The Museum of Art of São Paulo - MASP will soon expand its facilities to include an annex next to the iconic project by Lina Bo Bardi. The 14-story Dumont-Adams building, which has been inactive for decades, has 7800 square meters and will be renovated to house exhibition wings, a café, a restaurant, and a restoration laboratory.
ACF has released a new series of images demonstrating the recently completed TAG Art Museum, designed by Ateliers Jean Nouvel, as part of the Artists’ Garden project collaborated with Shandong International Coastal Cultural Industry. The museum is located in the West Sea Bay in Qingdao, China. Strung along a covered promenade that weaves through planted gardens and woodland, running along the coastline towards a new marina, the structures consist of 12 interconnected exhibition halls.
Snøhetta has unveiled his latest project, the expansion and site redesign of the Joslyn Art Museum, in Nebraska. Developed in partnership with local architects Alley Poyner Macchietto Architecture (APMA), the project seeks to add new gallery space, public gardens, and outdoor spaces as well as restore and modernize existing office spaces in the Joslyn Memorial building.
UNStudio and South Korean design firm DA Group have been selected to design the Chungnam Art Museum in Naepo, South Korea. The proposal will provide an immersive cultural experience, with a strong focus on the interaction between art and the public. In addition to creating an assemblage of technology and art, the project will serve as a social anchor for the local community, a space defined by notions of flexibility and “art for all”.
The Jining Art Museum, designed by Japanese architect Ryue Nishizawa in China’s Shandong province, merges architecture and landscape across three structures unified by a distinctive architectural language. Images by photographer Paulo dos Sousa showcases how the museum relates with the adjacent lake and the surrounding greenery while also highlighting how the main architectural gesture of the organically shaped roof creates a series of intermediary spaces that expand the museum’s activities outwards into the environment.
Ever since the period of the Renaissance in Europe, the indivisible relationship between art and architecture has long been heatedly discussed and vividly reflected in numerous classical books and buildings. With the deep connection that unites art and architecture together, designers, artists, and architects have been actively collaborating and came up with solutions on how we can house and exhibit art in the form of changing spaces.
After being shut down for more than a year, museums across the world are beginning to show signs of reopening. Most architecture and design events that were scheduled for 2020 have been pushed a year or two, depending on the severity of the pandemic in their respective regions. But while museums are open to the public once again, administrators have installed numerous precaution measures to ensure the safety of visitors and curators, and to avoid potential re-closures.
As international travels have been revived by government officials, and tourism is expected to recover gradually, read on to discover 18 museums and exhibitions that have begun welcoming visitors into their exhibition spaces as of May 2021, and the procedures required from the attendees before and during visitations.
"Is a museum defined by its collection? Or by its architecture? In The Art Museum in Modern Times, Charles Saumarez Smith suggests it is both and still something more". Lauren McQuistion, an architectural designer and Ph.D. Candidate in the Constructed Environment at the University of Virginia School of Architecture discusses in her Architect's Newspaper piece, Saumarez's book, exploring the notion of a modern museum.
When we are discussing the definition of “structure”, the term varies within different disciplines. In the context of the built environment, "structure" refers to anything that is constructed or built from different interrelated parts with a fixed location on the ground.
Designed by Steven Holl Architects, the third gallery building on the MFAH Susan and Fayez S. Sarofim Campus, the Nancy and Rich Kinder Building will open to the public on Saturday, November 21, 2020. Dedicated to the Museum’s international collections of modern and contemporary art, the newest addition will exhibit a wide range of works, ranging from painting and sculpture to craft and design, video, and immersive installations.
The He Art Museum will finally open to the public on October 1st, after delays due to the coronavirus pandemic. Designed by Pritzker Prize laureate Tadao Ando, the museum located in Guangdong, China will be home to the He family’s art collection, focusing mainly on International Contemporary Art, Chinese Modern Art, and Chinese Contemporary Art.
Museums are complex organizations: curators, exhibition designers, conservationists, editors, and marketers have to work together to ensure that artworks in galleries and exhibitions are properly displayed to the public. Instrumental to this process is the use of effective display cases, which must both protect the art and highlight it aesthetically. Below, we delineate some of these visual and practical considerations with photographic examples from Goppion, giving some indication how one should choose which display cases to use.
Tadao Ando Architect & Associates revealed the design for He Art Museum (HEM), the first art museum dedicated to southern China’s regional Lingnan culture. Scheduled for opening on the 21st of March 2020, with an inaugural exhibition curated by Feng Boyi, entitled From The Mundane World, the Tadao Ando-designed museum will become a gateway for the arts.
Among 78 international participants, Heinle, Wischer und Partner won the first prize in the design competition for the new building of the Stanisław Wyspiański Museum in Krakow, Poland. The project will be built, in the middle of the museum district of the city and next to the historic National Museum.
With no shortage of historical buildings in need of expansion or repurposing, alterations of older architecture via contemporary interventions have flourished in the past four decades – particularly in service of new or growing art museums. These spaces represent the resilience of our historical legacy through contemporary times, demonstrating that the combination even of two vastly different architectural styles can be both beautiful and impressive. Here are ten of the best examples of contemporary interventions on historical buildings in art museums around the world.
The Aranya Art Center in Qinhuangdao, China has been completed, designed by Neri&Hu. Situated in a seaside environment, the scheme was designed to evoke notions of space for art versus communal space. Despite the straightforward brief for the art center, the scheme reaches further to become a communal space for residents in the deeply spiritual community.
Reacting to the influx of gargantuan, iconic museum buildings produced by China’s recent “museum boom,” MORE Architecture aimed to create an intricate, experiential space with their design for Ginkgo Gallery. The gallery, construction on which has now begun, was conceived as a humble merging of art and nature, part of a network of private museums in the Yangtze River Delta. Ginkgo Gallery also houses an auditorium and workshop space in an effort to make art a part of public life and educate children in contemporary art.
“The Dragon of Tarapacá,” a new project for Museo Antropológico Regional de Iquique (Regional Museum of Iquique) that will overlook Playa Huayquique, is moving forward with the design presented by Daniel Libeskind. The proposal comes after extensive work that began in December of last year, when the American-born architect visited Chile to familiarize himself with the the project, originally proposed by Mauricio Soria Macchiavello, the local mayor.
The first inklings of the project started almost 30 years ago, as the city sought to optimize the spaces along the coastline, allowing residents better access to the sea and optimizing the community's public spaces.
