You are likely familiar with the story of a man who received a divine command to build an ark to shelter his family and animals of every species, saving them from a great deluge. This flood narrative, known as the story of "Noah's Ark," is found not only in the Bible but also in the Quran and many other cultures—with the Sumerian "Epic of Ziusudra" being the oldest known flood myth, dating back to 2000 BCE. These examples show that the forces of nature, by taking center stage in religious teachings, were already recurring concerns that inspired both fear and respect in early civilizations.
A24 and Atomic Monster have recently confirmed a movie adaptation of The Backrooms, a Youtube short horror film (expanded to a series) created by 17-year-old director and VFX artist Kane Parsons.
Based on the namesake creepypasta, The Backrooms is set in a seemingly infinite labyrinth of yellow-tinted, carpeted office spaces, bathed in fluorescent indoor lighting, like an abandoned building, in 1996. Its kitsch corporate aesthetic is reinforced by the imitation of the VHS tape recording style that allows Parsons to hide imperfections (or avoid an uncanny valley effect) of a simple 3D scenario created in Blender and edited in Adobe After Effects during the post-production stage.
“Our planet is choking in plastic,” states the United Nations. While the man-made material has many valuable uses, our addiction to single-use plastic products has led to severe economic, health and environmental issues. Roughly one million plastic bottles are purchased every minute, and five trillion plastic bags are used every year worldwide –used just once, then thrown away. Plastics and microplastics have found their way into every corner of our natural environment, from the peaks of the highest mountains to the depths of the deepest oceans. So much so, that they have become part of the Earth’s fossil record and created an entirely new marine microbial habitat known as the “plastisphere.”
When lockdowns first hit and retailers were forced to shut up shop, many took to the digital high street instead, with those investing hardest and quickest in their online personas invariably winning the battle for our bookmarks. As the world opened again, some kept both their physical and digital presence in a hybrid model, while others chose to remove themselves from bricks and mortar altogether.
As we become more accustomed to using both models together, it’s clear that physical retail spaces can offer sensorial experiences that the digital simply can not – yet. These four projects buck the online retail trend and encourage consumers – and therefore other retailers, too – to move back into the physical, by turning the act of shopping into an exciting, invigorating, or relaxing luxury pastime, rather than a chore.
On January 13, the City of São Paulo, through the Municipal Secretariat of Urban Development and Licensing, published the draft bill for the mid-term review of the Strategic Master Plan (PDE)—the city's primary urban planning and development tool. In the draft, which is open for online public consultation and civil society feedback until February 17, the most controversial aspect involves changes to the parameters determining the number of parking spaces allowed in new residential developments near public transit infrastructure, such as subway and train stations, and bus corridors.
The Brick Award is an internationally established award that presents outstanding brick architecture from all around the world. Independent architecture critics, experts, architects and developers are invited to submit innovative and creative buildings and other construction works made of clay building materials. The spectrum of applications ranges from building solutions using classic clay blocks, facing bricks and roof tiles to the creative application of clay pavers and ceramic façade panels.
Ceilings were once a symbol of grandeur and opulence, adorning grand buildings, churches and palaces with their intricate and elaborate designs. We still find ourselves looking up in awe at these mesmerizing historical buildings, with our eyes drawn to their magnificent vaulted ceilings, remarkable truss structures or distinctive works of art depicting mythology, historical events and landscapes. Contemporary design, on the other hand, has shifted towards a sleek, minimalistic aesthetic; one where plain white ceilings have become the norm in most modern buildings. As Rasmus Wærn and Gert Wingårdh suggest in their book What is Architecture? And 100 Other Questions, “Ceilings have devolved from being the focal point of a room to being a zone for mechanical equipment.” And yet they have extraordinary creative potential.
UnB Faculty of Architecture and Urbanism. Photo by Murilo Abreu, via Flickr. Licensed under CC-BY-2.0
The purpose of this article is to expand on the relevant debate proposed in Marília Matoso's piece, titled We Need to Rethink Architecture Programs, published on ArchDaily in January 2023. Indeed, rethinking architecture education is a task that is not only necessary but also urgent. However, I believe this discussion is inseparable from debates about the profession itself and how we educate future professionals. Rather than simply attempting to formulate definitive answers, I think it is important to raise further questions that contribute to our collective reflection.
Over the last two decades, the reach of public transit and ridership in one of the world's largest cities, São Paulo, have grown, reducing the share of trips made by car. Yet, despite exceptionally strict restrictions on certain cars and trucks during business hours, congestion—as conventionally understood—remains virtually unabated.
https://www.archdaily.com/1136068/sao-paulo-needs-a-congestion-chargeStephen H. Graham
While the architecture and construction industry has been advancing in new fields for years, it remains one of the most lagging in terms of automation and efficiency. And indeed, while many of these innovations never progress past the experimental stage, we face a sobering reality: the sector is one of the largest producers of pollutants and waste worldwide. How can we reverse this trend?
Architecture is a referential discipline. From ziggurats, machines for living, to contemporary biophilic high-rises designs, it is impossible to know whether ideas are genuinely novel or whether they have been conceptualized before. Artificial intelligence has ignited the conversation on intellectual property (IP) even more. As millions generate unique graphic work by typing keywords, controversies have arisen, specifically concerning protecting creative work and the Copyright of architects in their creations. Therefore, understanding the scope of what is protected helps determine whether licenses are sufficient, whether trademark registration's long road is worth it; or perhaps a graphic piece cannot be protected and belongs to the public domain.
Selecting materials for an architectural project is an art form in itself. From the ruggedness of stone to the transparency of glass, materials and their unique qualities can set the tone, influence the mood and define the atmosphere of any interior. They have the power to transform a cold, sterile room into a warm and inviting sanctuary or a modern and sleek environment. Functionality and comfort are also closely tied to material selection; for example, durable, low-maintenance materials like terrazzo are an ideal choice for high-traffic areas, while the softness of carpet or fabric can provide a sense of coziness in hospitality settings.
Pretentious as it may sound, we can say with certainty that bamboo is one of the most promising materials for the future of the construction industry. Neil Thomas, principal engineer at atelier one, says that if we were to design an ideal building material, it would look a lot like bamboo. This is because it grows very fast, is present in many countries around the world, has a highly efficient cross-section, and has impressive load-bearing strength. But beyond its structural use in its raw form, bamboo is also a material that allows a high level of processing and can be laminated for flooring, fixtures and, as we will see in this article, for Structural Engineered Bamboo (SEB) structures, which are very similar to Engineered Wood. We spoke with Luke D. Schuette, founder and CEO of ReNüTeq Solutions, LLC, a company in St. Louis, Missouri, that has been working with this structural material technology.
Today, February 17, the exhibition "Urban Transformation: Sordo Madaleno Arquitectos" opens at the Palacio de Cultura Citibanamex - Palacio de Iturbide in Mexico City. Organized in collaboration with the Banco Nacional de México, through Fomento Cultural Citibanamex, A.C., and the Fundación Sordo Madaleno A.C., the exhibition chronicles the firm's 85-year history. It constructs a narrative drawn from more than 450 projects, presenting a curated selection of 62 architectural works built in Mexico and abroad to serve a variety of programs.
With 55% of the world's population living in cities, the concept of circular economy is increasingly prominent in discussions on architecture and urbanism. The goal of circularity is to reduce the environmental impact of the current production and consumption model through the efficient use of material resources and waste reduction. But how can this idea actually be applied to cities?
In September 2022, Ricardo Carvalho and Leonardo Monastério published the paper FAR Regulations and the Spatial Size of Brazilian Cities. Available at the link above, the study evaluates the influence of density restrictions on the expansion of the urban footprint.
The term FAR, or floor area ratio, é known in Brazil as the *coeficiente de aproveitamento máximo* (maximum CA). This metric is the ratio between the total built area permitted by law on an urban plot and the plot's total area. Therefore, if a 200 m² plot has a maximum CA of 3, the building permitted on that site cannot exceed 600 m² of total built area.
The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.
This week, the Museum of Modern Art officially launches a new series of exhibitions entitled Architecture Now. According to MoMA, “The first iteration of the series, New York, New Publics, will explore the ways in which New York City–based practices have been actively expanding the relationship of metropolitan architecture to different publics through 12 recently completed projects.”
The exhibition will showcase public-facing work, such as parks, community gardens, and pools, by Adjaye Associates, Agency—Agency and Chris Woebken, CO Adaptive, James Corner Field Operations, Kinfolk Foundation, nArchitects, New Affiliates and Samuel Stewart-Halevy, Olalekan Jeyifous, Only If, PetersonRich Office, SO – IL, and SWA/Balsley and Weiss/Manfredi.
As part of the FUGAZ Greater Concepción Urban Interventions Festival, a team comprising Álvaro Parraguez, Beatriz Harriet, Bárbara Schumacher, Josefa Acevedo, and Luis Cambiaso developed an installation at the Villarrica coastal resort in Dichato (Concepción, Chile) that won the 2022 Ephemeral Installations Competition. The competition called for an ephemeral installation to serve as a functional venue for the festival, accommodating various daytime performances and activities across dance, theater, music, and other disciplines.
The TEMA Pavilion Competition was established to give young architects and students from the University of Guadalajara community the opportunity to design ephemeral projects that express ideas beyond the typical demands of an architecture or design school.
With more than 900 projects in over 40 countries, every project that Zaha Hadid Architects designs and builds has an impact on the narrative of contemporary architecture. At ArchDaily, we know that each architectural project has a team of professionals behind it which makes it possible. In this edition of the ArchDaily ProfessionalsVideo Interviews, we talked to Johannes Schafelner, associate director at Zaha Hadid Architects, and Enrique Peiniger, founder of OVI-Office for Visual Interaction about their long-standing collaboration in projects merging design and lighting.
The Design Center Baden-Württemberg has opened the call for submissions for the 2023 edition of its Focus Open International Design Award. As a non-commercial design prize, the Focus Open offers particularly low barriers to participation thanks to its moderate fees, while providing a high level of visibility from which, in the event of an award, smaller agencies, design studios and companies, in particular, can benefit. Entries can be submitted in a total of 14 categories including Bathroom, Kitchen, Light, Mobility, Investment products, Sport and Mobility.
Within the scope of construction, a budget is a technical planning tool that forecasts project expenses, combining materials, labor, monthly overhead, and indirect costs. Nevertheless, many risk starting a build without a detailed budget, often falling into the traps of an unplanned project—which is invariably more expensive and time-consuming than anticipated.
In civil construction, a budget is a document that outlines all the services to be executed during the project, totaling the necessary materials and required labor. In addition, the budget can factor in fixed monthly operational costs, such as utilities, or include an extra percentage for contingencies.
Walking down the streets of cities like Hanoi and Saigon in Vietnam, you might encounter houses with surprisingly narrow facades in contrast to the stacking of three to five floors, with windows for ventilation and natural light only on the front facade. These are the famous traditional Tube Houses. According to ancient popular culture, this type of housing emerged due to property taxes being based on the width of the facade, but the true reason is to optimize land use, allowing a larger number of plots in the same square.
However, this legacy is now being recreated in contemporary designs by Vietnamese architects. Old facades give way to innovative solutions featuring atriums for natural lighting and ventilation, courtyards and interior gardens, greenery incorporated into different environments, split-levels, etc., allowing for high-quality spaces. With that in mind, we have put together a selection of Tube Houses, together with their respective section drawings. Check out below:
