The Moscow International Business Center (Also known as Moskva-City) was meant to be Russia’s ticket into the Western world. First conceived in 1992, the district at the edge of Moscow’s city center is intended to contain up to 300,000 inhabitants, employees and visitors at any given moment and, when completed, will house over 4 million square meters of prime retail, hotel and office space to create what the Russian government desired most from this project: an enormous financial district that could dwarf London’s Canary Wharf and challenge Manhattan. Twenty three years later though, Moscow-based real estate company Blackwood estimates that as much as 45% of this new space is entirely vacant and rents have plummeted far below the average for the rest of Moscow. The only press Moskva-City is attracting is for tenants like the High Level Hostel, a hostel catering to backpackers and other asset-poor tourists on the 43rd floor of the Imperia Tower, with prices starting at $25.50 for a bed in a six-person room. This is not the glittering world of western high finance that was envisioned back in the post-Soviet 90s; but what has it become instead?
WE architecture and CREO ARKITEKTER A/S have won one of three prizes in the first phase of an invited competition to design a new Moscow Medical Center. Combining the functionalism of today’s healthcare with the humanistic qualities of past architecture, the proposal introduces a facility fine-tuned for those inside.
Learn more about the proposal, after the break.
Architects interested in proposing ideas for a new public space in Kristall City, a former territory of legendary Moscow distillery, have until Tuesday (February 24) to submit applications. Organized by KRAYS development and the CENTER Agency of Strategic Development, the competition is calling on all architects and designers to consider three sites to host the cities premier public space. The newly developed area aims to “share the future look of the quarter” and establish a “new type of public space made out of form industrial city territories. Learn more and apply, here.
“A Message to Everybody”: The Red Square Pavilion Winners on Encouraging Tolerance with Architecture
Announced in the summer of 2014 the Red Square Tolerance Pavilion, an international ideas competition organized by HMMD, was a deliberately provocative proposal before any teams had even entered - a statement planned in an envronment where tolerance is an increasingly urgent topic, for people both inside and outside Russia. In this interview, originally published by Strelka Magazine, the Italian winners of the competition discuss their proposal and its response to this charged context.
This January the winners of the ‘Red Square Tolerance Pavilion’ competition that was organised by international organisation HMMD were announced. The first prize was given to a team of architects from Italy. Their bold and daring project proposed to build the pavilion right against the Kremlin wall. Strelka Magazine caught up with Kiana Jalali, Marco Merigo, Alessandro Vitale and Matteo Pagani to discuss fluidity of space, the symbolism behind their design and the media image of Russia.
In late 2013, Diller Scofidio + Renfro won first prize in the international competition to design Zaryadye Park, Moscow’s first new park in 50 years. The project is a headliner in a series of high-profile schemes that aim to improve the city’s green space, including the renovation of Gorky Park and the recently revealed plans for the Moscow River. This article, originally published by The Calvert Journal as part of their How to Fix Moscow series examines how DS+R’s urban “wilderness” will impact the city.
In a 2010 interview, the critic and historian Grigory Revzin complained that Muscovites wishing to “walk in parks and get pleasure from the city” would have to “come out into the streets” before anything was done. Hoping that architects would respond to the problem, one of Revzin’s suggestions was a park to replace the site of Hotel Rossiya, which had become overgrown since being abandoned in 2007. This wild area in the city centre was, in fact, a harbinger of what is to come: Zaryadye Park, Moscow‘s first new park in 50 years, which the American design studio Diller Scofidio+Renfro won the international competition to design in November 2013.
Any system is only as good as its weakest link. A public transport system can have all manner of souped up trains, glamorous transport hubs and turbo-buses, but this can all be for nothing if one station has a confusing layout that unintentionally directs passengers onto the wrong route. For something as interconnected as a transport network, continuous and steady passenger flow is absolutely crucial. With this is mind, the Moscow Department of Transport and Road Infrastructure Development, commissioned City ID - a firm known for their wayfinding solutions in cities such as Bristol and New York - and their frequent collaborator Billings Jackson Design to develop a new system of smart signage for the city.
Rem Koolhaas and art philanthropist Dasha Zhukova will be gracing the WSJ. Magazine’s February cover as “art partners” embarking on a transformation that will turn a ruined Brezhnev-era Communist landmark – the Vremena Goda in Moscow’s Gorky Park – into the Garage Museum of Contemporary Art’s new home. “The building is basically a found object,” said Koolhaas, regarding his “raw” design and intent to preserve the structure’s decay. “We are embracing it as it is.”
The museum’s new home will “challenge the white-cube tradition of Western museums,” says Zhukova. A double layer of polycarbonate plastic will encase the intact structure so it appears as a translucent box hovering six feet above ground. Commissioned artworks will be presented on a backdrop of “raw brick and broken tiles.” Learn more about the Garage’s design, here, and read the WSJ. Magazine’s full report, here.
The results of the Red Square Tolerance Pavilion Competition, hosted by Homemade Dessert (HMMD), have been announced. Placed directly in the center of Moscow‘s Red Square, the competition asked designers to advocate the many facets of tolerance (social, religious, and political) by manifesting them in the form of a temporary pavilion. To further enhance these ideas, the pavilion is not only a symbolic space, but an educational one, with lecture halls and exhibition areas as its program, encouraging entrants to promote tolerance in all aspects of their designs.
View the winning designs after the break.
In an article for The Guardian, Maryam Omidi explores Moscow’s Door19, a place where “Damien Hirst and David LaChapelle artworks adorn the raw concrete walls,” “flair bartenders serve up gem-coloured cocktails,” and “a rotation of Michelin-starred chefs flown in from around the world curate new menus each week.” It is indicative, she argues, of what Kuba Snopek (a lecturer at the Strelka Institute) describes as “hipster Stalinism” – a surge of redevelopment in certain parts of Moscow that cater to the ‘oligarchs’, wealthy creatives and Muscovite ‘hipsters’. At Door19, for example, apartments sell for between $15,000 and $20,000 per square metre.
Russian practice Project Meganom has been announced as the winner in a competition to drastically transform the Moscow riverfront. Their masterplan proposal aims to create a series of linear green spaces, while also incorporating new cultural and education spaces along the waterfront and improving the surrounding public transport. Announced at the IV annual Moscow Urban Forum which opened earlier today, the goal of the competition was to return the Moscow river from a “barrier” into a “link” in the city, restoring its historical status as the city’s heart and most important transportation route.
Read on after the break for more details of Project Meganom’s masterplan
Moscow-based architectural studio Nefa Architects (Nefaresearch) have been chosen to redesign the Solntsevo metro station. Their project, which is designed to “create a solar spray effect” on the station’s subterranean platform, won an international competition whose winners were ultimately chosen by Moscow’s citizens.