Do you often find yourself complaining about a client’s lack of design sensibility? Do you frequently criticize the gap between renderings and reality? Do you often wish your architectural designs were closer to perfection?
How can these issues be resolved before a building is actually constructed?
There is only one answer: VR technology!
It allows clients to experience fully simulated designs, validating your ideas, while enabling designers to experience spaces beforehand to optimize their designs.
But what exactly is VR, and how powerful can it be?

Technological progress and development are increasingly shaping architectural design and representation. Because architecture inherently revolves around spatial experience, it provides a vast canvas for the application of VR technology. As a leading global provider of architectural VR technology, Sheencity has developed its core product, Mars, leveraging VR to allow projects to be immersively experienced and refined, while outputting animations and renderings at breakneck speeds. Directly compatible with the most common modeling software used by architects—such as SketchUp, Rhino, and 3ds Max—Mars instantly converts designs into VR scenes, delivering real-time rendering.

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Last May, the Canary Islands International Environmental Film Festival (FICMEC) celebrated its twentieth edition in Garachico, a small coastal town in northern Tenerife. On this occasion, a group of students from the School of Architecture at the Universidad Europea de Canarias participated in the festival by designing and constructing a series of four ephemeral architectural installations that boldly colonized iconic spots along Garachico's waterfront promenade.

Through four interventions, the students transformed the promenade with the dual goal of raising visibility for the festival and increasing public awareness of the impact of our daily habits on the environment.

Explore the proposals below.

It is a frequent observation that Brazilian cities have grown haphazardly, without proper planning. Likewise, it is often said that Brazil's urban legislation is modern, yet translating these best practices into reality remains a challenge. However, few people actually understand how the gears of urban planning work and how these mechanisms can help guide urban centers toward a better, more sustainable future.

After visiting numerous sites that have been the setting for tragic crimes against humanity and violent conflicts, one can make a simple observation: the space of collective memory is not solely confined to a memorial building that commemorates through names and stories. Particularly in Latin America, it is also a place evoked through gatherings and public demands.

Construction is complex. Anyone who has been on a construction site understands this. It is not just about having the right attitude and knowing how to lead a team of skilled craftspeople, masons, and specialists, but also about providing—or at least understanding—the right tools for them to perform each task in the best possible way.

While the construction knowledge gained during your university studies might be minimal until you have a few projects under your belt, learning to recognize the tools available on the market will not only help you save costs, but also speed up construction and reduce physical effort—delivering significant advantages.

Here, we present an overview of the different equipment, tools, and machinery most commonly used in architectural construction.

When it comes to design, the channels opened for information gathering are vital to the success of the process. The diversity and breadth of the audience to whom our questions and inquiries are addressed is so wide that we must design processes that allow everyone to contribute, and to do so constructively on a common playing field, as this is the only way to achieve a collective design. Through our experience, we have tested the effectiveness of different tools and selected those that we at Paisaje Transversal consider most effective.

Since it is always better to provide examples to understand and apply our work to reality, we have decided to use our project in Torrelodones to showcase these tools. This project involves the collaborative design for the remodeling of Pradogrande Park, a park of over 4 hectares located in the area of the Madrid municipality known as La Colonia, which extends through the urban center. The park's current use and the diverse activities it hosts—ranging from local festivals and occasional events to sports fields, play areas, and dog parks—make it even more critical to analyze every change and renovation alongside its users.

How, then, do we propose to listen to both the park and its users?

In early March, students, architects, and designers from Argentina gathered to bring their ideas to life in the second edition of Hello Wood Argentina, an international experience brought by local partners TACADI and MANDARiNA.

For this edition, the chosen theme for 2018 was "CON-TEXT"—a context we consciously build, where balance is achieved through the interaction of each of its parts, and what each part contributes is unique.

Discover the projects built in this edition below.

Designed by Cristian Fuhrhop, the project Arquitectura y Emergencia was chosen as the Grand Winner in the Degree Projects category of the Concurso Arquitectura Caliente 2018 (CAC 2018), a Chilean competition organized by the Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

Chile's status as a country exposed to disasters, whether natural or human-made, has prompted a continuous design dialogue on how emergency situations should be addressed through architecture. Seemingly without reflection, we have shifted our focus toward a relentless race to solve temporary housing issues, guided either by a bleak technical-efficiency bias or through practically unfeasible proposals that are completely disconnected from actual emergency management operations within the country.

Due to a clear lack of awareness regarding the national civil protection plan and architecture's scope of action in these matters, we have overlooked equally urgent needs, such as community facilities and services—which, in many cases, are precisely what trigger or worsen the issues of temporary housing. 

Women represent the majority on the streets and in public transit. Travel patterns and transport mode usage vary significantly by gender, largely because women still disproportionately shoulder domestic responsibilities, many of which involve caring for children. While gender issues remain overlooked in urban planning, the access of women with children to the city is a topic in even greater need of attention. Through the testimonies of several mothers, the everyday consequences of failures in urban planning and mobility on mothers and children become glaringly clear.

As part of our coverage of the 2018 Venice Biennale, we present the participation of the São Paulo-based firm GrupoSP: an installation titled "unnamed spaces" that is part of the FREESPACE exhibition. Below, the architects describe their contribution in their own words.

"Unnamed spaces" [espaços sem nome] was a term that professor and artist Flávio Motta [1] used to describe the free, generous, and open spaces of radical architecture that accommodated the unpredictability of life. They can also refer to the open spaces or clearings within our city.

Today, August 17, is National Historical Heritage Day, a date that honors the efforts to preserve assets of cultural, historical, and artistic significance across Brazil. This date coincides with the birth of historian and journalist Rodrigo Mello Franco de Andrade, who played a crucial role in founding the National Institute of Historic and Artistic Heritage (IPHAN). Established in 1937, IPHAN is the agency responsible for promoting and organizing the preservation of Brazil's National Cultural Heritage, aiming to “protect and promote the country's cultural assets, ensuring their endurance and enjoyment for present and future generations.” [1]

Frequently used in residential design as an extension of the roof slab, eaves have shed their modest dimensions and traditional role of simply protecting outer walls from rain. Today, they are being reinvented to create new living spaces, such as verandas, which seem to reinterpret the historic alpendre bandeirista and extend the interiors, blurring the boundaries between inside and out.

The Chilean firm Biourban Arquitectos has been awarded the design of the new bus terminal in Castro, located in the far south of Chile. The project will be situated in the historic center of the main city on Chiloé Island and will feature parking, a supermarket, a shopping mall, and an urban viewpoint.

"Part of the challenge of the new concession is to leverage the social and urban benefits of being in the heart of the city, with excellent accessibility to all basic services," the authors state.

For the third edition of Casa FOA, architects Giulia Carboni and Macarena Canales collaborated to create "Genderless Bathroom," a space that champions the shared, unisex nature of public restrooms. Guided by this concept and inspiration, the design focuses on gender-neutral restrooms constructed from planes of color and light.

Furthermore, the layout guides visitors along a path highlighting a mural by Santiago Ascui, where human figures facing mirrors fragment both the artwork itself and the reflections of those passing by. 

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Conversatorio FA is a project born out of the desire to create a space for reflection on contemporary thought, aiming to foster a dialogue enriched by diverse perspectives within these very spaces. It seeks to reclaim various spaces and generate new questions and inquiries through critical and pluralistic thinking in open university areas, fostering democratic dialogue on topics chosen based on student interests.

The structure of Conversatorio FA seeks to bring external guests closer to the community, establishing connections and raising new questions about the future of the profession. Past guests have included renowned figures such as Alberto Pérez Gómez, Néstor García Canclini, and, most recently, Carlos Amorales. As part of its eighth edition, an event was held focusing on gender perspective in architecture. It featured Argentine architect Inés Moisset, coordinator of the project "Un día, una arquitecta," and Zaida Muxí, author of several publications on gender perspectives and co-director of the Master's Laboratory of 21st Century Housing at the Polytechnic University of Catalonia.

In June, the Federal Government released the publication Urbanized Areas of Brazil 2015, produced by the Brazilian Institute of Geography and Statistics (IBGE) using images from the RapidEye satellite captured between 2011 and 2014. The mapping shows that the largest urbanized areas in the country are São Paulo, Rio de Janeiro, Brasília, Curitiba, and Goiânia. Together, these five urban agglomerations cover more than 2,500 km².

Aedas has unveiled its design for Alacarte Halong Bay Condotel, a new development in Vietnam's renowned coastal destination. Famous for its thousands of towering limestone karsts, Ha Long Bay is a UNESCO World Heritage Site. Occupying a prime beachfront plot, the Alacarte Condotel is designed to offer unobstructed views of this spectacular natural heritage.

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On Friday, December 22, 2017, the inaugural MUGAK Basque Country International Architecture Biennial opened the exhibition "The City We Lost: Urban Heritage Management in San Sebastián, 1950-2017" at the Santa Teresa Convent in San Sebastián, Spain. The exhibition showcases recognizable local buildings that have disappeared over the last few decades. 

Curated by the Áncora association, the exhibition traverses San Sebastián's neighborhoods to examine a city that now exists only in collective memory—specifically, buildings lost over the past seven decades. Stretching from Martutene to Igeldo, and including Alza, Amara, El Antiguo, and Ibaeta, the survey goes beyond the city's iconic heritage, looking past San Sebastián's most prominent areas to highlight other architectural works.

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Designed by Camila Chaler, the project Cloister Typology as an Opportunity for Urban Reintegration was selected as one of the ten winners in the Thesis Project category of the 2018 Arquitectura Caliente Competition (CAC 2018), a Chilean awards program organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

Santiago's urban fabric is home to numerous religious orders. These properties (convents and monasteries) are currently facing obsolescence because they operate under outdated models. This is due to two main factors: their urban incongruity, which isolates them as inward-facing cloisters within the city, and their programmatic obsolescence relative to the scale of the buildings, driven by a decline in religious vocations.

On Wednesday, February 28, global consulting firm Quacquarelli Symonds (QS) released the 2018 edition of its established annual ranking of the world's top universities. In the field of architecture, the Massachusetts Institute of Technology (MIT) in the United States secured the top spot for the fourth consecutive year.

Looking specifically at Latin America, the list shows some changes compared to the previous year, with a Mexican university returning to the top three. Regarding Brazilian institutions, however, the same four from last year—USP, UFRJ, Unicamp, and UFRGS—remain on the list.

Architect Antonio Miranda, writing for the ARKRIT Collective, invites us to reflect in this article on romantic subjectivism in criticism, presenting a simple example in defense of the objective criticism of the object, which speaks to us much more honestly and sincerely than the author of the work themselves. He puts this assertion to the test by comparing two famous buildings in Madrid's Plaza de España: the Edificio España and the Torre de Madrid.

What does the Swiss architect, urban planner, and Bauhaus director Hannes Meyer have to do with the eccentricity and ostentatiousness of US President Donald Trump? This article, written by the Arkrit Collective, reflects on this connection.

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Today, July 25, Sérgio Ferro celebrates his 80th birthday. Born in Curitiba, he graduated in Architecture and Urbanism from the University of São Paulo (FAU-USP) in 1962, where he was invited by João Batista Vilanova Artigas to join the faculty between 1962 and 1970, teaching Art History. In academia, he also taught at the University of Brasília (UnB) from 1969 to 1970. A multidisciplinary intellectual, architecture is only one of his many facets; he is also an accomplished visual artist.

Whenever I cross the imaginary line on the Monumental Axis connecting the National Congress to the Itamaraty Palace, catching a glimpse of the Three Powers Plaza from the top of the ramp leading into it, I am overcome by a genuine emotion that never fades with repetition. This privileged view of the plaza as a whole, flanked by its three main buildings and framed by the perspective of the Itamaraty Palace on the right, is an image comparable only to the great iconic urban spaces of the world.

The Three Powers Plaza is a contemporary construction that evokes classical urban planning tradition, whether that of the "people's Versailles," as Lucio Costa envisioned, or the ancient Greek agora. Yet, there are also references to the "plazas mayores" or "plazas de armas" of Iberian and Spanish-American cities, as well as the plazas of the Brazilian colonial period. This mix of influences could have resulted in a postmodern pastiche of styles were it not for Lucio Costa's genius in translating it into the clear, elegant synthesis of a modernist design, complemented by Niemeyer's architecture, which has already been so widely discussed and praised.