At ArchDaily, our work is grounded in stories. Between practice and projects, editorials and news, we write to share how architecture and design is changing both how we live and why. We also hold a responsibility in our choice of which stories get told and those that don't. The following is a reflection about design in Los Angeles, a beautiful, immense, sprawling, and diverse city that I've called home for many years.
Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.
No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.
New York City is defined by its architecture, and in turn, diverse ways of living. As the nation's "metropolis," it has also faced some of the most challenging housing problems of any American city. From single-family homes to high-rise residential towers, housing has evolved at different paces and scales throughout the boroughs. In turn, each district and county is home to a wide range of residential styles and housing solutions.
A few weeks ago, this year’s edition of the Serpentine Pavilion opened to the public. Designed by Chicago-based artist Theaster Gates, it’s an evocative project, its cylindrical form referencing American beehive kilns, English bottle kilns, and Musgum adobe homes found in Cameroon.
What the pavilion is named tells the viewer a lot more about its intentions as a spatial experience. Titled Black Chapel, it houses a spacious room with wraparound benches, and an oculus above that allows daylight to filter into the space. It’s a fairly minimal interior – designed as a site for contemplation and reflection. This minimal quality of Gates’ Serpentine Pavilion raises particularly interesting questions. How artists and architects opt for a “less is more” approach when designing meditative spaces, but also how these introspective spaces have been equally enhanced by ornamentation.
.jpg?1654104044&format=webp&width=640&height=580)
The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.
Architecture, with all its practitioners, academics, and theorists, have long been exploring utopic ideas with hopes of turning them into something concrete for the sake of a better world. But as the world heads towards an even greater polarization than it currently has, the architecture practice found itself having to adapt to the current systems of the planet, constrained by its ever-growing conditions. Slowly, practitioners realized that utopia can not truly be seen as the ideal solution, and needed to be readapted or morphed with other concepts for it to actually work. DETAIL's latest monograph BIG. Architecture and Construction Details / BIG. Architektur und Baudetails, a rapport between BIG’s imaginative, unbuilt utopias and functional, built architecture, explores 20 projects from the firm's workshop.
Berlin is a city defined by an eclectic mix of style and a rich history. It's built environment has been dramatically shaped by a series of municipal construction programs, and in turn, a past of extensive demolition, planned residential areas, and diverse new cultural projects. Combined with influences across Europe, Berlin's contemporary architecture showcases new ideas on building concepts, forms and facades.
Google’s first ground-up campus, designed by BIG - Bjarke Ingels Group and Heatherwick Studios in collaboration with Google’s design and engineering teams, opened in Silicon Valley. The campus’ mission is to create a human-centric design for the future of Google’s workplace and set new global sustainability standards for construction and office design. The site aims to operate entirely on carbon-free energy by 2030; it integrates the most extensive geothermal pile system in North America and is net-water positive. The campus also includes 17 acres of high-value natural areas, including wet meadows, woodlands, and marsh.
On the occasion of UNESCO’s International Day of Light, The Daylight Award has announced the 2022 Laureates; Yvonne Farrell and Shelley McNamara of Grafton Architects for their architecture, and Anna Wirz-Justice for her research. The winners were commended for their continuous exploration and prominent humanistic spirit regarding the celebration of daylight in their respective practices, allowing it to celebrate and enhance the quality of life.
.jpg?1654104708 "© Roland Halbe")
.jpg?1654104468 "Bonpland 2169 Building by Adamo-Faiden Buenos Aires, Argentina. Image © Javier Agustín Rojas")
.jpg?1654104406 "Damero Building by Francisco Cadau Oficina de Arquitectura, Campana, Argentina. Image © Gustavo Sosa Pinilla")
.jpg?1654104044)
