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Architects: atelier PRO
- Year: 2016
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Manufacturers: Siberian Larch Waxedwood



Designing airports based on flight-inspired, aerodynamic forms is nothing new – in fact, that has been the concept behind some of history’s most beautiful airport terminals, such as Eero Saarinen’s iconic TWA Terminal in New York. But until now, no airport building has been quite so literal with its symbolism as the recently unveiled Ashgabat International Airport.
The new terminal building in Turkmenistan's capital takes the form of a soaring falcon, echoing the mascot of the national airline carrier. And at a cost of $2.3 billion USD, the structure has already drummed up some controversy – critics claim the building is much larger than needed to handle the country’s relative low traffic rates.
See some images of the bird-shaped building below.

Buenos Aires' contemporary urban landscape as we know it today provides a tempered mix of historical and recent construction projects. As one of the most beautiful cities in South America, it's wide boulevards and grand buildings, based on European models, have morphed to embrace the needs of a modern metropolis.
These images show just how profoundly time affects our cities (and how centuries-old foliage can powerfully transform spatial perception).
Browse the 20 interactive images of Buenos Aires before and after.

Santiago Calatrava has unveiled plans for a new office building in the city center of Zurich, Switzerland. The new five-story building will be integrated into Stadelhofen Station, the transit hub and city landmark also designed by Calatrava in 1990.


This article was originally published by 6sqft as "PHOTOS: After two-year renovation, NYPL’s historic Rose Main Reading Room will reopen October 5th."
After being closed for a two-year restoration, the New York Public Library’s historic Rose Main Reading Room and Bill Blass Public Catalog Room will reopen to the public ahead of schedule on Wednesday, October 5th at 10am.
The $12 million project, managed by Tishman Construction Corporation, came about in May 2014 when an ornamental plaster rosette fell 52 feet from the Reading Room’s ceiling. In addition to recreating and replacing this piece, all 900 rosettes in both rooms were reinforced with steel cables. Other work included the recreation of a 27′ x 33′ James Wall Finn mural on the ceiling of the Catalog Room and the restoration of the chandeliers. To mark the occasion, the NYPL has shared an incredible collection of photographs documenting the restoration work and the Rose Main Reading Room with nearly all scaffolding removed.
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Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.


Perched on Long Island City’s waterfront, Socrates Sculpture Park is celebrating its 30th anniversary with its first permanent structure.
Its form? Cubes.
LOT-EK architecture firm’s “The Cubes” — initially commissioned for New York's Whitney Museum of American Art — is composed of eighteen recycled shipping containers that create two levels of indoor space. The building's 960 square feet of flexible interior space promises a multi-functional facility, with most areas built for holding classes of up to 70 people.

Dutch firm Froscen Architects has unveiled FOON HOUSE(S), a tiny house concept in Leiden, the Netherlands. To be built on a former communications bunker from World War II in the middle of the city, the design focuses on the adaptive reuse of a small concrete complex overgrown with ivy.
The project will consist of four separate micro-houses on top of the bunker, each with a floor space of about 38 square meters, and equipped with necessary facilities.


This exclusive photo essay by Laurian Ghinitoiu was originally commissioned for the fifth issue of LOBBY. Available later this month, the latest issue of the London-based magazine—published in cooperation with the Bartlett School of Architecture—examines the theme of Faith as "a fervent drive, a dangerous doctrine, a beautifully fragile yet enduring construct, an unapologetic excuse, a desperate call for attention and a timely consideration on architectural responsibility."
In 1986 the Pritzker Architecture Prize announced their first German laureate. In a speech at the ceremony in London’s Goldsmiths’ Hall, the Duke of Gloucester suggested that the prize “may not guarantee immorality,” inferring, perhaps, that not even the most prestigious award in architecture could compete with an œuvre so compact, focussed and enduring as that of Gottfried Böhm – a “son, grandson, husband, and father of architects.”