This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

When a country becomes known for its most famous export, the two together can become synonymous with quality. Combinations such as French wine, Italian marble and German engineering are examples of the hallmark of excellence provided simply by a product’s geographic birthplace. While Portugal’s most famous and most passionate exports could equally be cork, football, or egg-based sweet treats, there’s far more to the Portuguese culture and economy than preening soccer players and custard tarts.

While Portuguese culture’s relationship with ceramics is known for the distinctively patterned plates, bowls, and jugs millions of tourists attempt to keep intact on the journey home, few are paying the extra baggage charge for 50 sqm of ceramic tiles. The country’s agreeable climate, however, along with a history of craftsmanship and the natural strength, durability, and pigment of Portuguese clay, means high-quality ceramic facades are an identifiable feature of Portuguese architecture. And the material is exported all over the world for both exterior and interior surfaces.

The National Ideas Competition for "Buenos Aires and the River – Costa Urbana Public Park" was organized by the Government of the City of Buenos Aires (GCBA) in collaboration with the Central Society of Architects (SCA) and sponsored by the Argentine Federation of Architecture Entities (FADEA). Given its non-binding nature, its primary goal is to reconnect the city of Buenos Aires with the river through an accessible waterfront designed to expand and link public green spaces, while fostering a sustainable relationship with the riparian environment.

In architecture, choosing the right construction materials is crucial to improve efficiency, ensure structural integrity and maximize performance, ultimately setting the standard for the finished product. But because any building – from its outer skin to its framing system – consists of many layers and parts, understanding how these fit and work can be just as important during design and manufacture. Technical specification of materials and constructive systems plays a key role in conveying this information, providing all of the necessary knowledge, properties and characteristics for any successful project. After all, the more you know about what lies between walls and behind finishes, the better your architecture will be.

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Choosing the appropriate working elements –such as furniture, lighting, flooring, and other equipment– is key for creating an optimal workplace environment. With a positive impact on productivity, as well as the comfort and well-being of team members, designing workplace elements that integrate sustainable, wellness and aesthetic qualities implies a deep understanding of the interactions between these three areas. Minimizing the environmental impact and prioritizing well-being throughout the design process, while also considering the resulting aesthetics, Boss Design’s Sia Task Chair defines a new standard for workplace design.

Architect William (Bill) Hellmuth, the chairman and CEO of HOK, passed away on April 6, 2023, after a long illness. Hellmuth was elected president of HOK in 2005, then CEO in 2016. He accepted the new role on the condition of remaining design principal for HOK’s Washington D.C. studio, as he enjoyed having a hands-on approach and working directly with clients and HOK project teams. One year later he was also named chairman of the firm, helping the office to raise its profile as an innovative and influential company within the design community.

The São Paulo Biennial Foundation has just announced details of the Terra project that will occupy the Brazil Pavilion at the 18th International Architecture Exhibition, La Biennale di Venezia. With a curatorial effort by Gabriela de Matos and Paulo Tavares, the Brazilian exhibition will feature a diverse group of collaborators, comprising Mbya-Guarani indigenous peoples, Tukano, Arawak and Maku indigenous peoples, weavers from Alaká (Ilê Axé Opô Afonjá), Iyá Nassô Oká (Casa Branca do Engenho Velho), Ana Flávia Magalhães Pinto, Ayrson Heráclito, Day Rodrigues with collaboration from Vilma Patrícia Santana Silva (Etnicidades Group FAU-UFBA), Fissura Collective, Juliana Vicente, Thierry Oussou, and Vídeo nas Aldeias.

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Biophilic office design is not just a passing trend. It rather represents a seismic shift in how we design and build our office spaces and work environments, with every employer from multi-national giants of the industry to two-person bedroom startups getting on board. But this weighed-down bandwagon of empathetic, wellness-focused workspace still has plenty of room on the back.

Light is part of various disciplines, shaping the world as we know it. In physics, it serves as a measure of speed and makes vision, and the recording of images by the eye and camera lens possible. Throughout art history, the representation of light - or its absence - has guided secular movements in various manifestations with equally different techniques and supports. This means that light - and its derivative shadow - can create environments, atmospheres and sensations, which can be perceived in objects and spaces. Light is also a part of architecture.

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Shawn Basler, a New York-based architect, founded his firm Basler Mosa Design Group in 2000; seven years later he merged with Perkins Eastman, one of the world’s biggest and most dynamically growing architectural practices. He is now co-CEO/Executive Director—with Nick Leahy and Andrew J. Adelhardt III—of this 1,100-strong global force headquartered in New York City and operating a total of 24 offices, seven of which are outside of the U.S., namely in Shanghai, Mumbai, Dubai, Singapore, Vancouver, Toronto, and Guayaquil in Ecuador. In addition to designing many international projects, Basler shares the responsibility for fostering the firm’s growth around the world.

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As perimeter walls are dismantled, a new layout is taking shape on the runway of Mendoza's former airfield. This adaptive reuse initiative, driven by the Inter-American Development Bank (IDB) and the municipal government, seeks to repurpose the vacant 72-hectare site to explore and develop a more open, inclusive, and carbon-neutral city. The master plan focuses on strategies addressing environmental and climate sustainability, efficient energy, water, and sanitation management, housing, mobility, and accessible public spaces, alongside social inclusion and local development. The plan envisions the integration of infrastructure, parks, green spaces, commercial and dining uses, a technology and innovation hub, and the development of new single-family and collective housing models: "the housing of the future."  

The official presentation of the project to Mendoza government authorities, IDB representatives, students, and other guests took place on the site of the former airfield. For this occasion, renowned Paraguayan architect Solano Benítez was invited to design and construct an entrance pergola for the "city of the future." The structure aligns with the urban project's circular economy framework, blending craftsmanship and prefabrication to "transition from traditional construction dependent on high-embodied-energy systems toward reusing materials with lower energy expenditure," according to IDB architects and urban planners Felipe Vera and Matías Lince. Grounded in exploring the tectonic potential of brick—the quintessential material of Paraguayan construction—Benítez's work focuses on delivering efficient, local architectural solutions that prioritize the intelligent use of materials. 

“The world is full of obsolete, abandoned airports. Vast, vacant, centrally located sites in need of adaptive reuse. Several cities have successfully taken this on—San Francisco, Berlin, Caracas. The big question is: what will Mendoza do with its own prime opportunity?”. These words by architect and urbanist Felipe Vera introduce one of the most significant urban transformations in the City of Mendoza's recent history. On March 22, the former airfield officially hosted the presentation of a new adaptive reuse project. Led by the IDB and the local government, the initiative aims to reclaim the vacant 72-hectare site to explore and develop three core visions: a more open, inclusive, and carbon-neutral city.

Yasmeen Lari’s Pakistani Chulah - an outdoor stove used by women in South Asia- is a powerful intervention that highlights the architect's commitment to feminist and environmental activism. The project synchronically tackles issues of deforestation, pollution, and health hazards faced by women in rural areas. Her design is systemic, locally specific, and conscious of the needs of society’s most vulnerable - women and nature. Her vast body of humanitarian work elaborated on in Yasmeen Lari: Architecture for the Future, opens up a dialogue for viewing architecture through an eco-feminist lens.

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Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, were selected as curators for the Pavilion of Türkiye in the 18th International Architecture Exhibition, La Biennale di Venezia 2023, with an exhibition project titled Ghost Stories: Carrier Bag Theory of Architecture. The installation questions the accepted perceptions of unused buildings in order to discover more hopeful proposals for the future. The exhibition will be open from May 20th until November 26th, 2023, under the coordination of the Istanbul Foundation for Culture and Arts (İKSV). The project team consists of Aysima Akın, Kevser Reyyan Doğan, Merve Akdoğan and the research team includes Taylan Tosun, Doğu Tonkur, Hatice Bahar Çoklar Berke Şevketoğlu, Duygu Sayğı.

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Foster + Partners has developed a provisional concept design for a Vertiport terminal, located next to Dubai International Airport, in collaboration with Skysports Infrastructure, the leading designer and operator of Vertiport technology for advanced air mobility.

Skyports Infrastructure and Dubai's Highways and Transport Authority are now considering four initial locations, with the DXB vertiport being one of them (RTA). The locations are envisioned as part of an electric vertical take-off and landing (eVTOL) infrastructure network that will link Dubai's most populated and well-known places and offer high-speed, zero-emission transportation. The RTA's Dubai Metro network and Dubai International Airport are just two existing transportation hubs with which the vertiport network will interact. By 2026, the RTA and Skyports Infrastructure intend to have a network of vertiports ready for use for air taxi services.

Addressing diverse scales, users, and themes, Rafael Viñoly has been involved in numerous architectural projects ranging from museums and educational facilities to airports and skyscrapers. Beyond the economic, geographic, technological, social, or cultural variables he has faced, the wide range of works he has left us as a legacy is the fruit of a trajectory that we propose to go through from his beginnings in the profession to his most controversial and most recent projects.

Over the past years, collective living has become a solution many city dwellers turn to. It is usually a stand-alone structure or a group of buildings that include both individual, private dwellings and common areas. Their main use is residential and they are often located in the center of the city, giving residents full access to a wide range of services. In today’s economy, many people prefer living in collective housing schemes where maintenance of the common areas is taken care of, while also having their individual spaces. 

This week’s curated selection of Best Unbuilt Architecture highlights visionary collective housing schemes submitted by the ArchDaily community. From a housing complex in Zurich that explores the boundaries of privacy, a pre-sale property development situated in the “Garden City of Buenos Aires,” and a suburban residence in Athens, this round-up of unbuilt projects highlights how architects are moving forward from conventional residential architecture, pushing the boundary of community, collaboration, and participation.

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We are living in an era of active interiors where shifting perimeters, flexible set ups and agile activities are truly testing the limits of design; workspaces are hybrid, retail installations are ever-evolving and cultural spaces are multi-dimensional. Amidst changing scenarios, lighting is key to shaping interior spaces with just the right amount of mood, drama or practical spotlighting. To meet the demands of these cutting-edge interiors, lighting today must provide a solid framework that can embrace both changing dynamics and high quality consistency ​​– offering flexibility, precision control and a timeless aesthetic.

Rising to the challenge is Reggiani's new lighting system ‘Outline’, designed for adaptability with minimalism, modularity and customisation. The system features an ultra-slim track available in linear and curved segments, ready to be tailored into endless freeform or geometric configurations. To this base, a choice of projectors, pendants and linear LED lighting fixtures can be added, so designers can model the experience and intensity of light with absolute control across spaces – from showrooms and warehouses to hospitality and retail.

One of the most important factors when designing is the specific climate of the site. This can be a difficulty when dealing with extreme climates and it is necessary to use insulating materials that adapt to the changing conditions. However, when talking about Mexico and its particular climate this works in the architects' favor allowing them to create microclimates and spaces that blur the transition of what turns out to be indoors and outdoors.

The first image that comes to mind when we think of an office is a place with a table and chair. But it was not always the case. In the Middle Ages, monasteries were the main places for study and knowledge, with private rooms designed to help monks concentrate when researching. However, records state that such spaces were uncomfortable since scholars remained standing most of the time.

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In 1906, a major earthquake struck San Francisco, California. The initial shock damaged buildings throughout the region. Yet the worst was still to come, as fires broke out in collapsed buildings, in some cases sparked by ruptured gas lines.

Over the next four days, a conflagration swept through more than half of the city, consuming over 4.7 square miles of the downtown area, destroying 28,188 buildings, killing more than 3,000 people according to the official count, and leaving between 227,000 and 300,000 people homeless (out of a total population of 410,000).

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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week Architect Rick Joy, Founder and Principal of Studio Rick Joy joins David and Marina of FAME Architecture and Design to discuss his background; transitioning from his career as a percussionist to architecture; his philosophy and practice; the pros and cons of design-build; his process and thoughts on architectural style; and more.

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The traditional architecture of the past can sometimes seem a long way from the modern, open-plan environments we enjoy today. But while some seemingly bygone upper-class room typologies like parlors, drawing rooms, and smoking rooms still exist by other names – dens, snugs, and man caves, to name a few – other architectural intricacies are more rarely replicated.

Back staircases, sculleries, and drying rooms, for example, were at one stage imperative for properties of a certain size and status to function. But just like a woolen jumper accidentally washed on the wrong setting, technology has reduced the size of laundry workspaces over the past century. Small homes like Under the Barao’s Sky Apartment in Sao Paolo, Brazil, for example, are now able to replace separate laundry rooms and pantries with all-in-one kitchen-diners that integrated small washing/drying appliances into an open kitchen layout, leaving more room for living.

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Subscriptions are quickly becoming an integral part of everyday life. For example, streaming platforms have completely replaced the need to own video cassettes, while ride-sharing services partially cover the need to own a private car. Subscriptions have been largely understood as digital services, but a new trend suggests that the same concept could be transferred to physical objects in the near future. Instead of owning a fridge, a washing machine, or even light bulbs, one could acquire a subscription to ensure the freshness of produce, clean clothes, and a well-lit home.

The concept is known as the “subscription-based economy,” a variant of the “circular economy” notion. It postulates that instead of owning some of the objects used every day, one could subscribe to a service to gain access to the same benefits, but without the need to own, maintain or dispose of the object in question. Consumers no longer buy products; they buy access to services. Sometimes, it would mean simply leasing the object instead of purchasing it, but the model goes one step further. It inscribes a shift of responsibility and mentality. Because consumers no longer own the objects, the responsibility to reuse and recycle falls to the producers, who are now in charge of the entire life cycle of the objects they create.

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No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. It aims to introduce the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output punches far above its weight relative to its population or territorial scale.

In this episode of the fifth season, Sara talks with Alexandre Alves Costa and Sérgio Fernandez about the Batalha Cinema Center. Listen to the conversation and read part of the interview below.

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