The Herzog & de Meuron-designed global corporate headquarters for pharmaceutical company AstraZeneca has topped out in Cambridge, UK, as the building pushes forward to a series of opening dates beginning in 2018. Developed alongside AstraZeneca researchers and executive architect/lead consultant BDP, the scheme consists of a ring-shaped volume containing a series of open laboratories and transparent glass walls intended to foster the company’s principle of collaboration across disciplines.
Cambridge: The Latest Architecture and News
This 90-minute tour, co-sponsored by the BSA Foundation, hosted by Charles Riverboat Company, and led by Boston By Foot guides offers spectacular views of historic and contemporary Boston architecture while providing fascinating information about many renowned architectural landmarks, including the Hancock Tower, Marriott’s Custom House, and Rowes Wharf, as well as cutting-edge contemporary buildings by today’s top architects.
In honor of the centenary of MIT's move to the Cambridge Campus, the university has carried out a series of public events this spring, including the installation of two innovative architecture and design projects: Memory Matrix and Biaxial Tower.
Installed in the iconic arch of MIT’s Wiesner Building (designed by Pritzker Prize winner and MIT alumni I.M. Pei), Memory Matrix is a giant screen made of intricate pixel-like Plexiglass elements, arranged to form larger matrix-like screens that reveal an image of the recently destroyed Arch of Triumph in Palmyra. The image is only visible during the day through the movement of wind and light, and at night, through the illumination of the pixels. Spearheaded by Azra Aksamija, Memory Matrix will be on display from April 23 through May 7.
RDH Architects has unveiled the plans for its Old Post Office Idea Exchange, a restoration project in Cambridge, Canada. The post office project will completely restore the existing historic building and transform it into a new space through the use of new glass additions that will increase usable space and improve accessibility.
As part of the Cambridge Science Festival, discover the art and science of architecture and city planning. Find out what Boston might look like in 2030, and imagine new modes of transportation and vibrant places for “live, work, and play”! Explore how architects and urban planners apply notions of sustainability, transportation, housing, parks, and open space in their work, and share your thoughts on how to make the city more beautiful, resilient, and equitable. Lastly, bring your own fantastic ideas to life using LEGO® bricks, and present them to your design buddies.
In architecture circles, it's a sadly familiar trope: a postwar modernist building by a celebrated architect is slated for demolition, and the only people to come to its defense are not the local community, but the architects and critics who can see past the weathered concrete to the ideals within. But despite this familiarity, it's rare to find a critic with first-hand experience as the user of the building in question, and rarer still for them to have experienced it with the unprejudiced eyes of a child. Such is the case with Alexandra Lange, who went to kindergarten at Josep Lluís Sert's Martin Luther King Jr School in Cambridge. In this article from MAS Context, originally titled "Never-Loved Buildings Rarely Stand a Chance: Josep Lluís Sert in Cambridge" and featuring photographs by Lee Dykxhoorn, Lange recounts her experiences of the school and laments its destruction. The latest issue of MAS Context focuses on the theme of "Legacy" - from the legacy we have inherited from our predecessors to the legacy we are leaving for the future.
It’s a detail too perfect, better suited to a novel. Architecture critic goes to kindergarten at modernist school. Years later, she returns to the city of her birth and discovers the school again, surrounded by construction hoardings, on the brink of destruction. Can she save it? Except that was me, and I was too late.
Architect and MIT Lecturer Cristina Parreño has created this new prototype for a self-supporting glass facade, entitled "The Wall." The design is the first in Parreño's "Tectonics of Transparency," a series of planned prototypes that will "explore the relationship between formal design, spatial perception, structural efficiency and systems of fabrication."
More details about Parreño's prototype after the break
The Urban Implications of Living With Water, a recent report by the Urban Land Institute (ULI) Boston, opens with the clear assertion: "We are beginning to feel the effects of climate change." The result of a conversation amongst over seventy experts from the fields of architecture, engineering, public policy, real estate and more, the report covers the proposed integrated solutions for a future of living in a city that proactively meets the challenges accompanying rising water levels.
"We accept that the seas are rising, the weather is changing, and our communities are at risk; and we recognize that no solution can be all-encompassing. It is our hope that this report will spark conversation, shift our understanding of what is possible, and aid us in reframing challenges into opportunities as we move toward this new era of development."
Become part of the discussion and read more about the collective ideas, after the break.
Fifty years ago Churchill College Cambridge opened its doors. In contrast to the historic Colleges, with their medieval Gothic and Neo-Classical buildings corralled behind high walls, this was in an almost rural setting on the outskirts of the city, modern in design, and Brutalist in detail.
The 1959 competition that brought the College into being is considered by many to be a watershed moment in British Post War architectural history. It brought together 20 names, young and old, all practicing in Britain, all working in the Modernist and more specifically the nascent Brutalist style. It was a “who’s who” of British architecture at the time, including the Smithsons, Hungarian-born Erno Goldfinger, Lasdun (then in partnership with Maxwell Fry, Jane Drew & Lindsay Drake, and formerly with Russian émigré Lubetkin), Lyons Israel Ellis and Robert Matthew (one half of the Royal Festival Hall team, who teamed up with Johnson Marshall). None of these made the shortlist of four.
Boston-based practice Wilson Architects has been commissioned by the Massachusetts Institute of Technology (MIT) to design a state-of-the-art research hub for nanoscience and nanotechnology: MIT.nano. Centrally located at the heart of MIT, the new glass-encased, four-story structure will house two floors of high-performance cleanrooms, as well as imaging and prototyping facilities that are all designed to foster innovation through cross-discipline collaboration.
Kresge Auditorium, designed by Finnish American architect Eero Saarinen, was an experiment in architectural form and construction befitting the Massachusetts Institute of Technology’s focus on technology and innovation. This feat of sculptural engineering serves as a meeting house and is part of the cultural, social, and spiritual core of MIT’s campus. Kresge Auditorium is one of Saarinen’s numerous daring, egalitarian designs that captured the optimistic zeitgeist of Post-war America.