LIQUID Group, in collaboration with Gallery Altillo del Arte, is selecting all interesting photography, design/architecture projects, video-art, painting, installation and performance art works to include in the next event: Oxygen – Fragmented Cities + Identities, hosted in Bogotá (Colombia), at Contemporary Art Gallery Altillo del Arte – Espacio Cultural, from October 27 to November 24, 2016.
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MVRDV’s design for the Dutch exhibition “Hola Holanda” at the Book Fair of Bogotá (FILBO) features a modular system of crates that will be repurposed as neighbourhood libraries after the Book Fair ends. Avoiding the waste of resources created by one-time pavilions, the Dutch firm has introduced a playful element of sustainability to the fair, maintaining its spirit even after the event ends.
MOBO Architects has won the Colombian Society of Architects’ (SCA) public competition to design an institutional building for the department for social integration in the city of Bogotá.
In a recent article for The New York Times Antanas Mockus, the former Mayor of Bogotá who served two terms in office between 1995 and 2003, discusses what he learnt to be "the art of changing a city." Mockus, a professor of philosophy by vocation, was at times pressured to wear a bullet-proof vest — which he wore with a heart-shaped hole cut over his chest as a "symbol of confidence, or defiance, for nine months." His article discusses how his government tackled Bogotá's "chaotic and dangerous" traffic through a thumbs-up, thumbs-down card system performed by mimes, how they dealt with water shortages, and how they persuaded 63,000 households to voluntarily pay 10% more tax.
Rogers Stirk Harbour + Partners (RSHP) has unveiled a massive commercial development planned for central Bogotá. The mixed-use project, ATRIO will be comprised of a 200-meter North Tower and 268-meter South Tower that will be connected by a large, open public space that will take up two thirds of the project’s site in the area of Centro Internacional on Avenida El Dorado and Avenida Caracas.
“The clients brief was not only to deliver class office accommodation but also to create a new public space at the heart of the city. The project is a really exciting opportunity to contribute to the resurgence of a civic society in Bogota,” says Simon Smithson, Partner and lead designer at RSHP.
Perched behind the fog that conceals Bogotá’s mountains is William Oquendo’s house. It is a labyrinth of doors and windows, wherein a bedroom opens into the kitchen and a bathroom vents out into the living room.
Five thousand 5,000 kilometers away in Rio de Janeiro, Gilson Fumaça lives on the terrace level of a three-story house built by his grandfather, his father, and now himself. It’s sturdy; made out of brick and mortar on the ground floor, concrete on the second, and a haphazard combination of zinc roof tiles and loose bricks on the third. The last is Gilson’s contribution, which he will improve as his income level rises.
On the other side of the world in Bombay (Mumbai since 1995), houses encroach on the railway tracks, built and rebuilt after innumerable demolition efforts. “The physical landscape of the city is in perpetual motion,” Suketu Mehta observes in ‘Maximum City.’ Shacks are built out of bamboo sticks and plastic bags; families live on sidewalks and under flyovers in precarious homes constructed with their hands. And while Dharavi—reportedly the largest slum in Asia—has better quality housing, running water, electricity and secure land tenure, this is not the case for most of the new migrants into the city.
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.jpg?1406859516 "© Rodrigo Dávila")
.jpg?1406859423 "© Rodrigo Dávila")
.jpg?1406859494 "© Rodrigo Dávila")
.jpg?1406859578 "© Rodrigo Dávila")
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