Victor Delaqua holds a Master's degree from FAUUSP (São Paulo). He is an architect and urban planner from UFSC (Florianópolis) and studied at the Polytechnic University of Valencia. A contributor to ArchDaily since 2012, he is the Head of Newsletters. Professionally, he also works in exhibition and set design.
Methods of shading facades and preventing direct solar radiation from entering a building's interior have been present since ancient architecture. However, modern architecture popularized the use of the brise-soleil, one of the most widespread passive climate control devices, which shades spaces while allowing for cross-ventilation when necessary.
Today, May 18, is International Museum Day, celebrated under the theme "The Future of Museums: Recover and Reimagine." Amid the pandemic landscape imposed by COVID-19, some museums have reopened with major restrictions, while many others have remained closed. Regardless, these institutions have begun to reconsider their models and redefine their role in society. In this sense, the pandemic catalyzed a shift in exhibition formats, bringing new solutions and innovations to the public, such as virtual tours.
Far beyond mere repositories for books, libraries are spaces that, through the preservation of culture and knowledge, transform into places for gathering and exchange. Much like a book, they provide fertile ground for cultivating new ideas. To mark World Book Day, we present a selection of recently built libraries from around the world.
Modern architecture, in its early days, was based on innovative technologies of construction and a rejection of ornament, which established the use of straight lines in building design. However, thanks to the plasticity of concrete and other materials, new patterns began to emerge, resulting in more organic and curvy lines.
Rendering has become indispensable to most architectural offices. To understand how these images can assist during the design process, how they have evolved, and especially, what aspects should be considered to create an outstanding visualization of a project, we talked to Guilherme Bravin and Marcus Vinicius Damon, co-founders of Estúdio Módulo, and coordinators of {CURA}, an open architecture school focused mainly on architectural visualization.
Imagining and experiencing alternative ways to understand the relationship between the human body, space, and the ideas that connect it to the world was one of the central themes that Hundertwasser brought to light. The Austrian artist and architect, born in 1928, dedicated much of his work to environmental issues, expressing his perspective through the theory of the five skins: the epidermis, clothing, the home, social identity, and the world. Due to its universality, this concept retains a contemporary relevance.
In this episode of “Behind the Scenes”, where we showcase the work of visionary artists and ask about their experiences beyond what is seen by the public, we are presenting Nicolás Castagnola: an illustrator, animator, and architect born in Buenos Aires and based in Berlin. Through his illustrations and animations, he brings different meanings to architecture by opening an imaginative field about the infinite possibilities that the built environment can provide.
"The image provided by Brutalism, an architecture of sensual extremes, is often an extraordinary and unfamiliar experience for the city explorer. There can be something aggressive and a bold vocabulary (...) in the expressive palette that displays the truth of its materials and a disdain for the frivolous." This is how Simon Phipps [1] describes the fascination that Brutalist works still hold for us today. Yet, what does it mean to think about this architecture in 2021?
With a foundational career as a professor at FAUUSP, serving for 15 years at the São Paulo Municipal Planning Department and as an urban planning consultant for municipal, state, and federal agencies, Flávio Villaça will be remembered for his professional integrity and as one of Brazil's most prominent urban theorists. His intellectual work shaped generations of architects and urban planners, fostering a critical perspective on Brazilian cities—their development, inequalities, segregation, and potential.
At ArchDaily, we always aspire to provide our community with all the tools and knowledge to help imagine, design, and build better cities. In order to bring inspiration and present more about what goes on beyond a complete project, we are launching a new series titled “Behind the Scenes”, where we showcase the work of visionary photographers, artists, and curators, and ask some questions that allow them to share more of what they do with the world. In every episode, we will be sharing with you the answers, along with images and videos of their work.
Kicking off the series is London-based architectural photographer Edmund Sumner.
With a formal and material approach that differs from the scenarios we usually find in Architecture, Lacaton & Vassal —a French practice that marks its influence in contemporary times by being awarded the Pritzker Prize 2021— brings an open and generous vision to the field.
The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.
Ancestral, but overshadowed by other technologies that have emerged over time, the rammed-earth walls are again gaining prominence in Brazil for being a low-impact, sustainable and economical solution. Known in Portuguese as taipa, it is a rudimentary construction system that compresses the earth into wooden boxes until it reaches an ideal density that allows a resistant and long-lasting structure.
The connection between interior and exterior is almost always cited in architectural projects. After all, bringing glimpses of the outdoor space into a building is one of the most widely used devices when thinking about the well-being of its inhabitants. In addition to contact with the surrounding landscape, an important factor of this strategy is allowing natural light into the space, as it can convey a visual message that transforms spatial perception.
Wood in architecture, when properly managed, is often associated with sustainability but also with a sense of comfort and coziness. Well-designed joinery can provide versatility and uniqueness to interior design, among so many other benefits.
In 2020, the amount of time we spent inside our own homes increased significantly, and these changes undoubtedly impacted how we experience residential space. Reevaluating the quality of these places became essential, adding an extra layer of complexity to apartment design. Ensuring comfort in every room, expanding the sense of space in small areas, or making the home more versatile are some of the challenges imposed and solved in various ways.
Brazilian architect Carol Bueno, born in 1975 and co-founder of the French-Brazilian firm Triptyque Architecture, passed away early Monday morning after battling brain cancer for the past year.
Across much of Brazil, the climate allows for the daily use of outdoor spaces. From the simplest backyards to backyard annexes equipped with barbecues and ovens, outdoor cooking is deeply rooted in the local culture. This practice has become even more prominent in light of the lessons learned from the pandemic, as open-air spaces tend to be safer. With this in mind, we have compiled twelve outdoor kitchens—or kitchens that open up completely to the outdoors—to provide design inspiration for this type of space.
.jpg?1617308349 "Photo: Martin Abegglen from Bern, Switzerland, CC BY-SA 2.0 , via Wikimedia Commons")
.jpg?1617308454 "Main facade of the KunstHausWien Museum by Friedensreich Hundertwasser (Vienna, Austria). Photo: Jules Verne Times Two / www.julesvernex2.com, CC BY-SA 4.0 , via Wikimedia Commons")
0090BB.jpg?1616694288 "Naila House. Photo: © Edmund Sumner© Edmund Sumner")
0019_BB.jpg?1616694314 "Naila House. © Edmund Sumner")
