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Earth is a material that has been used to construct buildings since time immemorial. Its low environmental impact and the variety of techniques available for working with this material have allowed its use to endure in architectural projects worldwide. Whether using rammed earth, wattle-and-daub (bahareque) systems, or adobe structures, numerous contemporary projects rework and reinterpret these traditional methods to shape their spaces.

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From remote cabins blending into the landscape to structures built entirely of bamboo, in Ecuadorian projects, wood emerges as a versatile resource, ideally suited to address the demands of daily living. Used for structure, building envelopes, or furniture—and paired with concrete, stone, brick, or metal—wood offers endless applications that materialize diverse explorations in architectural language and expression.

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Brick stands as one of the defining materials of Latin American architectural culture. The diversity and versatility of this masonry unit have led to a wide array of uses and applications. Whether chosen for economic or aesthetic reasons, exposed brick—left unfinished and without exterior cladding—is widely used across the region's designs, showcasing the rich textures and tones inherent to the material.

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I met with Juan Alberto Andrade and Cuqui Rodríguez from the JAG Studio in Ecuador during their conference for the sixth edition of EARQ (PUCE-SI). The young couple dedicate themselves to documenting and writing about Ecuadorian architecture. By covering the now famous works of Al Borde, Daniel Moreno Flores, Natura Futura, Rama Estudio, among others, the couple have become the unofficial emissaries of their country.

We sat down with the couple for World Photography Day where they shared, not only their start in and work in photography, but the role of photography in contemporary architecture. 

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Videos

Automation is rapidly becoming a normalized part of many people’s daily lives and careers, a trend which has by no means evaded the construction industry. While this increasingly pervasive technology is often considered a symptom of the contemporary 21st century, however, one automated construction technology may have a history stretching as far back as the 1960s. This technology, the bricklaying robot, has transformed dramatically since its limited realization over 50 years ago, splintering into newer, more technologically advanced variations today.

In Asunción (Paraguay), the XI Ibero-American Architecture and Urbanism Biennial (XI BIAU) have presented the winners of the Panorama de Obras section (Projects Panorama) of this contest edition, "all faithful to the spirit of the XI BIAU: living, the inhabitant," according to the organization.

Among 997 proposed works throughout Latin America, 17 architectural works —predominantly public projects— built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay and Venezuela are the winners of the XI BIAU.

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In Asunção, Paraguay, the XI Ibero-American Biennial of Architecture and Urbanism announced today the winners of the Panorama of Works section for this edition of the event, "all faithful to the spirit of the XI BIAU: inhabiting, the inhabitant," according to the organizers.

Out of 997 projects in Latin America, 17 architectural works—predominantly for collective use—built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay, and Venezuela were awarded.

It's very likely that you are reading this text in an interior space with the lights on. For most people, modern living entails spending most of the day in closed rooms, bathed in a sum of artificial and natural lights. Yet while artificial light has afforded mankind incalculable possibilities, it has also caused some confusion in our bodies, which have evolved for thousands of years to respond to the stimuli of sunlight in the day and darkness at night. This responsiveness to natural light is called the circadian rhythm or cycle, and describes the 24-hour biological cycle of almost all living beings. Circadian rhythms are primarily influenced by light reception, but temperature and other stimuli also play a role in the process.

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