Focused on 3 main titles, "the European city: a model for the sustainable smart city", "defining common European culture while reflecting the diversity of expression" and "an architecture that has social impact and transmits a cultural message", we have grouped the selected projects, nominated by a jury formed by Tatiana Bilbao, Francesca Ferguson, Mia Hägg, Triin Ojari, Georg Pendl, Spiros Pengas and Marcel Smets to give a better understanding of the selection criteria and the architectural situation in Europe.
The European Commission and the Mies van der Rohe Foundation have announced the 40 shortlisted works that will compete for the 2022 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The shortlist featured projects built across 18 different European countries, with Spain, Austria, and France topping the list with 5 entries each. The winners will be announced in April 2022 and the Award ceremony will take place in May 2022.
Circulation spaces are often challenging for designers as they are intended—as the name implies—for moving from one room to another. While many take advantage of these areas by using them as storage spaces, Mies van der Rohe at the Farnsworth house reduced circulation to a minimum, creating an open floor plan completely free of hallways. When faced with vertical circulation, the issue is similar. Stairs fulfill the purpose of overcoming the height between one floor and another, but rarely constitute indoor living spaces. Bleachers, in turn, play this role in several projects. Until recently, they were only found in sports spaces or amphitheaters; now the use of bleachers has become widespread and is seen in office spaces, public buildings, schools and even homes.
Architectural events like biennales, urban festivals or the World Expo provide a framework for research and experimentation, allowing architects to showcase their visions on an international stage, with the aim of advancing the practice and driving innovation. World Expos, in particular, allow for these lines of inquiry to unfold at an architectural scale rather than that of an installation. Within these platforms for discourse and knowledge exchange, temporary architecture becomes a medium for communicating ideas about architecture and the city, its challenges and possible lines of development.
It is believed that copper was the first metal to be found by men and used in the manufacture of tools and weapons. This occurred in the last period of prehistory, more than 10,000 years ago, in the so-called Metal Age, when groups, until then nomadic, started to become sedentary, developing agriculture and starting the first urban settlements. Copper has since been used in diverse ways. Used for decorative objects, jewelry, automotive parts, electrical systems, and even for dental amalgams, the material has had huge demand. In architecture, copper coatings are greatly appreciated for their aesthetics and durability. But a factor worth mentioning is that copper can be recycled infinitely, practically without losing its properties.
As architecture has evolved to include advanced building envelopes, innovative structural systems, and hybrid programs, new boundaries have been drawn. Sustainable practices and passive strategies have led architects to re-imagine building skins and the relationship between interior and exterior. While different typologies are designed with varied levels of permeability, libraries demand rigorous attention to performative facades and protected programs. This holds especially true when libraries are placed within radically changing landscapes.
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