Why does a film garner critical acclaim? Is it captivating performances from its actors? Stunning tableaus and cinematic moments? Or, could it be the intricate sets where tales of drama, laughter, love, and loss play out?
Following her stunning watercolor prints of last year’s Oscar nominees and the Netflix sensation Stranger Things, architect and illustrator Boryana Ilieva provides a glimpse into the elaborate sets of 6 stand-out films from 2017. With the Golden Globes broadcasted earlier this month and the Academy Awards only a few weeks away, the homes in these award-winning motion pictures deserve as many accolades as the Hollywood stars who inhabit them.
The old adage "writing about music is like dancing about architecture" (it's stupid etc.), loses some of its impact when architecture becomes the backdrop for both music, and dancing. Ever since video killed the radio star, famous houses, quirky spaces, and history's great buildings have provided beautiful, unique and dramatic settings for music videos of all types. So which of 2017s music videos have capitalized on the wonderful world of architecture?
In 1986, Peter Zumthor completed one of his first projects: a shelter over an Ancient Roman archaeological site in Chur, (Graubünden, Switzerland). Now over three decades old, this film by ArcDog captures the building and the preserved excavations that it sits around with a quiet sophistication. With only timber lamella to allow in light and ventilative air, the project stands as a testament to Zumthor's sensitive architectural approach.
https://www.archdaily.com/884003/explore-peter-zumthors-1986-shelter-for-roman-ruins-in-quiet-solitudeAD Editorial Team
You may not have guessed that the dystopian state of Los Angeles filmed in Blade Runner 2049 is a real place, just smaller. The scenes, from Los Angeles to the Trash Mesa and Wallace Tower were built to scale in Wellington, New Zealand by Weta Workshop, the massive ‘miniature’ sets were then filmed by cinematographer Alex Funke.
“How do you bring architectural stories to life?”—this is the question the AIA asks annually in their I Look Up Film Challenge. This year’s theme, Blueprint for the Better, challenges architects and filmmakers to collaborate and tell the stories of architects making a positive impact on the community.
Architect Alfredo Thiermann has recently collaborated with Chilean Filmmaker Marialy Rivas in her latest ﬁlm “Princesita." The ﬁlm will be premiered next week at the Toronto International Film Festival.
Alfredo Thiermann’s practice has been long involved in the interaction of architecture with other medias (Artifact Nr. I Dynamics of the Void Noise Tower ) and here is the result of his last collaboration with “Fabula Productions," also known for Pablo Larrain’s academy- nominee ”No” and Sebastian Lelio’s “Gloria."
Staircases can trigger conversations, provide a sense of arrival, and dazzle with ingenuity. As an architectural element, they are not just about circulation – so why are they neglected in the design of so many new projects? In this short film from Monocle, the breadth of ingenuity possible with the stair—from those of the Danish National Bank in Copenhagen to London’s Leighton House Museum—explore how they can come to embody the very essence of a good architectural project.
https://www.archdaily.com/876733/if-staircases-are-crucial-to-a-good-project-why-are-they-so-often-neglectedAD Editorial Team
In this visual essay, Greek filmmaker Yiannis Biliris documents the all-pervasive pall of glass that covers the modern city. The three-and-a-half-minute-long film, produced by Visual Suspect and shot entirely in Hong Kong, captures the vivid reflections seen in the facades of the city’s buildings, as Biliris selectively pans and zooms his camera to instill a strong sense of urgency in the viewer’s mind.
The essay, beautifully haunting in its imagery, might be seen as a reflective commentary on the state of our built environment today. Inspired by Albert Einstein’s general theory of relativity, which states that mass causes a distortion in space and time, it seems to subtly ask if our understanding of reality is warped itself. Describing the video as "a visual essay about perception and knowledge as [a] reflection of our reality," Biliris comments that "mass curves space and time, while the observer has his own perspective."
Architectural photographer Julien Lanoo is known for his storytelling. His documentary-style photographs of the built environment range from Adjaye Associates' Aishti Foundation, OMA’s CCTV and the Oslo Architecture Triennale to name a few. Now the photographer has released a short film: introducing Canadian-Ghanaian architect Akwasi McLaren as he tells the story behind building his eco-lodge in the Cape 3 Points region of Ghana. Broken down into 3 chapters, “Knowledge, Wisdom, and Understanding” follows McLaren’s journey from designing his parents’ hotel in Ghana as a student to building his beloved lodge on the beach, to his hopes of sharing the valuable skills of ecological building and craftsmanship to cities.
Jože Plečnik is often described as Slovenia's greatest architect despite his passing over seven decades ago. The trace of his hand, which was trained in Vienna under Otto Wagner, can be seen across the country – and especially so in Ljubljana. Although Plečnik is often most keenly remembered for his restorative work and renovation of Prague Castle in the 1920s, the impact he left on the Slovenian capital is unmistakable.
Today, the city is dominated by a medieval castle, sat definatly atop a hill. It was for here, on this particularly charged site, that Plečnik proposed a radical intervention in the mid-20th Century. He wanted to build a new Slovene Parliament – a structure of State to house the legislature of the People's Republic of Slovenia within the second Yugoslavia. With this plan rejected by the authorities, Plečnik proposed a second design—known colloquially as the "Cathedral of Freedom"—here rebuilt and animated for the first time by Kristijan Tavcar.
New footage from drone videographer Duncan Sinfield reveals that finishing touches are being applied to one of the Apple Campus's more important outward-facing buildings, and perhaps its most 'public' – the "Steve Jobs Theater". Designed and constructed using similar elements to the nearby office 'ring'—including large convex glazed panels and precise, rounded cladding panels—the theater's main function will be to host the company's world-renowned keynote addresses, in which they present new products.
https://www.archdaily.com/874648/new-drone-footage-captures-finishing-touches-being-applied-to-apples-steve-jobs-theaterAD Editorial Team
As a part of the dominating discourse, Norwegian cities and municipalities are aiming to be creative, innovative, competitive and attractive. They’re often competing to attract the; well educated, mobile, young, culture-consuming, innovative creative upper middle class. At the same time, the differences in Norway increase and social inequality is on the rise. The tension between focus on a desired future and real-time management can pose challenges.
Celebrating the unique creative spirit that drives architecture and design, the Architecture & Design Film Festival (ADFF) comes to Tippet Rise Art Center, the 10,260-acre sculpture park and classical music center in the Montana highlands, this September. Architect Kyle Bergman, ADFF’s founder, will bring a lineup of eight films to Tippet Rise that intimately explore the connections between nature and architecture and examine how architects from around the world grapple with the constraints and inspirations presented by their sites.
Architecture and film are interlocked: both unfold narrative ideas through space and time, taking us to real and virtual worlds; both start with the imagination, and then take on their own reality. Films are set in cities, landscapes and buildings where architecture is a visual shorthand, telling us about characters and plot in an instant. Yet a dedicated festival that brings architecture and film together has never before been held in this country.