano, Buonomo Vigil Studio, Studio Ass CO.PA.CO, Prof. G. Garzino, Studio A. Lazzerini, M. Arch Luciani, Prof. Ing Ossola, POLIEDRA S.P.A. and TEKSYSTEM New building gross area: 36,232 sqm. Photographs: Courtesy of comunicarch

+ 19

Britain's Built Legacy: From "Carbuncles" to the Cutting-Edge

June 06, 2012

‘What is proposed is like a monstrous carbuncle on the face of a much loved and elegant friend.”

It’s easy to see why British Architects get their hackles raised when it comes to Prince Charles. The oft-quoted gem above, said in reference to a proposed extension to the National Gallery in 1984, is one of hundreds of such Architectural criticisms Prince Charles has made over the years. Which wouldn’t matter of course, if, like any average Architectural layman’s opinions, his words didn’t have much weight.

His do. They’ve resulted in the intervention, squelching, and/or redesign of at least 5 major plans over the last twenty years. But let’s not write off Charles just yet.

With the Queen’s Jubilee ceremoniously having finished yesterday, the conversation analyzing her legacy has begun. And while London’s towering, cutting-edge high rises (a la Norman Foster, Richard Rogers, and Zaha Hadid), will be the shining examples of Elizabeth’s reign – I’d like to suggest something, and raise a few hackles, myself…

Curious for more? Keep reading about Prince Charles’ unlikely influence on Architecture, after the break…

Musée de la Romanitée Narbonne / Foster + Partners

May 23, 2012

Foster + Partners was awarded first prize for their museum design in collaboration with Adrien Gardere for Narbonne in southern France. The museum’s central collection includes more than 1,000 ancient stone relief funerary blocks excavated from a nearby archaeological site, as Narbonne’s historical past as a vital Roman port has left an impressive legacy of buildings and ancient relics. Within the new design, Foster + Partners has created a wall to insert the stones that will act as a natural barrier to separate the public galleries from the more private restoration spaces. The building will also reinforce the strong landscape connection between water and gardens due to the site’s adjacency to the Canal du Midi.

More about the museum design after the break.

Foster + Partners: The Latest Architecture and News