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Architects: obermoser + partner architekten
- Area: 850 m²
- Year: 2019


Ljubljana is Europe’s little secret. This small capital city (less than 300,000 inhabitants) is perhaps surprisingly big in terms of architecture, and the variety of its built history makes it a mandatory stop in your architectural journey. From richly painted churches to sobering Brutalism. From classical Baroque and Habsburg-inspired architecture to delightful Art Nouveau façades and interiors. And of course, abundant greenery (Ljubljana is Slovenia’s – and now Europe’s – green capital) and food.
Ljubljana is a city that has many layers. Its beginnings as a Roman city are still visible (a wall, the world’s oldest wooden wheel, and the roads in and out of the city to name a few). Its contemporary vestiges might have aged, but their meaning hasn’t – think of the Republic Square or Brutalist petrol stations. It’s when we visit in person that we are able to truly feel these places and understand these layers.






Stating that “design and sustainability are indissociable”, the 2022 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, centered its nominations on social inclusion, sustainability and circularity, and aesthetic research. So far, 40 shortlisted projects are moving to the next level. The biennial contest that gives tribute to works completed within the previous two years in general, will announce the 5 finalist works in February 2022, and the winner in April 2022.
Focused on 3 main titles, "the European city: a model for the sustainable smart city", "defining common European culture while reflecting the diversity of expression" and "an architecture that has social impact and transmits a cultural message", we have grouped the selected projects, nominated by a jury formed by Tatiana Bilbao, Francesca Ferguson, Mia Hägg, Triin Ojari, Georg Pendl, Spiros Pengas and Marcel Smets to give a better understanding of the selection criteria and the architectural situation in Europe.

Just as the colors of an abstract painting or photograph can produce a certain mood, so can the colors of a building or room profoundly influence how the people using it feel. Physiologically, study after study has shown that blue light slows the production of melatonin, keeping people more alert or awake even at night. Psychologically, people associate certain colors with certain feelings due to cultural symbols and lived experiences – for example, they might perceive the color red as menacing or frightening because of its connection to blood.
Altogether, the way a room is colored can have complex effects on how its users feel, while a façade can be perceived in dramatically different ways depending on how it is colored. Below, we summarize the emotional associations of every color, assessing their differing effects as each is used in architectural space.





