Architecture News: The Latest Architecture and News

Well, according to the UK’s Architects Registration Board (ARB) he isn’t.

Last week, BDOnline received an email from the ARB asking them to refrain from calling Renzo Piano and Daniel Libeskind an architect, since “they are not registered with the ARB they are not entitled to be described as such”.

The statement said: “BD referred to two eminent individuals as architects – neither of whom are on the UK register. This is one of a number of peripheral areas, and architects often contact us when they are concerned about the use of the title ‘architect’ in the press although no breach of the legislation in fact occurs.”

For the 13th Venice Biennale, Norman Foster was invited to create two exhibitions. On the one hand, there’s Central Pavilion, “Hong Kong and Shanghai Bank HQ”, specifically commissioned by David Chipperfield, which presents how a public space, created by physically lifting a tower to make a space at its base, has been used by people over time.

On the other hand, we find“Gateway.” Located at the beginning of the Arsenale, it is one of the first spaces the public encounters at the Biennale. In this installation, viewers are presented with an intense dose of images and words, representing different types of buildings and spaces, criss-crossed with the names of the architects, designers and planners that have influenced our built environment over the years.

We had the chance to interview Norman Foster, who tells us more about “Gateway” in this video. Full interview coming tomorrow!

More about this exhibit after the break:

This exhibition, curated by London-based Sergison Bates Architects, explores the common spaces between the public city and the private room. It considers six recent social housing projects in six cities: Amsterdam, Barcelona, Geneva, Paris, Trondheim and Winterthur. The work, by six different practices, reveals an interconnected culture of thought and practice, a common ground of influence and affinities that extends back to past practitioners and typological precedent.

Cinematographer Tomas Koolhaas, son of notorious Rem Koolhaas, has shared with us his latest clips from the feature length documentary film, REM. Set to debut in 2013, the motion picture breaks away from conventional approach to filming architecture and exposes the raw, human experience of Dutch architect’s most famous projects. As Tomas describes, REM gives the audience “a rare insight into the reality of the hidden internal life of the buildings”.

ArchDaily had the chance to discuss the film with Tomas. Continue after the break for the complete interview and another small preview of the film!

The summer months have come and gone, which means one thing: the Serpentine Gallery Pavilion is winding to an end (on October 14th, to be exact)!

The Graham Foundation for Advanced Studies in the Fine Arts will be hosting an exhibition on Russian Modernist Architecture starting October 11 through February 16, 2013. Featuring a wealth of rarely published material on architecture that spanned the empire of the Soviet Union, the 80+ large-scale photographs – documented by British photographer Richard Pare – provide unique insight into the movements of the Soviet revolutionary period. More photos and information after the break.

How to think about today’s architecture, captured in the pragmatic flows of changing society? Can architecture once more be captivating, romantic, humanistic, visionary, and everyday at the same time? It appears that today’s architecture is becoming increasingly complex and ambiguous, and thus increasingly manipulative. It is lost in the cloud of the everyday. But how can architecture be seen again in its elementary correlations, geometry, form, use? To be derived from the specific, idiosyncratic, everyday, and face the timeless, resistant level. How to find the vertical of the everyday? The everyday that makes sense only if it is reflected in the sublime.

More from exhibitor Metamak – Architectural Collective after the break.

OMA has been selected from four competing international architectural practices to design the new École Centrale engineering school and its surrounding urban development in the research and innovation zone of Saclay, southwest of Paris.

Spearheaded by Clément Blanchet, director of OMA projects in France, the winning “lab city” concept contrasts the corridor linearity of the typical laboratory. The design proposes a low level, glass-roofed superblock that contains an interior open plan grid, where various activities can interact and be overlooked simultaneously. Continue after the break to learn more.

Curated by Alexander Ponomarev and Olilga Milentiy, the Ukraine Pavilion presents mobile museums projects under the concept of “Mirage Architecture”. The exhibition focuses on a conceptual design for a Museum of Contemporary Arts in the Antarctic.

“In order to build new Utopia, there is no need to raze the world. There are still places on Earth with clean, free spaces, offering room for cooperation and co-creation. On of these places is the Antarctic”, says Milentiy.

Learn the story behind the ukrainian pavilion after the break

Last we updated you on the David Wright House, the Arizona home Frank Lloyd Wright designed for his son, things were looking up – the Frank Lloyd Wright Building Conservancy (FLWBC) had gotten the unanimous decision of the Phoenix Historic Preservation Commission to recommend Landmark Preservation to the City Council.

Unfortunately, the developer, John Hoffmann of 8081 Meridian, says that really doesn’t matter to him.

According to yesterday’s New York Times article by Michael Kimmelman, Pheonix city policy requires owner consent before designating any building for historic preservation. Since “8081 Meridian never gave its consent, and has no intention of doing so, Mr. Hoffman says he rejects the landmark process outright.”

Hoffman’s demolition permit has been voided by city officials, but he maintains that the permit is legal – it just expires today.

More on the precarious fate of the David Wright House, after the break…

Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.

Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”

Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.

With a 3-2 vote, Seattle’s Downtown Design Review Board has voted in favor of Amazon’s plans for a three-block, high-rise complex in the Denny Triangle. The board voted after conducting five, comprehensive meetings over the last six months to review Amazon’s evolving NBBJ-designed proposal. Although this design review approval is simply a recommendation to the city’s Department of Planning and Development, it is still a milestone for the ambitious project.

The five acre site, roughly located between Sixth Avenue, Blanchard Street and Westlake Avenue, is currently occupied by expansive parking lots, the Sixth Avenue Inn and the King Cat Theater. Continue after the break to learn more.

David Mirvish, founder of Mirvish Productions, and Toronto-born starchitect Frank Gehry have officially unveiled a massive, mixed-use project that will transform Toronto’s downtown arts and entertainment district. The multi-phase project will significantly alter the city’s skyline with three, “sculptural” residential towers perched atop two, six story podiums.

Mirvish describes, “I am not building three towers, I am building three sculptures that people can live in.”

Continue reading to learn more.

After 81 days of detention without cause, a year-long travel ban extended for claims of internet “pornography,” and a $2.4 million dollar fine imposed for supposed tax evasion, Ai Weiwei has now been accused by the Chinese government of failing to re-register his architecture design firm, Fake Cultural Development Ltd.

Andreas G. Gjertsen and Yashar Hanstad, principals of the architecture cooperative TYIN tegnestue Architects in Trondheim, Norway, have been named as this year’s winners of The European Prize for Architecture. The young Norwegian architects were honored for their humanitarian work designing and building with community participation in poor and underdeveloped areas in Africa and Asia.

Annually presented by The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies, the prize is awarded to influential European architects “who have demonstrated a significant contribution to humanity and to the built environment through the art of architecture”.

Continue reading for more information and a sample of TYIN tegnestue Architects’ work.

Today, the Southbank Centre announced its appointment of Feilden Clegg Bradley Studios (FCBS) as lead architect to refurbish and renew the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex. The UK-practice beat OMA, Heneghan Peng, Allies & Morrison, Eric Parry, van Heyningen & Haward and Grimshaw Architects to the job (see shortlist here). A formal appointment will be made after the statutory 10-day standstill period in accordance with EU regulations.

Rick Mather, Southbank Centre’s Masterplan Architect and a member of the selection panel, said: “We heard a huge amount of high quality and serious thinking demonstrating six quite different approaches to this part of the site. Feilden Clegg Bradley Studio’s proposals won because they best understood the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex and how it can be enjoyed and used more effectively. I look forward to seeing their designs develop over the coming months.”

Learn more after the break.

Ensamble Studio

SPAINLab, the name of the exhibit, looks to expose the research process behind the works of contemporary Spanish Architects:

• RCR Arquitectes (Rafael Aranda, Carme Pigem, Ramón Vilalta)
• Selgascano (Lucía Cano, José Selgas)
• Urban Habitat / Barcelona City Council (Vicente Guallart)
• SMAO — Sancho-Madridejos Archiecture Office (Sol Madridejos, Juan Carlos Sancho)
• Menis Arquitectos (Fernando Menis)
• Cloud 9 (Enric Ruiz-Geli)
• Ecosistema Urbano (Belinda Tato, José Luis Vallejo)

More photos about the pavilion and description from Anton and Débora after the break: