Zaha Hadid Architects' design for a digitally fabricated marine habitat in the North Lantau Marine Park conservation zone in Hong Kong was recently presented at the World Design Congress exhibition in London. The event took place at the Barbican Centre between September 9 and 10, one of the world's most recognized examples of Brutalist architecture. Its theme, "Design for Planet," called on designers and commissioners of design to take on their most critical brief to date: to design a regenerative future in the face of climate change and to examine design's role as a tool for environmental action. In this context, Zaha Hadid Architects presented Nereid, a digitally fabricated habitat developed with advanced 3D printing technologies by D-Shape, aimed at supporting the natural regeneration of marine ecosystems.
Jenny E. Sabin is an American architect, designer, and educator known for her work at the intersection of architecture, computation, and biomaterials. She integrates digital fabrication, responsive materials, and bio-inspired design into her architectural practice and runs an experimental architecture studio, Jenny Sabin Studio, based in Ithaca, NY. In this interview with Louisiana Channel, she shares her personal journey from artist to scientist, explains how biological and material systems can be applied at an architectural scale, and discusses her teaching and research roles at Cornell University. She elaborates on her interest in bringing people together through new strategies for responsive and adaptive architecture. In her view, the connections between the digital, the physical, and the biological define a paradigm shift in the evolution of architecture, converging with other realms of physical experience to create a more interconnected future.
Studio Gang is an architecture and urban design practice founded in 1997 by Jeanne Gang and based in Chicago, with additional offices in New York, San Francisco, and Paris. Comprised of over 100 professionals, including architects, designers, and planners, the studio is known for its research-driven approach to design. On Friday, July 11, the Aedes Architecture Forum in Berlin will inaugurate an exhibition on Studio Gang's work, organized in collaboration with AW Architektur & Wohnen magazine. Titled Studio Gang: The Art of Architectural Grafting, the exhibition explores the studio's design methodology through six recent projects.
The Louisiana Museum of Modern Art's "Living Structures" exhibition, running from November 8th, 2024, to March 23rd, 2025, features Deep Forest, a new installation by Prof Claudia Pasquero and Dr. Marco Poletto founders of architecture and design innovation firm ecoLogicStudio, together with academic partner Innsbruck University. This immersive work challenges traditional architectural paradigms by embracing the naturalization of architecture and technology, a direct counterpoint to modernist attempts to mechanize nature. The exhibition represents the culmination of twenty years of research in bio-digital design, showcasing the potential of symbiotic relationships between technology and the natural world within built environments.
As we reflect on the tumultuous events of 2023, it becomes evident that the challenges posed by changing environmental conditions have left an indelible mark on communities worldwide. In response, architects and urban planners have set out, searching for the ways in which their actions can help create safer environments for communities worldwide, responding with both fast-to-deploy emergency architectures and long-term strategies to build resilience and mitigate risks.
Beyond merely responding to events like the devastating earthquakes in Turkey, Syria, and Morocco, or the widespread flooding in Libya or Pakistan, professionals are attempting to take proactive approaches, developing strategies that extend from predictive modeling to the application of re-naturalizing techniques or the ongoing research into the physics of safer and resilient structures.
The terms resiliency and sustainability, although similar in meaning, refer to different design approaches in the context of architecture and cities. Sustainability involves the preservation of natural resources to uphold ecological equilibrium, while resiliency entails the ability to rebound, adapt, and persist in moments of adversity. These concepts greatly influence and complement each other, especially in cases of designing disaster-resilient buildings. Conventional design processes relating to resilient infrastructure have been based on principles of structural robustness and integrity as a measure against anticipated natural disasters. However, sustainable resiliency points at the opportunity of reinforcing buildings by embedding them in biological and ecological systems.
In an age where humanity's detrimental impact on the environment has become increasingly evident, the concept of rewilding is emerging as a powerful approach to conservation and ecological restoration. In line with growing attention on landscape architecture in recent years, the idea of removing human intervention from our natural surroundings in order to restore a stable equilibrium seems to offer a low-effort, ethereal way to right fundamental climate wrongs. But is a lack of meddling in nature really all there is to rewilding, and how does this relate to architecture and design? We look at key concepts, applications, and examples to find out.
Jean Nouvel + OXO Architectes design Mountainous Mixed-Use Campus in Antibes. Image via Compagnie de Phalsbourg
Nowadays, much is said about the importance of collaborative design processes that involve joint creation, affirming a context in which there is less and less room for individual work and much more for the logic of collective and co-creation. Therefore, the idea that the work is created exclusively by the architect is already understood as a distortion of the complex reality of designing a project, going beyond the technical staff and also adding the community and its users.
Nature has continually played muse to architects. Colors and forms from the natural world find themselves embedded in artificial edifices. Buildings are also shaped by patterns of the wind and sun, topography, and vegetation. While architecture is informed by the effects of nature, buildings have been proposed as inert objects that remain static in a biologically evolving world. Anthropocentric concrete “jungles” are devoid of life, separating humans from natural environments and causing imbalances that have manifested as pandemics. What would cities look like if there were no boundaries between humans and ecosystems?
A "symbolic interpretation of the flow of movement", Calatrava’s design for the UAE Pavilion at the 2020 Expo Dubai is a 15,000 square meters immersive and multisensory experience. Images recently shot by Stephane Aboudaram highlight a structure of 28 automated cantilevered wings, that open and rotate at a range of 110 and 125 degrees. Moreover, these photos also show a central skylight, that mimics the logo of this year’s expo.
In 1941, Swiss engineer George de Mestral was coming back from a hunting trip with his dog when he noticed that some seeds kept sticking to his clothes and his dog's fur. He observed that they contained several "hooks" that caught on anything with a loop, and from studying this plant, seven years later, he invented the hook and loop fastener, which he named Velcro.
Corals are fundamental to marine life. Sometimes called tropical sea forests, they form some of the most diverse ecosystems on Earth. They serve as a refuge, breeding, and feeding area for dozens of species in the sea, and their absence can negatively affect local biodiversity to a tremendous degree. Yet just as humanity pollutes and destroys, it can also remedy and encourage the creation of more life. This is why shipwrecks of old vessels or the sinking of concrete structures for the creation of artificial reefs are frequently reported as providing immense potential. In Hong Kong, researchers have been developing 3D printed structures using organic materials that can lead to the creation of new opportunities under the sea.
Hashim Sarkis, the curator of the 17th International Architecture Exhibition organized by La Biennale di Venezia, launched a striking visionary theme at the beginning of this year: “How will we live together?”. This fundamental question finally transcends all disciplines and opens an existential portal for humanity. It does not refer only to humans but all species, the nonhuman organisms as well.
The Biomimicry Institute and Biomimicry South Africa have launched a new course covering the fundamentals of biomimicry. Called ‘Learn Biomimicry’, the online course kicks off in support of the Earth Day Network’s call for creative, innovative, and brave solutions needed to regenerate and repair the damage done to the planet.
In order to further explore how we think about the future of cities, ArchDaily's topic of the month for July is resilience. To prepare for disasters or disruptions in the system, we spoke with biologist Alessandra Araújo, founder of bio-inspirations and professor of Biomimicry at the Architectural Association Amazon Visiting School and the Master Ecological Design Thinking at Schumacher College, who discussed her thoughts on resilience in the field of architecture and urbanism through a different point of view: nature.
Ateliers Jean Nouvel has collaborated with French practice OXO Architectes on a competition-winning design for a mountainous campus in the Sophia Antipolis technology park in Antibes, France. The “Ecotone Antibes” will serve as the main entrance to the technology park, which is home to over 2,000 companies.
Described as a 21st-century campus for France, the 40,000-square-meter mountainous structure is covered in lush vegetation, containing offices, a hotel, amenities, and co-working spaces. The campus, a rare exercise in biomimicry for the South of France, sought to capture the site’s rich landscaped surroundings, translating a natural ethos to the hard, technological campus.
In a design proposal for Soprema’s new company headquarters in Strasbourg, France, Vincent Callebaut Architectures envisions an 8,225 square-meter ecological utopia. The building, called Semaphore, is described in the program as a “green flex office for nomad co-workers” and is dedicated to urban agriculture and employee well-being.
An eco-futuristic building, Semaphore is inspired by biomimicry and intended as a poetic landmark, as well as aiming to serve as a showcase for Soprema’s entire range of insulation, waterproofing, and greening products. The design is an ecological prototype of the green city of the future, working to achieve a symbiosis between humans and nature.
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