Moving forward with his "ultra-marathon of photoshoots", architectural photographer Marc Goodwin is putting together an Atlas of Architectural Atmospheres by Arcmospheres, a project that seeks to document diverse architecture and design studios from around the world. Since 2016, the architectural photographer has been traveling "far and wide to capture the atmospheres of architecture studios in order to produce an online and print resource for the architecture community", and after a two-year hiatus due to the pandemic, Goodwin resumed his project with an exploration of Berlin's architecture offices, capturing the work environment of renowned firms such as Hesse, LAVA, JWA, and FAR frohn&rojas, to name a few.
Designed by Herzog & de Meuron, Tate Modern’s Switch House was Tate Modern’s latest extension in 2016, radical in form and surface, yet intimately relative to the vast building to which it joins, which opened as London’s foremost modern art gallery in 2000. Shot recently by Bahaa Ghoussainy, the building that opened in 2016, is a model for museums in the 21st century.
For more than a century, a street market known as ‘The Blue’ was the beating heart of Bermondsey in Southeast London. On Saturdays gone by, hundreds flocked to the historic neighborhood, a site with roots reaching back to the 11th century when it was once a pilgrimage route to Bermondsey Abbey. Market punters used to sample goods from more than 200 stalls that famously sold everything under the sun. “You can buy anything down The Blue” was the phrase everyone went by.
Across the globe, museums function as cultural landmarks – spaces of significance that quite often become defining symbols of a city’s architectural landscape. Historical examples such as the Museum de Fundatie in the Netherlands and The Louvre Museum in France continue to attract millions of visitors, with contemporary architectural interventions to them redefining their spatial contribution to their local context.
The London Festival of Architecture (LFA), the world’s largest annual architecture festival is returning for its 13th edition this summer, transforming the city's neighborhoods into a public display of installations, exhibitions, talks, and special events. Following two years of digitalized editions, this year's LFA falls under the theme of ‘act’, and will see a return of physical events alongside digital realms across the capital.
If you have ever walked around the center of London you will have seen those yellow and dark blue panels featuring maps, local attractions, and walking times dotted along the streets and near bus and tube stops. Credited with redefining city wayfinding, Legible London, as the system is called, is now seen as the benchmark for making cities accessible and legible to residents, commuters, and visitors alike. And now Seattle has launched its own version of the London system, and Madrid will do so next year. Giovanna Dunmall asks Tim Fendley, the founder and CEO of Applied, the spatial experience design practice behind all these projects, why analog is often still so superior to digital, and what makes for good wayfinding.
Buildings around the world are getting taller. Since the year 2000, global skyscraper construction has increased by 402%. Cities like Dubai are home to nearly 1000 high-rise buildings, and New York’s vibrant luxury real estate market has shown no signs of slowing down, with more high-rise additions slated to be added to its already towering skyline. There’s good in this – high-rises create much-needed space in already dense cities and can reduce urban sprawl in city centres, allowing for better preservation of natural areas.
In collaboration with architecture practice Hassell, Architectural Association's Association's Emergent Technologies and Design (EmTech) programme created a reclaimed wood pavilion, exploring the convergence of computational design, new construction technologies, and material reuse. Titled Re-Emerge, the project addresses the issue of limited material resources, exploring the architectural potential of material recycling in the context of generative design.
The Grade II listed Old War Office building has been reimagined in central London. As a new destination for the city and rebranded as The OWO Residences, 85 homes are available in the Old War Office, which has been closed to the public for over a century. EPR Architects are working to restore and convert the building into residences and the first Raffles hotel in London.
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