This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects, a Dublin-based architectural firm mainly ran by female partners Yvonne Farrell and Shelley McNamara. For the first time ever in its 42-year history, due to the constraints set by Covid-19 global pandemic, the organizers of the Pritzker Prize decided to use Livestream the award ceremony. Having reached the end of 2020, ArchDaily has summed up what current and previous Pritzker Prize winners have accomplished during this turbulent year.
SANAA’s recently completed social housing complex in Paris was captured by the Architecture and Photography studio of Vincent Hecht. Part of Paris habitat, France’s largest public utility social housing company, the project comprises four buildings accommodating more than 100 social housing units in total.
Normally, houses are divided into common areas, rooms, kitchens, and bathrooms. However, sometimes the client demands to add other programs related to their work or hobbies, making efficient design and daily spatial distribution more complex. As architects, we are faced with an interesting challenge: to merge the private life of its inhabitants with more public and open programs, generating exciting mixed-use spaces.
If you are interested in designing hybrid homes, we have selected 26 houses with additions including shops, soccer fields, barns, greenhouses, and even skateparks.
In this photoset, Vincent Hecht takes his lens into the recently completed Sumida Hokusai Museum, designed by pritzker prize winner Kazuyo Sejima, one half of the acclaimed international firm SANAA. Located in the Tokyo neighborhood of Sumida, the 4-story, angular structure will house a collection of over 1800 works by world-renowned ukiyo-e woodblock painter Katsushika Hokusai, who lived in Sumida over 200 years ago.
In this video, French architect and filmmaker Vincent Hecht takes us inside “Rental Space Tower,” Sou Fujimoto’s pavilion at HOUSE VISION Tokyo 2016. Designed in partnership with residential leasing and management company Daito Trust Construction, the structure aims to challenge the conventional typologies of rental housing, maximizing the amount of shared space within the complex.
Check out the video for a look inside the structure, and continue reading for more on the concept behind the design.
The latest video in French architect and filmmaker Vincent Hecht’s Japanese Collection series features the Gifu Media Cosmos by Toyo Ito. The library/gallery features an undulating wooden ceiling and multiple large, suspended translucent funnels that define areas for different activities. A series of intermittent openings in the roof allows natural light into the space.
French architect and filmmaker Vincent Hecht recently revisited Sou Fujimoto's House N, seven years after its completion, as part of his ongoing Japanese Collection series. Nestled within a traditional Oita neighborhood, the renowned family home resembles "living among the clouds," as Fujimoto once described. A rich layering of space carefully eliminates the notion of distinct boundaries, allowing a subtle shift in program to place a heightened awareness on the spaces in-between.
This installment of Vincent Hecht's "Classic Japan" series takes you through Kenzo Tange's 1958 Kagawa Prefectural Government Hall. Emulating traditional Japanese wood construction, the reinforced concrete structure forms an L-shape around a central courtyard with a connecting eight-story administrative office tower and low-rise assembly hall.
Tokyo-based French architect and filmmaker Vincent Hecht has captured the opening of Sou Fujimoto’s polyhedral Naoshima Pavilion on the Kagawa shoreline in Japan. The inhabitable, seven-meter, white stainless steel structure is part of the 2016 Setouchi Triennale. Watch the video above for a closer look.
The second episode in "Classic Japan" features the 1966 Kyoto International Conference Center by Sachio Otani. The site of the signing of the Kyoto Protocol in 1997, Otani's waterfront conference center unfurls onto nearby Lake Takaragaike via a series of concrete pathways that offset the centre's Brutalist weight. Filmed and edited by Vincent Hecht, a French architect and film maker currently living in Tokyo, the series focuses on Japanese architecture from the 1950s to the 80s.
The first installment takes viewers into Kenzo Tange's 1964 Yoyogi National Gymnasium in Shibuya, built to house the swimming and diving events of the 1964 Summer Olympics. Completed in less than two years and seating upwards of 15,000 spectators, the Gymnasium is renowned for its suspension roof, and will host the handball competitions during Tokyo's 2020 Summer Olympics.
As a part of his ongoing film series about Japanese architecture, French architect and filmmaker Vincent Hecht has created this visual exploration of Kazuyo Sejima’s Shibaura House. Completed in 2011, this five story office space is walled almost entirely in glass and features double-height, split level floors that showcase the paths of travel through the building. The building also features a public cafe on the ground floor, and a roof terrace.
As a part of his ongoing film series about Japanese architecture, French architect and filmmaker Vincent Hecht has created this visual exploration of SunnyHills at Minami-Aoyama by Kengo Kuma. Designed to resemble a bamboo basket, this pineapple cake shop is built using the traditional Japanese joint technique of “Jiigoku-Gumi.” The wooden latticework is meant to provide visual contrast with the concrete facades of the building’s neighbors.