
For Caetano, true joy lies in the appropriation of the square, not the ballroom. However, this interpretation of Brazil's greatest cultural manifestation is not unanimous.
When samba emerged, between the 1900s and 1910s, Rio de Janeiro's official Carnival took place on Avenida Central and was geared toward the elite, following Belle Époque standards. Black, mixed-race, and impoverished residents were barred from the central streets during the festivities. Conversely, the Carnival of favela residents took place in backyards, terreiros de santo, and during feijoadas hosted by the “Tias Baianas”. It was a music of improvisation and challenge in rodas de samba. Nonetheless, despite the prohibitions, many residents from the morros (hillsides) and samba musicians defied the established order and marched in blocos through the city's central streets, earning significant prestige in their home communities.



















