Daniel Portilla

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Iche Ecosystem Culinary Innovation Center / Enrique Mora

Iche Ecosystem Culinary Innovation Center / Enrique Mora - Exterior Photography, Mixed Use Architecture, FacadeIche Ecosystem Culinary Innovation Center / Enrique Mora - Interior Photography, Mixed Use Architecture, Beam, ChairIche Ecosystem Culinary Innovation Center / Enrique Mora - Interior Photography, Mixed Use Architecture, Beam, Table, ChairIche Ecosystem Culinary Innovation Center / Enrique Mora - Interior Photography, Mixed Use Architecture, Beam, Table, ChairIche Ecosystem Culinary Innovation Center / Enrique Mora - More Images+ 23

  • Architects: Enrique Mora
  • Area Area of this architecture project Area:  830
  • Year Completion year of this architecture project Year:  2021

Spotlight: Smiljan Radić

Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.

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Art or Architecture? 13 Projects That Blur The Boundary

Whether architecture is a form of art or not has often been a controversial topic of conversation within the architecture world. If one goes by the general definition of the word "art," architecture could potentially fit within the umbrella term: "the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power." As anyone involved in the architectural discipline probably knows, there is an abundance of varying definitions of the word "architecture," so whether its primary purpose is to achieve beauty or to organize space is evidently up for discussion.

Ask Jay A. Pritzker, founder of the Pritzker Prize, and he may say that "architecture is intended to transcend the simple need for shelter and security by becoming an expression of artistry." Ask The Guardian's Jonathan Jones and he may tell you that "architecture is the art we all encounter most often, most intimately, yet precisely because it is functional and necessary to life, it's hard to be clear about where the 'art' in a building begins." But this ambiguity is part of what makes the field of architecture challenging and exciting. To celebrate this complicated aspect of architecture, below we have collected a list of just some of the works that could be seen as art, architecture or both, depending on who’s looking, to provide some context to those blurry boundaries.

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Translating Smiljan Radić's Serpentine Pavilion from Fantasy to Fabrication

Settled neatly in the quiet hum of London's Kensington Gardens rests Smiljan Radić's 2014 Serpentine Pavilion, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché - his maquette medium of choice - inspired the use of fiberglass by AECOM, who engineered Radić's wild ideas. In this article, originally published by Metropolis Magazine as "Paper-Thin Walls," an AECOM engineer explains their solution. Read on after the break to find out more.

Critical Round-Up: 2014 Serpentine Pavilion / Smiljan Radic

Last week, the 2014 Serpentine Pavilion opened in London's Hyde Park. The Serpentine Pavilion program invites architects who are yet to work in the UK to create a temporary installation at the gallery's grounds for one summer, and this year it was the turn of Chilean architect Smiljan Radic, who rarely builds outside his native country and is arguably the least well-known architect in the Pavilion's 14 year history.

Always a highlight in London's architectural calender, critics almost line up to write their reviews. This year, they are almost entirely unanimous: Radic's pavilion is, unquestionably, weird. But they're also unanimous on another judgement: it may be one of the best Serpentine Pavilions yet.

Read on after the break to find out what the critics said about this year's design

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Smiljan Radic's Serpentine Pavilion Opens

The 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radic, opened this morning in London's Hyde Park. The pavilion, a glass-fibre reinforced plastic shell resting on large quarry stones, was inspired by a papier mâché model which Radic created four years ago as a response to the Oscar Wilde story 'The Selfish Giant'.

Fujimoto's Serpentine Pavilion Receives High Praise from Critics

With the opening of his cloud-like gridded structure in Hyde Park last week, Sou Fujimoto became the youngest architect in the pantheon of Serpentine Gallery Pavilion designers. The pavilion is an annual commission for a temporary structure, always given to a well known architect who is yet to build in the UK. In previous years the commission has been awarded to Herzog & de Meuron with Ai Weiwei (2012), Peter Zumthor (2011), Jean Nouvel (2010), SANAA (2009), stretching back to the original pavilion designed by Zaha Hadid in 2000.

With such a prolific history of star designers over the past 13 years, Fujimoto's ethereal design has a lot to live up to. But despite these high expectations, architecture critics have been gushing over the new design. See a full round-up of opinions after the break...

Serpentine Pavilion / Sou Fujimoto

This Thursday, the official opening of the Serpentine Pavilion, by Sou Fujimoto, took place in Hyde Park, London. It was the first time the public could interact with the structure.

The pavilion, which has already gotten its "cloud" nickname because of its shape and lightness, is generated through a three-dimensional steel grid of about 40 centimetre modules which morphs on each side. The structure is broken to allow people access as well as to generate different uses around, below and upon it. 

More pictures and the architect's statement after the break.

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