A new masterplan and building scheme has been designed for the Codrico Factory and Rijnhaven in Rotterdam. With the overall plan created by Powerhouse Company in collaboration with developer RED Company, the proposal includes a series of buildings by Mecanoo, SHoP Architects, Office Winhov and Crimson Architectural Historians. Called the "Codrico Terrain", the project aims to celebrate local industrial heritage and embrace change for the future.
Crimson Architectural Historians: The Latest Architecture and News
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This year, the 12th CANactions International Architecture Festival will be focused on an exploration of a notion of "Hromada" — Ukrainian name for the Community.
A Clockwork Jerusalem, the exhibition showcased in the British Pavilion at last year's Venice Biennale, will make it's UK debut at London's Architectural Association (AA) next month. Commissioned by the British Council and curated by Sam Jacob, co-founder of FAT, and Wouter Vanstiphout, partner at Dutch practice Crimson Architectural Historians, the exhibition shines a light on the large scale projects of the 1950’s, 60’s and 70’s by exploring the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious - but also the moment that witnessed its collapse."
In 1954 British sculptor Henry Moore was commissioned to design and install a large wall relief into Joost Boks' new bouwcentrum (Construction Centre) in the Dutch city of Rotterdam. The project, pieced together with approximately 16,000 hand-carved Dutch bricks, stands as the sculptor's only work completed in the humble material. In a short documentary film produced by ARTtube, architectural historian Wouter Vanstiphout narrates the fascinating story behind Wall Relief No.1.
Established in 2000, the 2016 Triennale will be the sixth of its kind. Following an open call for curators in September of this year, the Triennale invited four teams to interview: Rotterdam based Crimson Architectural Historians, London based Justin McGuirk, Canadian curator Dan Handel, and a team of five Spanish architects hailing from New York known as the After Belonging Agency. Lluis Alexandre Casanovas Blanco, Ignacio González Galán, Carlos Minguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier's proposal was chosen unanimously by a jury which included Hege Maria Eriksson, Nina Berre, and Gro Bonesmo (among others).
The scaffolding has come down, revealing the first glimpse of FAT's extraordinary A House For Essex. Designed in collaboration with British ceramic artist Grayson Perry and commissioned by Alain de Botton’s alternative holiday rental project Living Architecture, the house will be the final built work that FAT complete. The bejewelled two bedroom dwelling, topped with a shimmering golden copper alloy roof and clad in glinting green and white tiles, sits in the rolling landscape of Essex - Charles Holland (FAT) and Perry’s home county. Adorned with sculptures integrated into a wider narrative that spatially recounts the life of a fictional character called Julie, the barn-like shape, bold colours and decoration has not simply garnered widespread attention but has also captured people’s curiosity.
Find out more about the project in an interview with the architect after the break.
Sheffield born Alison Gill, later to be known as Alison Smithson, was one half of one of the most influential Brutalist architectural partnerships in history. On the day that she would be celebrating her 86th birthday we take a look at how the impact of her and Peter Smithson's architecture still resonates well into the 21st century, most notably in the British Pavilion at this year's Venice Biennale. With London's Robin Hood Gardens, one of their most well known and large scale social housing projects, facing imminent demolition how might their style, hailed by Reyner Banham in 1955 as the "new brutalism", hold the key for future housing projects?
The British Pavilion at the 2014 Venice Biennale takes the large scale projects of the 1950’s, 60’s and 70’s and explores the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious but also the moment that witnessed its collapse." The exhibition tells the story of how British modernity emerged out of an unlikely combination of interests and how "these modern visions continue to create our physical and imaginative landscapes." To those who know the UK's architectural heritage, this cultural and social history is delivered in a way which feels strangely familiar, whilst uncovering fascinating hidden histories of British modernity that continue to resonate in the 21st century.
We caught up with Sam Jacob, co-founder of FAT Architecture (of which this exhibition is their final project), and Wouter Vanstiphout, partner at Rotterdam-based Crimson Architectural Historians, outside the British Pavilion to discuss the ideas behind, and significance of, A Clockwork Jerusalem.
Curators FAT Architecture and Crimson Architectural Historians have released more details on this year’s British Pavilion for the 14th Venice Architecture Biennale. Responding to Rem Koolhaas’ theme, "Absorbing Modernity: 1914-2014,” A Clockwork Jerusalem will “explore the diverse cultural influences that shaped and were shaped by British Modernism in the post war era and over the last 100 years.”
"A Clockwork Jerusalem will offer the opportunity to explore and rethink fundamental aspects of British modernity, beyond architecture,” described Vicky Richardson, Director of Architecture, Design and Fashion at the British Council. “As the Venice Biennale evolves into a global research project, we are keen to make a significant contribution to the cultural debate around the past, present and future of UK and global architecture.”
More from the curators, after the break...
FAT Architecture, Crimson Architectural Historians and Owen Hatherley have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The chosen team will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”
Vicky Richardson, British Council, said: "We look forward to working with FAT, Crimson and Owen Hatherley on ‘A Clockwork Jerusalem’. The Selection Committee felt their approach was both challenging and poetic, and that their work will make an important contribution to understanding modernity in British architecture."