In contemporary urban design, spatial organization, mobility, the demand for new connections, and the boundaries established between public and private space have increasingly become the focus of discussions surrounding the future of global cities, and equally so in Brazil. Under this model of rapid growth, certain built structures have created urban barriers, presenting distinct obstacles.
Working hand-in-hand with a wide range of product manufacturers and suppliers allows us to access valuable information to support design and construction processes using different types of materials.
To make this knowledge readily available, we have compiled a series of guides, manuals, and tips covering everything from working with laminated wood and installing cladding, to applying protective finishes and varnishes. Read 12 useful articles below.
Last Thursday, Iphan—the National Institute of Historic and Artistic Heritage—announced the third public competition for permanent positions in the institution's history. Authorized by the Ministry of Planning, Budget, and Management, the competition will fill 411 permanent positions nationwide: 104 for Analyst I, 176 for Technician I, and 131 for Institutional Assistant I.
City Councilor Marielle Franco, who was shot and killed in Rio de Janeiro, had introduced a bill last December to establish a Technical Assistance program for Social Interest Housing in the city. “This is a historic demand of social movements and organizations linked to the field of architecture and urbanism, given the massive low-income population that needs designs and construction work to improve their housing conditions,” Marielle stated in the bill's justification. “It is also important to expand the number of examples of good design and construction practices in the city, contributing to the dissemination of these experiences.”
For Gabriela Etchegaray, curator of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale, “the exhibition draws on the language of muralism as a fundamental element in Mexico's history to reactivate reconstruction processes and collective identities. It represents the search for a shared perspective to confront the constant imbalances the country is forced to address. The disasters experienced in recent years emphasize a broader, mandatory ethical role for architecture; they urge us to build upon the territory with attention to the physical and cultural variables that determine design processes. The formulation of desires and fantasies is shaped by the echoes of its land, demonstrating that architecture should not be a reality in itself, but rather a discourse derived from reality.”
From the Arquia Foundation Blog, architect Adrià Guardiet shares an article reflecting on three perspectives on unfinished architecture—projects where time and their occupants play a central role.
Certain architectures work with time as a design variable. Some are conceived as open, dynamic, growing structures. Others operate around the memory of the site. To name just two examples.
In these projects, time is often introduced as an entelechy—that is, as a specifically intellectual device. Yet time appears far more explicitly when architecture is pending completion, left unfinished due to economic, political, biological, or other reasons. These are what we have come to call meanwhile architectures: projects that find fertile ground for development in unstable contexts.
“Ensuring, through built works, that those ideas explained with these words stand up will be the best proof that those ideas are valid and these words true.”
(Campo Baeza – “The Built Idea”).
The Mendoza Association of Architects CAMZA has announced a new edition of Architecture Month MDA2018 under the theme "The Built Idea," to be held from August 28 to 31 at the Nave Cultural in the city of Mendoza.
The Instituto Tomie Ohtake AkzoNobel Architecture Prize has announced the selected projects for its 2018 edition. In its fifth year, this is the first time the prize has selected 13 finalist projects, rather than 10 as in previous editions.
Torre Helea is a residential building designed by Bulnes Arquitectos currently under construction in Puebla, Mexico's second fastest-growing city. This project is an architectural response to the significant challenge of catering to the most demanding segment of the local real estate market. The qualities that define Torre Helea recently led it to be nominated for the 2018 World Architecture Festival in the residential category.
Featuring a geometry that stands out in its context, this 33-story tower with a stepped rise will include 93 residences and over 41,000 square meters of built area. Each floor features three rectangular apartments arranged radially like a propeller, which in turn rotates 15 degrees counterclockwise at each level as it ascends to a total height of 142.5 meters.
In a city like Lima, where cars continue to gain ground over pedestrians, a competition that attempts to reverse this dual inertia by prioritizing the pedestrian use of urban spaces is highly welcome—allowing people to not just cross a vehicular roundabout, but to linger in a plaza, for example. One only has to look at the finalist proposals to understand these aspirations, all of which present plazas of high architectural and artistic quality. If we can imagine it, we can make it happen. Beyond the results, each project inspires and paves the way for new ways of rethinking and cohabiting the city through public space.
The Paz Soldán roundabout, an iconic, central location and one of the busiest points in the San Isidro district, will be given a new lease on life thanks to a comprehensive transformation that will convert it into a public plaza. The Plaza Paz Soldán National Competition, sponsored by the Municipality of San Isidro and Grupo Centenario, and directed by architect Gary Leggett, invited architects and artists to collaborate on proposing a public space to serve as a gateway to El Olivar forest. The call for entries received a massive response, with 160 teams registering and 60 architectural projects submitted.
An island is, by definition, a piece of land entirely surrounded by water; in this sense, the element of water serves as a limit, a boundary, and, at the same time, a place.
Hotel Punta Caliza, designed by Estudio Macías Peredo Arquitectos, employs these very concepts so that this naturally salty, aquamarine liquid itself becomes an island—acting as both center and surface, bounded by the built structure to form a cohesive whole that surrounds, contains, and shapes the water.
.jpg?1522936562&format=webp&width=640&height=580)
Launched in 2013, the initiative to establish an Architecture Prize presented a wealth of challenges for the Instituto Tomie Ohtake and its partner AkzoNobel. Its primary objective was to map contemporary Brazilian architecture, focusing specifically on the work of emerging professionals. This ambitious and unprecedented goal set it apart from traditional architectural competitions, not only by encompassing a broader spectrum of categories but also by championing a niche distinct from the output of already established, award-winning firms.
The text below presents a brief summary of the past editions of the International Architecture Biennale of São Paulo, coinciding with the announcement of the curatorial team for the 12th edition. If you are looking for a research source on the first ten editions of the event, we suggest the book Arquitetura em Retrospectiva: 10 Bienais de São Paulo, by Elisabete França, which offers an excellent overview of the paths taken by the exhibitions and shows how the architecture biennials became the preferred venue for promoting Brazilian production, ultimately joining the official calendar of events for the city of São Paulo.
“Progress” is certainly a word that symbols what the 1940s represented for the city of São Paulo. As developments flourished in the fields of art and architecture, new landmarks materialized from the fusion of these two disciplines, such as the Museum of Modern Art of São Paulo (MAM)—an institution inaugurated in 1948 that showcased the height of what was then considered modern.
As part of the celebrations for the 76th anniversary of the Colegio de Arquitectos de Chile, the 2018 CA Awards ceremony will take place next Friday, August 3, at the Club de la Unión. The awards are presented by the Chilean association to the country's outstanding practitioners and role models in the discipline.
This year, for the first time, the Dora Riedel, Eliana Caraball, and Regional Architecture Awards will be presented, expanding the scope of the Chilean honors.
Below are the nominees in the twelve categories of the 2018 CA Awards:
Architecture does not illustrate or imitate ideas born from philosophy, literature, painting, or any other form of artistic representation; rather, it constitutes a mode of thought in its own right: architectural thought. This way of thinking and making requires its own tools as the only means of translating these ideas into something concrete, something real, capable of communicating on its own. One of these tools—perhaps the most indispensable—is drawing.
The IHA is considered the world's most important architectural prize for high-rises. It is aimed at architects and developers whose buildings are at least 100 meters tall and were completed in the last two years. The jury consists of architects, structural engineers, real estate experts, and architecture critics. They evaluate the nominated projects based on the following criteria: future-oriented design, functionality, innovative construction technology, integration into the urban context, development schemes, sustainability, and cost-effectiveness. This year, the five finalists chosen from 36 nominees across 15 countries have finally been announced; among them is Torre Reforma, designed by Benjamín Romano.
Designing spaces intended for the exhibition of furniture pieces with high structural, ergonomic, artistic, and historical complexity requires a distinct design approach, as the goal is to showcase the product while persuading the viewer-client to purchase it. In Brazil, prime examples such as the Forma store (1987), Micasa (2004), Casa Matriz (2004), Micasa Volume B (2007), Ouvidor (2013), Dpot (2016), Líder (2016), and Micasa Volume C (2017) stand out for masterfully combining these principles. Generally speaking, they provide the “white box” required as a backdrop—akin to works of art within the neutrality of exhibition spaces—while arranging the pieces to evoke the desire to buy.
The Belo Horizonte Municipal Secretariat of Culture has reopened the Pampulha Art Museum following a suspension of its projects, exhibitions, and the Bolsa Pampulha program. Since the 16th of this month, visitors can participate in the *Museu por Dentro* (Museum from Within) project, which offers a closer look at the museum's history, architecture, and collection, as well as its surrounding landscape.
The new initiative offers various activities, such as a guided tour of the building's interior and telescope viewing of the Pampulha Modern Ensemble, which includes the Church of Saint Francis of Assisi, the Casa do Baile, the Yacht Tennis Club, the Kubitschek House, and the Art Museum itself.
On Wednesday, December 5, the winning project of the Paulista Para Todos Ideas Festival was announced. An initiative of Esquina.net.br, the competition featured four teams of São Paulo-based architecture firms (FGMF + Erê Lab, Königsberger Vannucchi Arquitetos Associados + Mauricio Alito, Nitsche Arquitetos + Petro Fontes, and Paulo Mendes da Rocha + Nadezhda Rocha). They were evaluated by a jury comprising Carlos Leite (urban planner, PhD, professor at FAU Mackenzie, director of Stuchi & Leite Projetos e Consultoria, and former director of São Paulo Urbanismo), Sol Camacho (curator of the Brazilian Pavilion at this year's Venice Architecture Biennale and director of the Lina Bo Bardi/Casa de Vidro Institute, a graduate of the Universidad Iberoamericana in Mexico with a Master in Urban Design from Harvard University), and Renato Schermann Ximenes de Melo (partner at Mattos Filho, Veiga Filho, Marrey Jr e Quiroga Advogados).
São Paulo, like so many other Brazilian cities, has a standardized, monotonous, and gray architecture, with its aesthetic defined by real estate developers and builders, offering very little architectural value.
To be sure, there are highly significant buildings—including historical downtown classics like the Martinelli Building, modernist examples by Rino Levi and Artacho Jurado in Higienópolis, and contemporary experiments in Vila Madalena designed by Isay Weinfeld and Triptyque. Unfortunately, these examples are few, dwindling to almost zero as we move toward the outskirts.
I am obsessed with the idea that we can change this reality by hacking existing buildings, fostering a new urban identity, boosting civic pride, improving quality of life, and promoting innovation and sustainability at viable costs.
From the desk of Rogelio Salmona, with a wonderful view of Torres del Parque in Bogotá, we present our selection of the best Colombian architecture photography, captured by the followers of ArchDaily Colombia on Instagram.
Remember to tag your Colombian architecture photos on Instagram with the hashtag #ArchDailyCo for a chance to be featured in our upcoming roundups.
It was in Granada, specifically at the Alhambra Palace, where on October 14 and 15, 1952, a group of Spanish architects including Miguel Fisac, Secundino Zuazo, and Fernando Chueca met to reflect on and establish a new direction and foundation for modern Spanish architecture. The outcomes of that meeting were summarized in a document whose tenets remain remarkably relevant today, known as the Alhambra Manifesto [pdf].
Sixty-five years later, under vastly different historical, social, and cultural circumstances, architects from across Spain are gathering once again in Granada for the III National Congress on the Future of the Architect. Running from yesterday, Thursday, April 11, to tomorrow, Saturday, April 13, the event serves as a platform to share experiences, analyze the current state of the profession, and debate the future possibilities of this exciting field.
Fábrica Puigneró is a project by Santi Julià Xercavins and Bernat Pedro Planas, focusing on the adaptation of abandoned industrial infrastructure in towns that were once heavily dependent on industrial production.
For their final thesis project at the Universitat Politècnica de Catalunya, the authors designed a comprehensive intervention for the former Hilados y Tejidos Puigneró textile mill in the town of Sant Bartomeu, Spain. "This transformation and retrofitting of the factory aims to generate a new livable framework, utilizing selective demolition and the integration of public space as its primary strategies," the authors explain.
A project developed for the Rio 2016 Olympic Games has been awarded Gold in architecture at the 2018 iF Design Award. The Dancing Pavilion, designed by architect and designer Guto Requena for the Olympics in Brazil, has just received the Gold Award, the highest architectural category of the iF Design Award. The trophy was presented to the designer during a ceremony in Munich, Germany, in March. According to the jury:
