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Architects: LXSY Architekten
- Area: 600 m²
- Year: 2015

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The Landhaus Lemke is a private residence designed by Mies van der Rohe in 1932, while he was working as the director of the Bauhaus. Completed one year later, the Mies van der Rohe House is filled with rich history and is focused today on organizing exhibitions by contemporary international artists in dialogue to the architecture of the house.



A symposium on the occasion of the exhibition opening Two Sides of the Border: Reimagining the Mexico–United States Region by Tatiana Bilbao and Nile Greenberg at Aedes Architecture Forum

A collaboration between ANCB and the Centre for the Future of Places at KTH Royal Institute of Technology, Stockholm.

With this exhibition of drawings by Hans Poelzig, the Museum for Architectural Drawing in cooperation with the Architecture Museum of the Technical University Berlin present the work of an architect who, with Walter Gropius, Bruno Taut, Mies van der Rohe and Peter Behrens, was undoubtedly one of the most important German architects of the first half of the 20th century.
His oeuvre was diverse as his personality was colourful: in parallel with his architecture, he painted and created stage designs and film sets. He was director of the School of Art and Design in Breslau and later taught at the Technical High School of Charlottenburg, Berlin.

With this first comprehensive European exhibition the Aedes Architecture Forum presents the work of Kashef Chowdhury/URBANA from Bangladesh, who received the prestigious Aga Khan Award for Architecture in 2016 for the Friendship Centre on the flood plains of Gaibandha in northern Bangladesh. With further projects such as the Gulshan Society Mosque in Dhaka and the Cyclone Shelter in Kuakata, he gained widespread international acclaim. Careful arrangement of structures in areas marked by extreme climatic conditions, combined with local building techniques and materials, Kashef Chowdhury’s buildings are exemplary of an architecture that serves society with radical simplicity and poetry. With an atmospheric installation, the exhibition curated by Niklaus Graber and Andreas Ruby, invites visitors on a journey to Bangladesh and the architectural worlds of URBANA.


The role of architecture is to create strong and sustainable identities for cities and their communities. With well-conceived design, we can help things run more fluidly, improve people’s well-being, and make life more enjoyable. Every project is a unique expression of the ethos of its users, climate, and context. A built environment can be seen as a point of departure: it is where the architecture starts to communicate, the point from where it starts to interact with the public and its users.
Followed by a talk with Jette Hopp of SNØHETTA.



This article was originally published on November 2, 2015. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
As Norman Foster describes in his firm’s monograph, Foster 40, “Our transformation of the Reichstag is rooted in four related issues: the Bundestag’s significance as a democratic forum, an understanding of history, a commitment to public accessibility and a vigorous environmental agenda.”[1] Foster’s description sounds straightforward enough, but the process of creating the New German Parliament at the Reichstag was only the latest entry in the long, complex, and contentious history of the building.
