Mars House designed in May 2020 by Artist Krista Kim, has become the first sold digital NFT home in the world. The 3D digital file that can be experienced in virtual reality, was just acquired. Rendered using Unreal Engine, a software used to create video games, the house can be experienced in VR, but could also be experienced through augmented reality (AR) environment in apps. A structure comprised of light, Mars House generates a healing atmosphere, with a musical accompaniment by Jeff Schroeder of The Smashing Pumpkins.
Digital Art: The Latest Architecture and News
"Cyberspace, filled with bugs and glitches – the components of its natural habitat – will form a completely new and previously unknown location when released into a real city – Cybertopia," says Egor Orlov, a current student at the Strelka Institute in Moscow. According to Orlov, the physical world is on the brink of a major technological breakthrough that will revolutionize the way architects conceive of space – closing the gap between analog and digital.
Cybertopia - completed while he was a student at the Kazan State University of Architecture and Engineering under tutors Akhtiamov I.I. and Akhtiamova R.H. and nominated for the Archiprix Madrid 2015 - exists as another dimension for Orlov, where fairy tales come to life and science harmonizes with engineering and architectural design. "Future of an Architecture Space. Cybertopia. Death of Analogous Cities," delves into a fantasy world where the "possibility to fly or walk from one planet to another" becomes an illustrated reality using a combination of drafting-based techniques and a wild imagination.
Enter the hybrid technological-analog world of Cybertopia after the break
The question of whether the traditional museum survive in the digital age has been bounced around since the dawn of digital art and archiving. In an article for The Independent, Christopher Beanland examines the issue of a global "museum boom" (especially in China where a new one opens every day), and how this is having an undoubtedly positive impact on people's quality of life. For Beanland, it's curious that "we don't splash out on council houses or universities or hospitals any more – but we do build museums and galleries." Perhaps it's because they are "a reliquary for our collective memories" and "a triumph of our collective will" or, in most cases, because they employ excellent PR and branding strategies. He notes that "despite being swamped by possessions, we've changed our views towards those things. In the second half of the 20th century, people defined themselves by what they had. But today people increasingly define themselves by what they do."
A new series of maps by California-based artist-scientist Stephen Von Worley give colour coding an entirely new meaning. With his latest algorithm-generated project, "Crayon the Grids," Von Worley has taken maps of ten major metropolitan areas and coloured them based on geographical orientation of the urban grid. Each street is assigned a colour specific to its orientation, varying in hue and weight depending on its cardinal direction and length. The result is a dizzying technicolor of urban planning, creating completely new demarcations for some of the world's most recognizable cities.
Enter the chromatic world of coloured city grids after the break
Intrigued by the hexagonal plan and complex structure of Shigeru Ban’s Centre Pompidou Metz in France, ANTIVJ visual artists Simon Geilfus and Yannick Jacquet, and composer Thomas Vaquié transformed the building’s undulating facade into a digital spectacular with a light show that “abolishes notions of scale by contrasting micro-architecture with human construction”. The piece was loosely inspired by the research of deep-sea expert Peter A. Rona, whose work explores the fascinating marks left by unknown, hexagonal-shaped sea creature called Paleodictyon Nodosum, which Rona believes is designed to cultivate bacteria.
Learn more and watch the making of after the break...