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Almost 6 months ago, on August 4th, 2020, the city of Beirut was shaken by one of the biggest non-nuclear blasts in history. Leaving the northern side of the capital in ruins, the explosion damaged around 40,000 buildings. New contemporary structures completed recently by local international architects are now facing reconstruction dilemmas, raising existential questions such as: How should reconstruction efforts of “new” damaged buildings look like? Should architects rebuild them as they were before the blast, erasing what has happened or should they leave scars and portray new realities?
In order to explore ideas and highlight different perspectives, ArchDaily had the chance to sit with three architects whose buildings were impacted by the blast. Bernard Khoury, Paul Kaloustian, and Lina Ghotmeh talked about their projects and their vision of the reconstruction of Beirut with ArchDaily's Managing Editor, Christele Harrouk, alongside Architectural Photographer Laurian Ghinitoiu, who documented in a featured photo series the extent of the destruction.
In cities across the United States, an address is more than just a street name or a building number- but a brand that translates directly into a symbol of wealth and prestige. Take the tallest residential tower in the country, 432 Park Avenue in New York City, which doesn't actually sit quite on park avenue. Instead, it’s neighboring lot to the east sits on Park Avenue, and this mega structure actually faces 56th avenue- a significantly less iconic street. However, this inflated valuation doesn’t happen everywhere. Cities in other countries don't place the same weight on an address and refer to buildings or locations as landmarks or by their appearances, which doesn't force a high monetary value based on an address or a marketing scheme alone. How do places in the world differ in how they brand buildings and streets in cities, and what does that tell us about their urban culture?
Design Miami’s latest initiative in partnership with Architects for Beirut, has gathered a collection of 100+ original architectural drawings and artworks donated by 90+ renowned architects from around the world. With proceeds going to aid on-the-ground restoration efforts in Beirut, works offered include exclusive pieces from Zaha Hadid, David Chipperfield, Toyo Ito, Steven Holl, Tatiana Bilbao, Adjaye Associates, and Renzo Piano, to name a few.
In the second part of his interview with Archdaily, Hashim Sarkis reflects on the future of architecture as he tackles the timeless question of the 2021 Venice Biennale. The curator of the Biennale, which proposes the question of “How Will We Live Together?”, discusses the role of the profession in the midst of all these new paradigms, stating that “Architects do change the world […] by creating […] wish images for what the world could be”.
In this feature, the curator of the anticipated biennale and dean of MIT School of Architecture and Planning presents his views on the evolution of Architecture, and the new directions the academic world should take, to reflect “the complexity of the urban problems of today”. Sarkis also brings up Beirut, discussing reconstruction approaches, civil society, and the exasperating notion of resilience.
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In the Lebanese capital, Beirut, a fire erupted on Tuesday Morning at Beirut Souks, a Zaha Hadid-Designed building. External walls of the under-construction department store fell as flames ravaged the building. The first reports did not clarify the causes of the fire.
It only took a couple of seconds to destroy 40% of the city of Beirut on August 4th, 2020. A couple of trivial seconds were enough to determine the fate of the urban and social fabric of the Lebanese capital and its architectural heritage. Years and years of accumulated cultural assets fell instantly in distress, causing more harm than the infamous 15-year civil war. These seconds have erased the past, present, and destroyed future aspirations.
Hit right in its rich cultural center, the blast of the port shook the northeastern side of the Lebanese capital, leaving the neighborhoods of Mdawar, Rmeil, Gemmayze, Achrafieh, Mar Mkhayel, Karantina, and Geitawi, severely hurt. According to the UN Development Programme (UNDP), 200,000 housing units were affected by the explosions, with an estimated 40,000 buildings damaged, of which 3,000 were severely damaged.
Anastasia Elrouss Architects has imagined the MM Residential Tower, a vertical eco-village in the fast-developing suburbs of Beirut, Lebanon. Labeled Urban Lung, the project, sitting on a 900-square-meter rectangular site, generates 14 stacked floor plates around a central and open planted core. The ground floor and basement level, rented by Warchee NGO, will encompass farming and carpentry workshops for women.
"Public space" is a legal terminology that tackles the notion of land ownership, suggesting that this type of parcel does not belong to anyone in particular, but to the state itself. Open, free, accessible to all, and financed by public money, these spaces are not only the results of planning, but the consequences of the public practices they hold. Actually, people define how public space is used and what it means.
Protests - powerful political tools for change - from the March on Washington in 1963, the Arab Spring in the early 2000s to recent Black Lives Matter Movements, are altering the world. In times like these, while people still need to "take their issues to the streets" to be heard and seen, public spaces have resurfaced as a topic of discussion.
AKK Architects, an architecture practice founded by architect Annabel Karim Kassar, with offices in Beirut, Dubai, and London, is transforming a historical 19th-century Lebanese home into a contemporary family home. Bayt K was shortlisted for the WAF future projects awards under House category.
.jpg?1611093772 "© Laurian Ghinitoiu")
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.jpg?1600174074 "Screenshots from the Live Coverage. Image © Ruptly broadcasting")
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.jpg?1600174084 "Screenshots from the Live Coverage. Image © Ruptly broadcasting")
.jpg?1600174097 "Screenshots from the Live Coverage. Image © Ruptly broadcasting")
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