This article was originally published on May 25, 2015. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Before the impossibly “super-thin” tower became ubiquitous on the Midtown Manhattan skyline, Raimund Abraham’s Austrian Cultural Forum challenged the limits of what could be built on the slenderest of urban lots. Working with a footprint no bigger than a townhouse (indeed, one occupied the site before the present tower), Abraham erected a daring twenty-four story high-rise only twenty-five feet across. Instantly recognizable by its profile, a symmetrical, blade-like curtain wall cascading violently toward the sidewalk, ACFNY was heralded by Kenneth Frampton as “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Museum of 1959.” [1]
This article was originally published on July 29, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City Music Hall in Manhattan was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive Rockefeller Center, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant Art Deco interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.
With the aim to create the self-proclaimed "Central Park of Lakeland," global design firm Sasaki is converting Bonnet Springs Park in Central Florida from a former CSX railyards property to an ecological hub. Initially, a vacant brownfield, the site is currently undergoing environmental remediation to tackle the years of industrial damage, with plans to be open to the public by 2020.
HOUSING: WHAT’S NEXT? FROM THINKING THE UNIT TO BUILDING THE CITY
During the twentieth century the world population increased at a higher rate than at any other period in time, from around 1.5 billion people in 1900 to nearly 7 billion today. Facing these figures, it is impossible not to think about what we have done to accommodate this population, or rather, what all these people have done to obtain housing. Figures indicate that although we have been able to build large quantities of houses, and have begun to cover the quantitative deficit, today the great challenge is to improve the quality of the existing housing stock. At a time in which this effervescent population growth persists–particularly in the geographical regions of the Global South and in emerging economies–the question is how do we change the paradigm and start thinking about housing in relation to the quality of the urban fabric to build better cities.
In its 27th year, Pasadena Heritage will present the Annual Craftsman Weekend on November 9-11, 2018. The weekend will feature house tours of notable Craftsman properties, along with bus and walking tours of the surrounding neighborhoods. Other events scheduled include a 'Show and Sale' with exhibitors of antique and contemporary furniture and decorative arts, a silent auction, workshops, and presentations. In addition, Pasadena Heritage will be offering exclusive receptions at historic locations throughout the weekend.
Download the information related to this event here.
This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Built in the early days of airline travel, the TWA Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. Eero Saarinen sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.
This AD Classic features a series of exclusive images by Cameron Blaylock, photographed in May 2016. Blaylock used a Contax camera and Zeiss lenses with Rollei black and white film to reflect camera technology of the 1960s.
This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”[1]
Christian Dickson, The Mark of Cain and Cain’s Mark. Thesis, 1991-92.
This exhibition celebrates The Irwin S. Chanin School of Architecture's experimental and influential pedagogy by presenting undergraduate Thesis projects completed at the school over the past 50 years.
.jpg?1431981450 "The director's office that occupies the box-like protrusion on the southern facade. Image © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York")
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_8591V4.jpg?1538845493 "© Costea Photography, Inc.")
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