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Architects: UNA Arquitetos
- Area: 6199 m²
- Year: 2017
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Manufacturers: Reka Iluminação, Screens, Stamp








The Teatro Oficina Uzyna Uzona, popularly known as Teatro Oficina, located on Jaceguai Street, in the Bela Vista neighborhood, in São Paulo, was founded in 1958 by José Celso Martinez Correa. The Teatro Oficina acts as a manifesto/theater, marked by great spectacles between theatrical expressions, musical presentations, dance, and performances.
Over time, the theater sought to revolutionize the performances that they put on. To this end, the architecture was designed to "collaborate" with the events, allowing the drama of the spectacle to engage more profoundly with audiences. Edson Elito, who would later instigate this reform, said [trans.]:



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Of the Pritzker Prize’s illustrious list of laureates, the 1994 winner Christian de Portzamparc is perhaps the least covered by the media. However, this relatively low profile belies the subtle and insightful understanding of architectural and urban issues that in many ways puts him decades ahead of the curve – with the sociologically-led principles he has been developing since the early 1980s now becoming widely popular in architectural circles. In this interview, the latest in Vladimir Belogolovsky’s “City of Ideas” column, Portzamparc explains the journey that led to this unique take on architecture.


Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.